標(biāo)題: Titlebook: Evolutionary and Biologically Inspired Music, Sound, Art and Design; 5th International Co Colin Johnson,Vic Ciesielski,Penousal Machado Con [打印本頁(yè)] 作者: relapse 時(shí)間: 2025-3-21 16:29
書(shū)目名稱Evolutionary and Biologically Inspired Music, Sound, Art and Design影響因子(影響力)
書(shū)目名稱Evolutionary and Biologically Inspired Music, Sound, Art and Design影響因子(影響力)學(xué)科排名
書(shū)目名稱Evolutionary and Biologically Inspired Music, Sound, Art and Design網(wǎng)絡(luò)公開(kāi)度
書(shū)目名稱Evolutionary and Biologically Inspired Music, Sound, Art and Design網(wǎng)絡(luò)公開(kāi)度學(xué)科排名
書(shū)目名稱Evolutionary and Biologically Inspired Music, Sound, Art and Design被引頻次
書(shū)目名稱Evolutionary and Biologically Inspired Music, Sound, Art and Design被引頻次學(xué)科排名
書(shū)目名稱Evolutionary and Biologically Inspired Music, Sound, Art and Design年度引用
書(shū)目名稱Evolutionary and Biologically Inspired Music, Sound, Art and Design年度引用學(xué)科排名
書(shū)目名稱Evolutionary and Biologically Inspired Music, Sound, Art and Design讀者反饋
書(shū)目名稱Evolutionary and Biologically Inspired Music, Sound, Art and Design讀者反饋學(xué)科排名
作者: Condyle 時(shí)間: 2025-3-21 23:30 作者: URN 時(shí)間: 2025-3-22 04:08 作者: Ondines-curse 時(shí)間: 2025-3-22 05:29
https://doi.org/10.1007/978-3-031-18060-6rticle swarm based SBR process. The algorithm and its implementation aspects are discussed in detail. Experimental results are presented showing the painterly rendering of input images and the extracted brush paths.作者: anthropologist 時(shí)間: 2025-3-22 11:32
Plecto: A Low-Level Interactive Genetic Algorithm for the Evolution of Audio,tial GA designs through the development of . (see .), a creative tool that evolves CTRNNs for the discovery of audio. We have found that the evolution of CTRNNs offers some interesting prospects for audio exploration and present some design considerations for the implementation of such a system.作者: 充滿裝飾 時(shí)間: 2025-3-22 14:12
Iterative Brush Path Extraction Algorithm for Aiding Flock Brush Simulation of Stroke-Based Painterrticle swarm based SBR process. The algorithm and its implementation aspects are discussed in detail. Experimental results are presented showing the painterly rendering of input images and the extracted brush paths.作者: 充滿裝飾 時(shí)間: 2025-3-22 19:59
Conference proceedings 2016ncluding generative approaches to music, graphics, game content, and narrative; music information retrieval; computational aesthetics; the mechanics of interactive evolutionary computation; and the art theory of evolutionary computation..作者: Perineum 時(shí)間: 2025-3-23 00:35
https://doi.org/10.1007/978-3-319-43353-0ance to a target sound encoded in a fitness function. Opt-aiNet is capable of finding multiple solutions in parallel while preserving diversity, proposing alternative orchestrations for the same target sound that are different among themselves. We performed a listening test to evaluate the subjective similarity and diversity of the orchestrations.作者: 脊椎動(dòng)物 時(shí)間: 2025-3-23 04:35 作者: 時(shí)間等 時(shí)間: 2025-3-23 08:55 作者: 水土 時(shí)間: 2025-3-23 12:04 作者: 不能和解 時(shí)間: 2025-3-23 14:43
Wiley C. Davi,Duncan H. Spelman desired distances from each other. A number of melodies composed by the system are presented that demonstrate the algorithm’s ability to match the desired targets and the versatility created by the inclusion of the designed grammar.作者: 協(xié)奏曲 時(shí)間: 2025-3-23 21:15 作者: menopause 時(shí)間: 2025-3-23 22:44
Computer-Aided Musical Orchestration Using an Artificial Immune System,ance to a target sound encoded in a fitness function. Opt-aiNet is capable of finding multiple solutions in parallel while preserving diversity, proposing alternative orchestrations for the same target sound that are different among themselves. We performed a listening test to evaluate the subjective similarity and diversity of the orchestrations.作者: Tidious 時(shí)間: 2025-3-24 04:24
Evolving Atomic Aesthetics and Dynamics,l states. Pilot studies are presented in which the feasibility of this evolutionary approach is discussed and compared with the standard interface to the dS system. Still images of the resulting visual states are also included.作者: 樹(shù)木心 時(shí)間: 2025-3-24 06:45
Towards Adaptive Evolutionary Architecture, designs tailored to the individual preferences of inhabitants, changing the roles of architects and designers entirely. . is a philosophical approach conducted through artistic methods to anticipate the technological futures of human-centered development within architect.作者: GUMP 時(shí)間: 2025-3-24 14:08
Exploring the Visual Styles of Arcade Game Assets,on of a visual style demonstrate that a visually consistent set of spaceships can be generated, while experiments with constrained novelty search demonstrate that several distinct visual styles can be discovered by exploring along select, or all, visual dimensions.作者: FLAGR 時(shí)間: 2025-3-24 18:33
Grammatical Music Composition with Dissimilarity Driven Hill Climbing, desired distances from each other. A number of melodies composed by the system are presented that demonstrate the algorithm’s ability to match the desired targets and the versatility created by the inclusion of the designed grammar.作者: judicial 時(shí)間: 2025-3-24 21:39
,‘Turingalila’ Visual Music on the Theme of Morphogenesis, of those found in nature. A live performance of Turingalila forms the focal point of my oral presentation. It is prefaced by an examination of how artistic potential has been unleashed by Turing’s biological insights and concludes with comments on how Turing’s ideas are exerting an ever increasing impact in today’s world.作者: Soliloquy 時(shí)間: 2025-3-25 00:48
0302-9743 ; computational aesthetics; the mechanics of interactive evolutionary computation; and the art theory of evolutionary computation..978-3-319-31007-7978-3-319-31008-4Series ISSN 0302-9743 Series E-ISSN 1611-3349 作者: 審問(wèn),審訊 時(shí)間: 2025-3-25 04:19
Doaa Abdelnaeim,Hakeem Adeniyi Ajonbadiis updated implicitly by the way the coder uses the patterns. In this way, appropriate patterns are continuously generated and selected for throughout a performance. We present examples of performances, and discuss the utility of this approach in live coding music.作者: dyspareunia 時(shí)間: 2025-3-25 10:40 作者: Electrolysis 時(shí)間: 2025-3-25 15:25
Philosophy of Early Childhood Educatione presented results clearly indicate the appropriateness of the proposed representations for evolving images. Also, we give experimental evidence of the fact that the proposed representations have a higher locality compared to the compared expression-based representation.作者: Triglyceride 時(shí)間: 2025-3-25 18:01
https://doi.org/10.1007/978-3-031-66238-6responding parameters of the L-system – currently line length, width, color and turning angle. We describe the architecture of our system, based on a multi-agent simulation environment, and show the results of some experiments that provide support to our approach.作者: terazosin 時(shí)間: 2025-3-26 00:03
Augmenting Live Coding with Evolved Patterns,is updated implicitly by the way the coder uses the patterns. In this way, appropriate patterns are continuously generated and selected for throughout a performance. We present examples of performances, and discuss the utility of this approach in live coding music.作者: 項(xiàng)目 時(shí)間: 2025-3-26 01:06
Correlation Between Human Aesthetic Judgement and Spatial Complexity Measure,iments demonstrate the presence of correlations between a spatial complexity measure and the way in which humans are believed to aesthetically appreciate asymmetry. However the experiments failed to provide a significant correlation between the measure and aesthetic judgements of symmetrical images.作者: Barrister 時(shí)間: 2025-3-26 07:33 作者: compose 時(shí)間: 2025-3-26 10:06
Evolving L-Systems with Musical Notes,responding parameters of the L-system – currently line length, width, color and turning angle. We describe the architecture of our system, based on a multi-agent simulation environment, and show the results of some experiments that provide support to our approach.作者: 走調(diào) 時(shí)間: 2025-3-26 13:23
0302-9743 logically Inspired Music, Sound, Art and Design, EvoMUSART 2016, held in Porto, Portugal, in March/April 2016, co-located with the Evo*2016 events EuroGP, EvoCOP and EvoApplications...The 17 revised full papers presented were carefully reviewed and selected from 25 submissions. The papers cover a wi作者: 領(lǐng)帶 時(shí)間: 2025-3-26 20:04 作者: 制定 時(shí)間: 2025-3-26 22:53 作者: 啤酒 時(shí)間: 2025-3-27 04:29
Conference proceedings 2016sign, EvoMUSART 2016, held in Porto, Portugal, in March/April 2016, co-located with the Evo*2016 events EuroGP, EvoCOP and EvoApplications...The 17 revised full papers presented were carefully reviewed and selected from 25 submissions. The papers cover a wide range of topics and application areas, i作者: Alienated 時(shí)間: 2025-3-27 08:01
Camp Century—Cold War City Under the Iceugue, and it can be integrated in real and virtual environments..We have performed several tests to evaluate the system and we report the results of such tests. The tests aimed at analyzing the users’ perception about the quality of the produced music compositions.作者: 支形吊燈 時(shí)間: 2025-3-27 12:36
Evolutionary and Biologically Inspired Music, Sound, Art and Design5th International Co作者: 完成 時(shí)間: 2025-3-27 14:48 作者: 無(wú)王時(shí)期, 時(shí)間: 2025-3-27 21:00
Computer-Aided Musical Orchestration Using an Artificial Immune System, arises from the complexity of timbre perception and the combinatorial explosion of all possible instrument mixtures. The estimation of perceptual similarities between sounds requires a model capable of capturing the multidimensional perception of timbre, among other perceptual qualities of sounds. 作者: jettison 時(shí)間: 2025-3-27 23:19 作者: 有偏見(jiàn) 時(shí)間: 2025-3-28 02:54
Augmenting Live Coding with Evolved Patterns,ch facilitates network-based collaboration on live coding performances. Our evolutionary approach uses the Tidal live coding language within this platform. The system uses a grammar to parse code patterns and create random mutations that conform to the grammar, thus guaranteeing that the resulting p作者: spondylosis 時(shí)間: 2025-3-28 07:09 作者: cortex 時(shí)間: 2025-3-28 13:02 作者: 褲子 時(shí)間: 2025-3-28 15:13
Correlation Between Human Aesthetic Judgement and Spatial Complexity Measure,tics. Informational theories of aesthetics have taken advantage of entropy in measuring order and complexity of stimuli in relation to their aesthetic value. However entropy fails to discriminate structurally different patterns in a 2D plane. This paper investigates a computational measure of comple作者: 樸素 時(shí)間: 2025-3-28 19:44 作者: 小木槌 時(shí)間: 2025-3-29 00:46 作者: 暴發(fā)戶 時(shí)間: 2025-3-29 05:14
Animating Typescript Using Aesthetically Evolved Images,ted versions. The animated versions are mapped onto typeface and combined spatially to produce animated typescript. The output is then discussed with reference to computer aided design and machine learning.作者: 確定的事 時(shí)間: 2025-3-29 10:03 作者: 織物 時(shí)間: 2025-3-29 15:18
Iterative Brush Path Extraction Algorithm for Aiding Flock Brush Simulation of Stroke-Based Painterylistic qualities in the output. Extraction, representation and analysis of brush stroke parameters are essential for mapping artistic styles in stroke based rendering (SBR) applications. In this paper, we present a novel iterative method for extracting brush stroke regions and paths for aiding a pa作者: BURSA 時(shí)間: 2025-3-29 17:09
A Comparison Between Representations for Evolving Images,system. In this paper, we present two novel representations for evolving images with genetic programming. Both these representations are based on the idea of recursively partitioning the space of an image. This idea distinguishes these representations from the ones that are currently most used in th作者: 爵士樂(lè) 時(shí)間: 2025-3-29 21:58 作者: botany 時(shí)間: 2025-3-29 23:58
MetaCompose: A Compositional Evolutionary Music Composer,e components include a graph traversal-based chord sequence generator, a search-based melody generator and a pattern-based accompaniment generator. An important contribution of this paper is the melody generator which uses a novel evolutionary technique combining FI-2POP and multi-objective optimiza作者: 啞巴 時(shí)間: 2025-3-30 07:05 作者: Kaleidoscope 時(shí)間: 2025-3-30 11:14
Fitness and Novelty in Evolutionary Art,image evolution as a multi-objective optimisation problem, promoting the creation of images that are both suitable and diverse. The method is illustrated by using two evolutionary art engines for the evolution of figurative objects and context free design grammars. The results demonstrate the abilit作者: Host142 時(shí)間: 2025-3-30 12:43
https://doi.org/10.1007/978-3-319-43353-0 arises from the complexity of timbre perception and the combinatorial explosion of all possible instrument mixtures. The estimation of perceptual similarities between sounds requires a model capable of capturing the multidimensional perception of timbre, among other perceptual qualities of sounds. 作者: garrulous 時(shí)間: 2025-3-30 19:40 作者: shrill 時(shí)間: 2025-3-30 22:08
Doaa Abdelnaeim,Hakeem Adeniyi Ajonbadich facilitates network-based collaboration on live coding performances. Our evolutionary approach uses the Tidal live coding language within this platform. The system uses a grammar to parse code patterns and create random mutations that conform to the grammar, thus guaranteeing that the resulting p作者: 清晰 時(shí)間: 2025-3-31 04:35
