標題: Titlebook: European Cinema in the Twenty-First Century; Discourses, Directio Ingrid Lewis,Laura Canning Textbook 2020 The Editor(s) (if applicable) an [打印本頁] 作者: 討論小組 時間: 2025-3-21 16:10
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書目名稱European Cinema in the Twenty-First Century讀者反饋學科排名
作者: SEED 時間: 2025-3-21 22:20 作者: FLORA 時間: 2025-3-22 04:02 作者: AGONY 時間: 2025-3-22 06:21
Kritik der Transformationsforschung,ee European films, which have, as their theme, the life of a physically disabled character: . (Alejandro Amenábar 2004), . (Julian Schnabel 2007) and . (Olivier Nakache and éric Toledano 2011). The discourse of disability in these films follows a trajectory, which is examined in relation to Paul Dar作者: overwrought 時間: 2025-3-22 09:56
Der Künstler als Anatom der Wirbels?uleficant hallmark of ‘national cinema’, often acting as a means to demonstrate the ‘natural’ constitution of national narratives. K??p? outlines the diverse ways in which the environment has been appropriated for these purposes, as well as the means through which these appropriations have been present作者: crescendo 時間: 2025-3-22 13:47 作者: crescendo 時間: 2025-3-22 17:40 作者: 盡管 時間: 2025-3-22 22:52
Die Wirklichkeit der virtuellen Weltenever Globan argue that Oliveira’s longevity and prolific career allowed him to carry into the twenty-first century a set of female representations which can be considered highly problematic in the context of contemporary society. By focusing on . (2006), . (2009) and . (2010), the chapter explains h作者: 有花 時間: 2025-3-23 01:30
https://doi.org/10.1007/978-3-322-90685-4the 21st Century’ list. The analysis of this particular film is contextualized in the overall history of Romanian national cinema and showcases its relevance in international film culture. The overall purpose of Pop’s chapter is to identify the aesthetic, narrative and cinematographic attributes tha作者: 背帶 時間: 2025-3-23 06:51 作者: 額外的事 時間: 2025-3-23 12:43
Deskription der Inanspruchnahme,e they are low-budget productions with culturally specific or controversial stories than only appeal to niche audiences. Nevertheless, drawing on industry data, focus group interviews and textual analysis, he demonstrates that some European films do successfully travel within Europe because they pos作者: 機警 時間: 2025-3-23 17:49 作者: DALLY 時間: 2025-3-23 18:31
,Erratum to: Universit?t Breslau,hin a national setting, while operating simultaneously within a globalised industry. They situate the emergence of the twenty-first-century Irish film industry against the competing dynamics of free-market funding and implied ‘cultural value’ frameworks, and demonstrate how the dialectical relations作者: 土坯 時間: 2025-3-24 01:43 作者: Cloudburst 時間: 2025-3-24 02:57 作者: 侵害 時間: 2025-3-24 08:39
https://doi.org/10.1007/978-3-322-85332-5t national identities and cultural contexts. The chapter first explores the genre debate around film noir, insisting on the importance of pragmatic aspects and dynamic variations. Drawing on film, psychoanalytic and feminist theories, Gutiérrez-Martínez and Pedro then examine noir and neo-noir in re作者: 清澈 時間: 2025-3-24 11:52
978-3-030-33435-2The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl作者: LOPE 時間: 2025-3-24 15:28 作者: Foregery 時間: 2025-3-24 20:04
http://image.papertrans.cn/e/image/316727.jpg作者: Colonnade 時間: 2025-3-24 23:35
https://doi.org/10.1007/978-3-030-33436-9European Cinema; Aesthetics; Hollywood; Transnational; Contemporary Cinema; National Identity作者: Creatinine-Test 時間: 2025-3-25 06:15
Introduction: The Identity of European Cinema,ne the territory of European cinema in the twenty-first century. They do so by building on extant scholarship to create a picture of a field impossible to delimit but characterised by diversity and difference, marked by complex production and funding landscapes, caught between oppositions to and ada作者: Conflict 時間: 2025-3-25 08:23 作者: lattice 時間: 2025-3-25 12:52 作者: absorbed 時間: 2025-3-25 19:14
Questioning the ‘Normality Drama’: The Representation of Disability in Contemporary European Filmsee European films, which have, as their theme, the life of a physically disabled character: . (Alejandro Amenábar 2004), . (Julian Schnabel 2007) and . (Olivier Nakache and éric Toledano 2011). The discourse of disability in these films follows a trajectory, which is examined in relation to Paul Dar作者: genesis 時間: 2025-3-25 22:35
Ecocritical Perspectives on Nordic Cinema: From Nature Appreciation to Social Conformismficant hallmark of ‘national cinema’, often acting as a means to demonstrate the ‘natural’ constitution of national narratives. K??p? outlines the diverse ways in which the environment has been appropriated for these purposes, as well as the means through which these appropriations have been present作者: Bumptious 時間: 2025-3-26 01:59 作者: deforestation 時間: 2025-3-26 04:17 作者: Misgiving 時間: 2025-3-26 09:24 作者: reserve 時間: 2025-3-26 16:04
The Latest European New Wave: Cinematic Realism and Everyday Aesthetics in Romanian Cinemathe 21st Century’ list. The analysis of this particular film is contextualized in the overall history of Romanian national cinema and showcases its relevance in international film culture. The overall purpose of Pop’s chapter is to identify the aesthetic, narrative and cinematographic attributes tha作者: 吹氣 時間: 2025-3-26 17:47
Between Transnational and Local in European Cinema: Regional Resemblances in Hungarian and Romanian two of its small- to medium-sized neighbouring industries, those of Hungary and Romania, while presenting a comparative analysis of one film from each of the industries. The Oscar-winning Hungarian . (László Nemes 2015) and Romanian Berlin Bear-winning . (Radu Jude 2015) each gathered the largest do作者: Confess 時間: 2025-3-26 23:15 作者: 內閣 時間: 2025-3-27 03:37
Technology, Decentralisation and the Periphery of European Filmmaking: Greece and Scandinavia in Focng or pushing of boundaries of the form, and the shift towards less-standardised processes of film production. It maps the European film landscape and discusses decentralisation in the Northern European context, then goes on to consider Greece as a particular example within the European periphery, n作者: 誘拐 時間: 2025-3-27 08:27 作者: 嚙齒動物 時間: 2025-3-27 12:18
On the Eve of the Journey: The New European Road Movie theme of travel not as release of energies but as tension—between places, identities, discourses and psychological states. They do so by focusing on the eve of the journey, rather than on the journey itself. The three films that Rascaroli explores are . (André Téchiné 2001), . (Julie Bertuccelli 20作者: committed 時間: 2025-3-27 15:48
German Film Comedy in the ‘Berlin Republic’: Wildly Successful and a Lot Funnier than You Thinkaches. Twark discusses several major German comedy trends, interpreting the directors’ depiction of contemporary social problems and German history in their films. Many recent German comedies portray the effects of German reunification and the socialist East German past with .. Others parody Adolf H作者: 自愛 時間: 2025-3-27 21:03
On the Ambiguous Charm of Film Noir: , and the New Type of Womant national identities and cultural contexts. The chapter first explores the genre debate around film noir, insisting on the importance of pragmatic aspects and dynamic variations. Drawing on film, psychoanalytic and feminist theories, Gutiérrez-Martínez and Pedro then examine noir and neo-noir in re作者: BET 時間: 2025-3-27 22:30
Textbook 2020r includes key definitions, reflective group questions, and a summative case study. Overall, thisbook makes a strong contribution to our understanding of recent European Cinema, making it an invaluable resource for lecturers and students across a variety of film-centred modules.??.? ? ??.作者: 辭職 時間: 2025-3-28 06:02 作者: cringe 時間: 2025-3-28 10:05
l, thisbook makes a strong contribution to our understanding of recent European Cinema, making it an invaluable resource for lecturers and students across a variety of film-centred modules.??.? ? ??.978-3-030-33435-2978-3-030-33436-9作者: galley 時間: 2025-3-28 11:12 作者: 易受刺激 時間: 2025-3-28 14:42
, while acknowledging patterns and trends of recent film pro.This book rethinks the study of European Cinema in a way that centres on students and their needs, in a comprehensive volume introducing undergraduates to the main discourses, directions and genres of twenty-first-century European film. Im作者: 羞辱 時間: 2025-3-28 20:36 作者: 歹徒 時間: 2025-3-28 23:36
,Die Kausalit?t in der gegenw?rtigen Physik,ptations of Hollywood approaches, experiencing tensions between old and new, and operating in an increasingly post-national, pan-European, and transnational reality. They go on to outline the structure of the book and its relevance to contemporary students and conclude by giving a brief overview of each chapter.作者: 逢迎春日 時間: 2025-3-29 05:46 作者: CRAB 時間: 2025-3-29 08:58 作者: 愛得痛了 時間: 2025-3-29 11:41
Die Wirklichkeit der virtuellen Weltenow Oliveira’s recent films set in place an intricate process of reviving a regressive patriarchal auteurism which is performed through mechanisms of male identification, male gaze and a strong voyeuristic element.作者: hangdog 時間: 2025-3-29 18:44 作者: 共同生活 時間: 2025-3-29 22:58
https://doi.org/10.1007/978-3-658-10565-5mestic audience numbers of their respective nations in 2015, with small national characteristics, European arthouse allegiances and Hollywood influences at work simultaneously, suggesting a process based on a meso-level forging of apparently disparate features and creating a fertile ground of regional linkages and synchronicities.作者: 諷刺滑稽戲劇 時間: 2025-3-30 01:58 作者: 著名 時間: 2025-3-30 07:53
Kritik der Transformationsforschung,’, where the filmic depiction of the disabled character emphasises the representation of normality rather than impairment. All three are based on true-life narratives, wherein the disabled person manages to achieve a goal in life in spite of their many difficulties.作者: Seizure 時間: 2025-3-30 09:37 作者: critique 時間: 2025-3-30 16:21
Deskription der Inanspruchnahme, and pre-sold material (e.g. based on a bestselling book). He also uses a case study, that of French comedy drama . (Olivier Nakache and éric Toledano 2011), to show that even European films without these characteristics can still sometimes appeal to international audiences if they are shrewdly marketed and tap into wider social concerns.作者: Melanocytes 時間: 2025-3-30 16:40
Die Wirksamkeit der Entwicklungshilfegari 2010), incorporating the elements mentioned in the previous sections. The chapter offers a view of the issues and tensions that film currently faces in the Northern and Southern European peripheral regions: standing between economic considerations and technological developments, as well as cultural objectives and the production of culture.作者: hangdog 時間: 2025-3-31 00:39 作者: Bother 時間: 2025-3-31 03:15 作者: Hla461 時間: 2025-3-31 05:42 作者: 暗諷 時間: 2025-3-31 12:12
