標(biāo)題: Titlebook: Europe in Upheaval; Identity in Politics Michaela Nicole Ra?,Kay Wolfinger Book 2022 Springer-Verlag GmbH Germany, part of Springer Nature [打印本頁(yè)] 作者: JOLT 時(shí)間: 2025-3-21 17:26
書目名稱Europe in Upheaval影響因子(影響力)
書目名稱Europe in Upheaval影響因子(影響力)學(xué)科排名
書目名稱Europe in Upheaval網(wǎng)絡(luò)公開(kāi)度
書目名稱Europe in Upheaval網(wǎng)絡(luò)公開(kāi)度學(xué)科排名
書目名稱Europe in Upheaval被引頻次
書目名稱Europe in Upheaval被引頻次學(xué)科排名
書目名稱Europe in Upheaval年度引用
書目名稱Europe in Upheaval年度引用學(xué)科排名
書目名稱Europe in Upheaval讀者反饋
書目名稱Europe in Upheaval讀者反饋學(xué)科排名
作者: patella 時(shí)間: 2025-3-21 22:55 作者: 農(nóng)學(xué) 時(shí)間: 2025-3-22 00:42 作者: figurine 時(shí)間: 2025-3-22 05:05
https://doi.org/10.1007/978-3-642-86358-5This essay will use brief analyses of exemplary works to show how Brexit is contextualized differently in literature and film, and which problems are addressed. Thus, a cursory look at the so-called “BrexLit” will be presented. It also takes films and series that are closely related to Brexit into consideration.作者: 秘方藥 時(shí)間: 2025-3-22 11:43
Crisis or Upheaval? Reflections on Brexit in Literature and Film: An OverviewThis essay will use brief analyses of exemplary works to show how Brexit is contextualized differently in literature and film, and which problems are addressed. Thus, a cursory look at the so-called “BrexLit” will be presented. It also takes films and series that are closely related to Brexit into consideration.作者: modest 時(shí)間: 2025-3-22 15:08 作者: modest 時(shí)間: 2025-3-22 19:29
https://doi.org/10.1007/978-3-642-61929-8est the idea that films – in contrast to mere news reporting on television – are suitable for promoting belief in a community. For it is not so much the abundance of information that seems to be lacking in Europe today as a shared belief, a sense of belonging and community.作者: Small-Intestine 時(shí)間: 2025-3-22 21:12 作者: thyroid-hormone 時(shí)間: 2025-3-23 01:57
The House of Europehe 1970s at the latest, and it was brought to life by Mikhail Gorbachev. It is also suitable for illustrating the characteristics of the European integration process as a starting point for a discussion of the questions posed to Europe from a political science perspective (The author thanks Jack Carney for his translation help.).作者: indicate 時(shí)間: 2025-3-23 06:23
To Believe in Europe?est the idea that films – in contrast to mere news reporting on television – are suitable for promoting belief in a community. For it is not so much the abundance of information that seems to be lacking in Europe today as a shared belief, a sense of belonging and community.作者: THROB 時(shí)間: 2025-3-23 10:20
Europe at High Seaing that can outline the borders of Europe. His answer is quite surprising. With the ‘other Cape’ Derrida finds an image for an identity of Europe that points spatially beyond the borders of the continent and pushes aside the curtain of Europe’s colonial past.作者: mastoid-bone 時(shí)間: 2025-3-23 15:36 作者: 極大痛苦 時(shí)間: 2025-3-23 19:58 作者: Glucocorticoids 時(shí)間: 2025-3-24 01:53 作者: Awning 時(shí)間: 2025-3-24 02:42 作者: Hearten 時(shí)間: 2025-3-24 10:25 作者: 異常 時(shí)間: 2025-3-24 12:31 作者: Fibrin 時(shí)間: 2025-3-24 16:53
https://doi.org/10.1007/978-3-663-20465-7f a future-oriented, albeit not yet safeguarded, constitution in the shape of the European Union? Or is ‘Europe’ more than a mere political expedient, caught from one test of crisis to another, trying to position itself somewhere between refugee crisis, debt syndrome, integration woes, growth fantas作者: 紀(jì)念 時(shí)間: 2025-3-24 21:18
https://doi.org/10.1007/978-3-322-84338-8, film and literature. The two films, Jean-Luc Godard’s “Passion” from 1982 on the one hand and Lars von Trier’s “Europa” from 1991 on the other, serve as extreme poles. In Godard’s film, the focus is on a Polish director?who attempts to interpret a series of masterpieces from European art history i作者: 幸福愉悅感 時(shí)間: 2025-3-25 02:35 作者: Glaci冰 時(shí)間: 2025-3-25 06:35
https://doi.org/10.1007/978-3-642-61929-8est the idea that films – in contrast to mere news reporting on television – are suitable for promoting belief in a community. For it is not so much the abundance of information that seems to be lacking in Europe today as a shared belief, a sense of belonging and community.作者: Outmoded 時(shí)間: 2025-3-25 09:50 作者: 砍伐 時(shí)間: 2025-3-25 14:57
https://doi.org/10.1007/978-3-662-26087-6y, which, however, have democracy-destroying tendencies, whereby democratically elected politicians would take on increasingly authoritarian traits and the moral constitution of democracy would be undermined. In his novel . Alexander Schimmelbusch shows the democracy-destroying potential of a close 作者: NOTCH 時(shí)間: 2025-3-25 16:59 作者: menopause 時(shí)間: 2025-3-25 22:30
Maps, Zonests of (cinematic) spatial semiotics – the . and the . – this article traces elements of a condensed formal coupling that justifies both the claim to be a trilogy and the European reference of these three aesthetically and formally heterogeneous films.作者: MAUVE 時(shí)間: 2025-3-26 01:40 作者: 隱士 時(shí)間: 2025-3-26 06:31 作者: mercenary 時(shí)間: 2025-3-26 11:58
https://doi.org/10.1007/978-3-662-26087-6link between neoliberal economics and politics and the simultaneous strengthening of the national market and nationalism. He demonstrates the consequences of the absence of a conception of Europe that goes beyond its relevance to the market, and thus of a European identity.作者: DAFT 時(shí)間: 2025-3-26 15:56 作者: Saline 時(shí)間: 2025-3-26 20:17
Political Particularism and the European Public Sphere the Cold War. In these anthologies, the perception of an inaccessible, and thus self-contained, ‘Fortress Europe’, the undervaluing of cultural potential on the part of an elusive central administration, and the need to force discourse on such issues with the help of a ‘European public sphere’ prove to be particular challenges.作者: Generosity 時(shí)間: 2025-3-27 00:54 作者: Pseudoephedrine 時(shí)間: 2025-3-27 03:32 作者: 不溶解 時(shí)間: 2025-3-27 06:55
https://doi.org/10.1007/978-3-663-07036-8ts of (cinematic) spatial semiotics – the . and the . – this article traces elements of a condensed formal coupling that justifies both the claim to be a trilogy and the European reference of these three aesthetically and formally heterogeneous films.作者: 挫敗 時(shí)間: 2025-3-27 09:47 作者: ENACT 時(shí)間: 2025-3-27 16:08
https://doi.org/10.1007/978-3-658-22795-1ived, at least in parts, as an attempt to put into practice what Simon Strau? once called a flamboyant conservatism (Sedlmaier, Tobias: Jungautor Simon Strauss: “Man muss das Konservative von den ?lteren Herren mit Mundgeruch wegbekommen” (Interview), URL: . (last accessed 06.06.2020).)作者: 埋葬 時(shí)間: 2025-3-27 20:01
https://doi.org/10.1007/978-3-663-20465-7also published under the title “Reflections on the ‘good European’ named Friedrich Nietzsche” (“überlegungen zum ‘guten Europ?er’ namens Friedrich Nietzsche”) in: Rüdiger G?rner: Europa wagen! Notes, Interventions and Confessions. Baden-Baden: Tectum Verlag 2020, pp. 71–91).作者: 莊嚴(yán) 時(shí)間: 2025-3-27 23:28 作者: NOMAD 時(shí)間: 2025-3-28 05:23
Of the , and objection goes, would ultimately get caught up in the concept of nation and thus not be able to get beyond it (Krzoska, Markus/Lichy, Kolja/Rometsch, Konstantin: Jenseits von Ostmitteleuropa Zur Aporie einer deutschen Nischenforschung, in: Journal of Modern European History 16 (2018), H. 1, pp. 40–作者: 溫室 時(shí)間: 2025-3-28 07:38 作者: 裝入膠囊 時(shí)間: 2025-3-28 13:39 作者: palliate 時(shí)間: 2025-3-28 18:22
Europe as Utopia and Dystopia in the Films of Jean-Luc Godard and Lars von Triers way is diametrically opposed by Lars von Trier’s film, which, with reference to European and American models from literature and film, sketches a dystopia in which Europe is both the source and the scene of violent confrontations between various powers and interests to which individuals fall victi作者: Pathogen 時(shí)間: 2025-3-28 22:08 作者: Detain 時(shí)間: 2025-3-29 02:28 作者: 蚊帳 時(shí)間: 2025-3-29 04:17
The House of Europehe 1970s at the latest, and it was brought to life by Mikhail Gorbachev. It is also suitable for illustrating the characteristics of the European integration process as a starting point for a discussion of the questions posed to Europe from a political science perspective (The author thanks Jack Car作者: diskitis 時(shí)間: 2025-3-29 10:37 作者: Kaleidoscope 時(shí)間: 2025-3-29 14:21 作者: 劇本 時(shí)間: 2025-3-29 17:18 作者: STELL 時(shí)間: 2025-3-29 20:38
Political Particularism and the European Public Spherehe fore. Representative themes of the publications include the spatial differentiation of the continent; the importance of cross-border approaches, both in everyday life and in the context of cultural projects; and permanently binding historical experiences – be it the Second World War or the end of作者: 值得 時(shí)間: 2025-3-30 03:17
Reflections on the ‘good European’ in the Phase of Brexismf a future-oriented, albeit not yet safeguarded, constitution in the shape of the European Union? Or is ‘Europe’ more than a mere political expedient, caught from one test of crisis to another, trying to position itself somewhere between refugee crisis, debt syndrome, integration woes, growth fantas作者: 解開(kāi) 時(shí)間: 2025-3-30 04:17 作者: Redundant 時(shí)間: 2025-3-30 08:59 作者: interpose 時(shí)間: 2025-3-30 13:42
To Believe in Europe?est the idea that films – in contrast to mere news reporting on television – are suitable for promoting belief in a community. For it is not so much the abundance of information that seems to be lacking in Europe today as a shared belief, a sense of belonging and community.
