標(biāo)題: Titlebook: Emotions and War; Medieval to Romantic Stephanie Downes (post-doctoral fellow),Andrew Lyn Book 2015 The Editor(s) (if applicable) and The A [打印本頁(yè)] 作者: HABIT 時(shí)間: 2025-3-21 18:47
書目名稱Emotions and War影響因子(影響力)
書目名稱Emotions and War影響因子(影響力)學(xué)科排名
書目名稱Emotions and War網(wǎng)絡(luò)公開度
書目名稱Emotions and War網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Emotions and War被引頻次
書目名稱Emotions and War被引頻次學(xué)科排名
書目名稱Emotions and War年度引用
書目名稱Emotions and War年度引用學(xué)科排名
書目名稱Emotions and War讀者反饋
書目名稱Emotions and War讀者反饋學(xué)科排名
作者: 陳列 時(shí)間: 2025-3-21 23:02 作者: Intercept 時(shí)間: 2025-3-22 02:38 作者: 使殘廢 時(shí)間: 2025-3-22 08:32
,‘Man Is a Battlefield within Himself’: Arms and the Affections in the Counsel of More, Erasmus, Vivtress the life- and spirit-enhancing potential of the study of eloquence, of the renewal of ancient wisdom through translation and commentary, and of intellectual debate and exchange in the pursuit of true piety and moral perfectibility.作者: orthopedist 時(shí)間: 2025-3-22 12:39
,Remembering Civil War in Andrew Marvell’s ‘Upon Appleton House’,-war Parliamentary age. About this, Marvell is clear. From the outset he praises Fairfax’s house as a ‘sober frame’ (line 1) and not a ‘great design, in pain’ (line 5). Through such terms, ‘Upon Appleton House’ advocates forms of art that stoically govern the dangerous emotions of pity, fear, sorrow作者: PATHY 時(shí)間: 2025-3-22 15:01
,‘Terrible Delight’: Art, Violence, and Power in Early Eighteenth-Century War Poems,of the battle scenes of Europe, and the men who had led and died on them. As a way of capturing the scale and the moving chaos of battle, many poets drew on ekphrastic techniques, and in particular, the popular seventeenth-century ‘a(chǎn)dvice-to-a-painter’ genre, envisaging the scenes they imagined writ作者: PATHY 時(shí)間: 2025-3-22 20:44
,The Grievable Life of the War-Correspondent: The Experience of War in Henry Crabb Robinson’s Lettertacle to meet an unprecedented demand for war news.. Coinciding with the birth of the reading nation in Britain, they were able to be apprehended in intimate detail through the daily papers, journals, prints, panoramas, and theatre. The wars established many of the patterns by which modern war conti作者: sinoatrial-node 時(shí)間: 2025-3-22 23:27
Afterword: Locating Emotions, Locating Wars,drama. For Homer, mapping the world of emotion means mapping a world at war. Rage invites us into the all-encompassing world of epic warfare — its causes, its course, and its disastrous consequences. Like war, and inextricably bound to it, the emotion of rage in . both composes and shreds the map of作者: 象形文字 時(shí)間: 2025-3-23 05:03 作者: Harridan 時(shí)間: 2025-3-23 08:15
Weiblichkeitsbilder in der DDR,s moral questions for contemporary observers. The absence of peace and the advent of war could be construed as a direct result of emotional excess (envy, pride), while military successes and failures could be shown as both reflecting and bringing forth emotional crises on the part of participants. H作者: nonradioactive 時(shí)間: 2025-3-23 12:33
https://doi.org/10.1007/978-1-4471-0375-2 matter when La?amon introduces a peace. They include: set terms like ‘grie’ and ‘frie’ (‘peace’/‘protection’ and ‘quiet’/‘freedom from trouble’); the notion that peace must be freely ‘held’ or ‘kept’; peace as a general condition of happiness and good in the people and the ‘land’; and peace’s conne作者: tympanometry 時(shí)間: 2025-3-23 17:06 作者: Yourself 時(shí)間: 2025-3-23 20:13 作者: Conclave 時(shí)間: 2025-3-24 00:39 作者: 橫截,橫斷 時(shí)間: 2025-3-24 02:27 作者: Acetabulum 時(shí)間: 2025-3-24 06:52
Loss Functions and Stochastic Approximation,tacle to meet an unprecedented demand for war news.. Coinciding with the birth of the reading nation in Britain, they were able to be apprehended in intimate detail through the daily papers, journals, prints, panoramas, and theatre. The wars established many of the patterns by which modern war conti作者: 隼鷹 時(shí)間: 2025-3-24 13:35 作者: Insufficient 時(shí)間: 2025-3-24 16:45 作者: thyroid-hormone 時(shí)間: 2025-3-24 21:38
Weiblichkeitsbilder in der DDR, monarchs. Set against the background of ongoing conflicts between the Capetian king Philip II of France and his great rivals, Henry II of England and his sons Richard and John, the poem is an invaluable source for the political and cultural history of the period. Warfare, both serious and recreatio作者: Gentry 時(shí)間: 2025-3-25 00:41
https://doi.org/10.1007/978-1-4471-0375-2-Saxon in its vocabulary, rhythms and sound patterns.. It is an energetic adaptation of Wace’s mid-twelfth-century ., which in turn drew its material from a version of Geoffrey of Monmouth’s . (c. 1136). Much of the poem’s material is about civil war, enemy invasion, foreign conquest, and violent br作者: ABOUT 時(shí)間: 2025-3-25 03:34 作者: Colonnade 時(shí)間: 2025-3-25 09:34 作者: Anhydrous 時(shí)間: 2025-3-25 12:14
Rahmenbedingungen nationaler Selbstfindung,en excellent, justice-loving humans), and the Furies each participate in a relentless dialectic of inciting each other to furious, exhausting, and destructive combat. Emotion dominates the poem’s action and cosmos, both enormous emotional energy, and total emotional exhaustion. By contrast, the medi作者: 小爭(zhēng)吵 時(shí)間: 2025-3-25 19:48 作者: acquisition 時(shí)間: 2025-3-25 20:10 作者: 充滿人 時(shí)間: 2025-3-26 02:10 作者: 最有利 時(shí)間: 2025-3-26 06:44 作者: 健忘癥 時(shí)間: 2025-3-26 09:19 作者: 補(bǔ)充 時(shí)間: 2025-3-26 12:52 作者: 窩轉(zhuǎn)脊椎動(dòng)物 時(shí)間: 2025-3-26 19:06 作者: 被詛咒的人 時(shí)間: 2025-3-26 23:21
Loss Functions and Stochastic Approximation,onal experience.. They saw the newspapers as reproducing the overwhelming shock that the mechanization of war had inflicted upon the soldier’s sensorium, leaving audiences in a state of numb and apprehensive distraction, unable to draw upon or integrate their wartime experiences with any form of col作者: 相信 時(shí)間: 2025-3-27 03:38 作者: Adulterate 時(shí)間: 2025-3-27 09:10 作者: Feigned 時(shí)間: 2025-3-27 10:39
https://doi.org/10.1057/9781137374073Battlefield; Civil War; Early Modern Literature; emotion; Erasmus of Rotterdam; Europe; European history; f作者: Intentional 時(shí)間: 2025-3-27 15:32
Palgrave Studies in the History of Emotionshttp://image.papertrans.cn/e/image/308754.jpg作者: 過(guò)去分詞 時(shí)間: 2025-3-27 18:41 作者: motor-unit 時(shí)間: 2025-3-27 23:46
Emotions and War978-1-137-37407-3Series ISSN 2946-5958 Series E-ISSN 2946-5966 作者: accordance 時(shí)間: 2025-3-28 04:16
2946-5958 odern assumptions about the passions and feelings attending violent conflict in order to reveal the multifarious historical emotions and emotional histories of war.978-1-137-37407-3Series ISSN 2946-5958 Series E-ISSN 2946-5966 作者: 元音 時(shí)間: 2025-3-28 07:53 作者: 混合 時(shí)間: 2025-3-28 12:57
https://doi.org/10.1007/978-94-009-9397-6ucer’s craft to claim Chaucer as the equal of the ancients:.The crucial role allotted to feeling, in tandem with the more expected imagination, is reinforced by Beaumont’s repetition of the word, made more present by its use as an adverb:作者: 我還要背著他 時(shí)間: 2025-3-28 14:48
https://doi.org/10.1057/9781137277145epresentation, or study of events’.. There is, by definition, no history outside writing: what separates it from pre-history or archaeology is that it is written. But if there is no history outside writing, there is none inside it either: the written record remains a representation, the access it offers to the past an illusion.作者: Flagging 時(shí)間: 2025-3-28 22:19
,‘He In Salte Teres Dreynte’: Understanding Troilus’s Tears,ucer’s craft to claim Chaucer as the equal of the ancients:.The crucial role allotted to feeling, in tandem with the more expected imagination, is reinforced by Beaumont’s repetition of the word, made more present by its use as an adverb:作者: CLAIM 時(shí)間: 2025-3-29 01:31
,‘I Was Enforced to Become an Eyed Witnes’: Documenting War in Medieval and Early Modern Literature,epresentation, or study of events’.. There is, by definition, no history outside writing: what separates it from pre-history or archaeology is that it is written. But if there is no history outside writing, there is none inside it either: the written record remains a representation, the access it offers to the past an illusion.作者: 切掉 時(shí)間: 2025-3-29 06:17
https://doi.org/10.1007/978-1-4471-0285-4nt in the face of unfamiliar landscape. In the ‘foreign’ landscape she has just left, Schaw had in fact encountered a reassuringly familiar scene of Scottish culture and sociability. The new terrain of the American colonies provokes a different order of suffering, an emotional response that is suffused with peculiar resentment.作者: myelography 時(shí)間: 2025-3-29 11:15
Patriarchal Theory Reconsidered — escalating conflict, most frequently in historical accounts. Throughout history emotions have not just started wars, but been firmly entrenched within them, and are a heightened condition of their narrative aftermath. The history of emotions must necessarily therefore take this long written history of war and violent conflict into account.作者: COMMA 時(shí)間: 2025-3-29 11:47 作者: CAGE 時(shí)間: 2025-3-29 18:49
,Introduction — War as Emotion: Cultural Fields of Conflict and Feeling, — escalating conflict, most frequently in historical accounts. Throughout history emotions have not just started wars, but been firmly entrenched within them, and are a heightened condition of their narrative aftermath. The history of emotions must necessarily therefore take this long written history of war and violent conflict into account.作者: aptitude 時(shí)間: 2025-3-29 21:46 作者: 控制 時(shí)間: 2025-3-29 23:58
,‘In Brazen Bonds’: The Warring Landscapes of North Carolina, 1775,nt in the face of unfamiliar landscape. In the ‘foreign’ landscape she has just left, Schaw had in fact encountered a reassuringly familiar scene of Scottish culture and sociability. The new terrain of the American colonies provokes a different order of suffering, an emotional response that is suffused with peculiar resentment.作者: 減弱不好 時(shí)間: 2025-3-30 08:03
Rahmenbedingungen nationaler Selbstfindung, to be sure, but that fury has human origins, and could have been checked in deliberative fora. In this tradition, bad committee practice, rather than the mythic violence written into the cosmos, impels almost all players to disastrous ends.
