標(biāo)題: Titlebook: Emotional Ethics of The Hunger Games; Tarja Laine Book 2021 The Editor(s) (if applicable) and The Author(s), under exclusive license to Sp [打印本頁] 作者: 休耕地 時間: 2025-3-21 18:59
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作者: pester 時間: 2025-3-21 23:07
Surgical Management of Intersex in Childhoodtionships. But there is also a notion of authentic love as a form of resistance that is not merely reactive to power relations, but a positive action in its own terms, which renders the romantic story in . trilogy into a meaningful and complex reflection on the nature of love.作者: engrossed 時間: 2025-3-22 03:47
Ming-Han Tsai,Yhu-Chering Huangl relevance of . trilogy is based on the incorporation of emotional ethics in its aesthetic organization, which elevates it from mere young adult fiction into a triumphant celebration of cinema’s affective power.作者: 手榴彈 時間: 2025-3-22 08:17 作者: 惰性女人 時間: 2025-3-22 08:53
Conclusion,l relevance of . trilogy is based on the incorporation of emotional ethics in its aesthetic organization, which elevates it from mere young adult fiction into a triumphant celebration of cinema’s affective power.作者: 不舒服 時間: 2025-3-22 13:11 作者: 不舒服 時間: 2025-3-22 19:16 作者: excursion 時間: 2025-3-22 23:08 作者: 奴才 時間: 2025-3-23 05:01
https://doi.org/10.1007/978-3-322-82661-9ns are incorporated in the thematic and aesthetic organization of these films, reflecting a crisis in moral standards, while cultivating ethical attitudes toward such phenomena as totalitarianism and the society of spectacle. The focus of the argument will be on cinematic aesthetics expressing emoti作者: NIL 時間: 2025-3-23 06:51
Yun-Bo Zhao,Guo-Ping Liu,Yu Kang,Li Yuvideogame-like aesthetics that capture the subjective experience of fear in situations that are driven by survival motives. Second, the trilogy demonstrates a development from self-directed fear to other-directed fear at which point the ethical dimension of this ‘basic’ emotion starts to emerge. The作者: TIA742 時間: 2025-3-23 10:43 作者: 起來了 時間: 2025-3-23 15:13 作者: 不再流行 時間: 2025-3-23 21:51 作者: Commemorate 時間: 2025-3-24 02:13 作者: 神經(jīng) 時間: 2025-3-24 02:59 作者: 合群 時間: 2025-3-24 09:57
https://doi.org/10.1007/978-3-030-67334-5The Hunger Games; Cinematic ethics; Emotions; Film aesthetics; Film-philosophy作者: 緯線 時間: 2025-3-24 10:51
978-3-030-67336-9The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl作者: 鉗子 時間: 2025-3-24 17:12
Emotional Ethics of The Hunger Games978-3-030-67334-5Series ISSN 2946-5435 Series E-ISSN 2946-5443 作者: 肥料 時間: 2025-3-24 19:49
Introduction,ns are incorporated in the thematic and aesthetic organization of these films, reflecting a crisis in moral standards, while cultivating ethical attitudes toward such phenomena as totalitarianism and the society of spectacle. The focus of the argument will be on cinematic aesthetics expressing emoti作者: 摻和 時間: 2025-3-25 00:15
Between Fear and Hope,videogame-like aesthetics that capture the subjective experience of fear in situations that are driven by survival motives. Second, the trilogy demonstrates a development from self-directed fear to other-directed fear at which point the ethical dimension of this ‘basic’ emotion starts to emerge. The作者: Hallmark 時間: 2025-3-25 06:33
Anger and Generosity,is rationally false, derived from the fallacy of “cosmic balance”. This road leads to pain for the offender to compensate for one’s own pain, even though such a strategy is rarely successful. This chapter explores the different forms of anger in . trilogy. These are based either on attempts to resto作者: 宿醉 時間: 2025-3-25 09:37 作者: 遺傳 時間: 2025-3-25 14:13
Survivor Shame and Guilt,hame and guilt themselves, both emotions function as important aesthetic themes and narrative impulses throughout. The spectators can feel the presence of these emotions as embodied in the aesthetic organization of the films through the spectatorial logic of shame on the one hand, and the identifica作者: linguistics 時間: 2025-3-25 17:33 作者: 補充 時間: 2025-3-25 23:02 作者: –DOX 時間: 2025-3-26 03:15
Book 2021ve become iconic symbols for resistance across the globe. Tarja Laine proposes that this is not caused by their status as exciting cinematic spectacles, but by their engaging our emotions. Laine uses?.The Hunger Games.?as key texts for understanding our world, demonstrating that ethics do not origin作者: FUSC 時間: 2025-3-26 05:41 作者: scotoma 時間: 2025-3-26 12:20 作者: enormous 時間: 2025-3-26 14:21
Anger and Generosity,ossibility of revolutionary politics free of anger, its resolve in the ending does not entirely fulfill this narrative promise. By contrast, its final scenes noticeably lack any of the moral complexity that we have witnessed throughout the trilogy, which creates an ethical-emotional imbalance.作者: Spinal-Fusion 時間: 2025-3-26 19:39
Survivor Shame and Guilt,thical action. This shift from shame to guilt changes the ethical insight from moral appreciation of who Katniss is (a resilient victim of circumstances) to what Katniss does (as an active agent for an ethical cause). This shift is also closely connected with progress from psychological guilt to som作者: 兩棲動物 時間: 2025-3-26 22:13
Dynamics of Contempt and Dignity,inst the dominant social codes in contrast to submission. Therefore, the final part of the chapter explores the way in which masquerade in . trilogy is harnessed in the service of resistance when dignity is reclaimed by means of fashion as an assertion of personal and collective self-esteem.作者: 青石板 時間: 2025-3-27 02:11
https://doi.org/10.1007/978-3-322-82661-9adult’ fiction. In the end it hopes to have demonstrated that dealing with emotions is necessary to fashion an evaluation of ethical value, not only in . films in particular, but also in the more general cinematic experience.作者: 損壞 時間: 2025-3-27 09:21 作者: glisten 時間: 2025-3-27 10:35 作者: troponins 時間: 2025-3-27 14:07
Genetic counselling and prenatal diagnosisthical action. This shift from shame to guilt changes the ethical insight from moral appreciation of who Katniss is (a resilient victim of circumstances) to what Katniss does (as an active agent for an ethical cause). This shift is also closely connected with progress from psychological guilt to som作者: 低三下四之人 時間: 2025-3-27 19:52 作者: CANON 時間: 2025-3-28 00:12 作者: obligation 時間: 2025-3-28 06:07 作者: PIZZA 時間: 2025-3-28 09:24
