標題: Titlebook: Emerging Genres in New Media Environments; Carolyn R. Miller,Ashley R. Kelly Book 2017 The Editor(s) (if applicable) and The Author(s) 201 [打印本頁] 作者: 厭倦了我 時間: 2025-3-21 18:12
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書目名稱Emerging Genres in New Media Environments讀者反饋學科排名
作者: 閑聊 時間: 2025-3-21 23:24 作者: Nerve-Block 時間: 2025-3-22 01:07 作者: TRUST 時間: 2025-3-22 08:14
https://doi.org/10.1007/978-3-642-55430-8interactivity with the reader, multimodality, and information velocity. In addition, the analysis of hypertext in these newspapers emphasizes nonlinear reading as an indispensable part in the process of meaning construction.作者: flex336 時間: 2025-3-22 11:41 作者: COLON 時間: 2025-3-22 15:54
Müller/B?hrmann Bestimmung wirbelloser Tierehe comparison of diverse modes of autopathographic production allows an assessment of the extent to which and in what respects the passage from literature to artistic and new media environments entails an expansion of the autopathographic genre.作者: COLON 時間: 2025-3-22 18:34
Peter Jürgen Kaisser,Siegfried H?fling genre in which the public is able or willing to engage the subject of immigration is sentimentalism, moderating this impulse is prudent. A second implication pertains to the genre’s impact on spaces that are conceived and celebrated for public engagement.作者: 套索 時間: 2025-3-22 23:58 作者: 壓倒性勝利 時間: 2025-3-23 04:10 作者: Melanocytes 時間: 2025-3-23 08:15 作者: 眉毛 時間: 2025-3-23 09:50 作者: Crayon 時間: 2025-3-23 13:58
From Printed Newspaper to Digital Newspaper: What Has Changed?interactivity with the reader, multimodality, and information velocity. In addition, the analysis of hypertext in these newspapers emphasizes nonlinear reading as an indispensable part in the process of meaning construction.作者: 他很靈活 時間: 2025-3-23 18:55
Cross-Culturally Narrating Risks, Imagination, and Realities of HIV/AIDSediary genre, the online risky AIDS narratives could help bridge the gap between at-risk populations and health communicators and public health educators to enhance the existing understanding of possible health, emotional, social, and psychological concerns that such individuals may have when seeking medical help.作者: cinder 時間: 2025-3-24 00:20 作者: 合乎習俗 時間: 2025-3-24 04:24
Sentimentalism in Online Deliberation: Assessing the Generic Liability of Immigration Discourses genre in which the public is able or willing to engage the subject of immigration is sentimentalism, moderating this impulse is prudent. A second implication pertains to the genre’s impact on spaces that are conceived and celebrated for public engagement.作者: 脫落 時間: 2025-3-24 10:34 作者: Rustproof 時間: 2025-3-24 13:36 作者: 耐寒 時間: 2025-3-24 17:31
https://doi.org/10.1007/978-3-658-06953-7import to new media studies by way of their consideration of situated and rhetorical language, discourse, and argument. This short postscript brings together the chapters’ contributions to chart future avenues for genre research.作者: Stress 時間: 2025-3-24 19:45
Postscript: Futures for Genre Studiesimport to new media studies by way of their consideration of situated and rhetorical language, discourse, and argument. This short postscript brings together the chapters’ contributions to chart future avenues for genre research.作者: 預定 時間: 2025-3-24 23:16 作者: 仲裁者 時間: 2025-3-25 05:21 作者: gustation 時間: 2025-3-25 09:27 作者: 行為 時間: 2025-3-25 14:33
https://doi.org/10.1007/978-3-031-34427-5 their positioning within a videogame genre rather than their status as adaptation, as shown by the example of .. As a result, the important source is the game genre’s history. This genre-driven focus renders the relationship between a game adaptation and its literary or filmic source text a paratextual one.作者: Suppository 時間: 2025-3-25 17:52 作者: Ophthalmoscope 時間: 2025-3-25 23:47 作者: 卡死偷電 時間: 2025-3-26 01:13
https://doi.org/10.1007/978-3-322-86911-1ity and power, this chapter outlines the affordances of an archaeological metaphor for genre change, drawing examples from the short-lived genres created by experimental ethnographers in the early 20th century.作者: Conjuction 時間: 2025-3-26 07:29
Book 2017es most observers as a dizzying proliferation of new forms of communicative interaction and cultural production, provoking multimodal experimentation, and artistic and entrepreneurial innovation. Working with the concept of genre, scholars in multiple fields have begun to explore these processes of 作者: 悠然 時間: 2025-3-26 10:11 作者: 讓你明白 時間: 2025-3-26 15:06 作者: 尊敬 時間: 2025-3-26 20:18 作者: interrupt 時間: 2025-3-27 00:49
Source as Paratext: Videogame Adaptations and the Question of Fidelity their positioning within a videogame genre rather than their status as adaptation, as shown by the example of .. As a result, the important source is the game genre’s history. This genre-driven focus renders the relationship between a game adaptation and its literary or filmic source text a paratextual one.作者: 過份艷麗 時間: 2025-3-27 02:12
Atypical Rhetorical Actions: Defying Genre Expectations on Amazon.comectations using satire, parody, and reflexivity. Even genre defiance happens in relatively typified ways, which actually enables rhetors like defiant Amazon.com reviewers to reconstitute rhetorical situations and thus call for more fitting and recognizable responses to perceived exigencies.作者: 從容 時間: 2025-3-27 06:07
Hard Ephemera: Textual Tactility and the Design of the Post-Digital Narrative in Chris Ware’s “Colornds that consumers are just beginning to miss what they will no longer know when their hands can’t be a vehicle to it. Chris Ware’s innovative transformation in . (.) of a book into a “colorful keepsake box” provides a case for theorizing an embodied literacy predicated upon the haptics of reading.作者: Allodynia 時間: 2025-3-27 13:21
Genre Emergence and Disappearance in Feminist Histories of Rhetoricity and power, this chapter outlines the affordances of an archaeological metaphor for genre change, drawing examples from the short-lived genres created by experimental ethnographers in the early 20th century.作者: 碳水化合物 時間: 2025-3-27 16:09 作者: 值得 時間: 2025-3-27 20:35
http://image.papertrans.cn/e/image/308258.jpg作者: Oligarchy 時間: 2025-3-28 00:05
978-3-319-82071-2The Editor(s) (if applicable) and The Author(s) 2017作者: 可行 時間: 2025-3-28 04:36
https://doi.org/10.1007/978-1-4684-0937-6ociated concept of “evolution,” which has also been used widely. In asking the question “Where do genres come from?” the author seeks to understand not only . they come from (that is, their antecedent conditions and causes), but also . they come about (that is, the social and material promoters of a作者: diabetes 時間: 2025-3-28 09:31
https://doi.org/10.1007/978-1-4757-1547-7 new genre but an application of a new technology. Three phases (mid-19th-century photography; blogs; online news comment) show similar characteristics: the new technology is so widespread in its uptake that it seems to be a “mania” or “craze” beyond recognizable motivation; its uses are mixed and h作者: nonchalance 時間: 2025-3-28 13:50
https://doi.org/10.1007/978-94-010-0045-1ip, however, focuses on online settings. To better understand these online stories and their structures, the author undertakes the analysis of a collection of patient diagnosis vlogs to argue that the characteristics of YouTube and the Internet more generally enable fluctuations or oscillations in t作者: definition 時間: 2025-3-28 17:01
https://doi.org/10.1007/978-94-009-5697-1, the author presents a multimodal analysis of media uploaded to the Internet by users showing their reactions to the event, and demonstrates how new media users employ familiar primary and secondary speech genres to shape their reactions. This comparative analysis of videos and tweets helps concept作者: 變量 時間: 2025-3-28 20:36
https://doi.org/10.1007/978-3-642-32220-4 by gestural interfaces, haptic feedback systems, touch-sensitive displays, wearable hardware, and the like. Recent rhetorical theories about the canon of delivery, theories that consider the intersection of the body and technology in the act of communication, offer a lens through which we can read 作者: carotenoids 時間: 2025-3-29 02:09
https://doi.org/10.1007/978-3-540-88428-6These categorizations focus on the feature-based nature of games and are not particularly useful for educational researchers interested in how games facilitate co-production and sharing among peers. A rhetorical conception of genre broadens our understanding of games, such that they become aspects o作者: 歡樂中國 時間: 2025-3-29 05:36
https://doi.org/10.1007/978-3-642-55430-8om printed newspaper to digital newspaper: interactivity with the reader, linearity, multimodality, and information velocity. The author examines how these four qualities are exhibited in newspapers published in Brazil. The corpus is composed of 540 texts distributed in nine genres of printed and el作者: sulcus 時間: 2025-3-29 08:11
https://doi.org/10.1007/978-3-322-99391-5he largest AIDS discussion forums in the USA. Focusing on possible contraction of HIV/AIDS after perceived high-risk behaviors, this genre differs from traditional patient narratives because of its preoccupation with risk assessment and testing. Three types of rhetorical moves were identified, namel作者: intricacy 時間: 2025-3-29 14:20
https://doi.org/10.1007/978-3-031-34427-5or plays and the films derived from them, frequently with a focus on the fidelity of the adaptation to the source. But there is a substantial difference between film adaptation and videogame adaptations, where the relationship between adaptation and source is vastly different. Games always insist on作者: 吹氣 時間: 2025-3-29 15:41 作者: 樹木心 時間: 2025-3-29 23:48
Müller/B?hrmann Bestimmung wirbelloser Tiere produced in new media environments at the turn of the 21st century. Following an overview of early online autopathographic practices, the author engages in close readings of two artistic autopathographies rendered in digital media: Donald G. Rodney’s . (2000) and Hannah Wilke’s . (1990–1993/2007). 作者: 得體 時間: 2025-3-30 02:48 作者: Mawkish 時間: 2025-3-30 06:22 作者: adjacent 時間: 2025-3-30 11:47
Mündliche Prüfung Bankkaufmann/-frauBooks Eliminate Physical Books?” The author argues that genres are migrating into digital media forms and thus now demand attention to the material conditions that engender them. She begins by questioning the lay theory that modern readers have . cared much about the physiology of reading, and conte作者: FISC 時間: 2025-3-30 13:56
https://doi.org/10.1007/978-3-322-86911-1e, focusing on discarded, ephemeral, and non-dominant genres to investigate relations of power in communities of practice. Arguing that evolutionary metaphors for genre emergence and disappearance have served as terministic screens, deflecting our collective attention away from questions of material作者: Seizure 時間: 2025-3-30 18:42 作者: FRAUD 時間: 2025-3-30 23:25 作者: Postulate 時間: 2025-3-31 01:39 作者: 大暴雨 時間: 2025-3-31 07:24
Bridge to Genre: Spanning Technological Change new genre but an application of a new technology. Three phases (mid-19th-century photography; blogs; online news comment) show similar characteristics: the new technology is so widespread in its uptake that it seems to be a “mania” or “craze” beyond recognizable motivation; its uses are mixed and h
