標(biāo)題: Titlebook: Embodied Human–Computer Interaction in Vocal Music Performance; Franziska Baumann Book 2023 The Editor(s) (if applicable) and The Author(s [打印本頁(yè)] 作者: Obsolescent 時(shí)間: 2025-3-21 17:34
書(shū)目名稱Embodied Human–Computer Interaction in Vocal Music Performance影響因子(影響力)
書(shū)目名稱Embodied Human–Computer Interaction in Vocal Music Performance影響因子(影響力)學(xué)科排名
書(shū)目名稱Embodied Human–Computer Interaction in Vocal Music Performance網(wǎng)絡(luò)公開(kāi)度
書(shū)目名稱Embodied Human–Computer Interaction in Vocal Music Performance網(wǎng)絡(luò)公開(kāi)度學(xué)科排名
書(shū)目名稱Embodied Human–Computer Interaction in Vocal Music Performance被引頻次
書(shū)目名稱Embodied Human–Computer Interaction in Vocal Music Performance被引頻次學(xué)科排名
書(shū)目名稱Embodied Human–Computer Interaction in Vocal Music Performance年度引用
書(shū)目名稱Embodied Human–Computer Interaction in Vocal Music Performance年度引用學(xué)科排名
書(shū)目名稱Embodied Human–Computer Interaction in Vocal Music Performance讀者反饋
書(shū)目名稱Embodied Human–Computer Interaction in Vocal Music Performance讀者反饋學(xué)科排名
作者: 確認(rèn) 時(shí)間: 2025-3-21 21:41
Book 2023ng not only for musicians, composers, researchers, application?developers,musicologists and educators but also for students and tertiary institutions as?well as actors and dramaturgs in a music context.?.作者: rectocele 時(shí)間: 2025-3-22 01:15 作者: forebear 時(shí)間: 2025-3-22 08:27 作者: JOT 時(shí)間: 2025-3-22 10:23
Qingrui Yin,Binghe Zhu,Huarong Zengsona references each describe a significant area of the voice in electroacoustic music and thus the mediated voice. Through analysing some examples, this chapter will illuminate the nature of the mediated voice using insight from listening examples and practice-based research.作者: conifer 時(shí)間: 2025-3-22 15:33 作者: conifer 時(shí)間: 2025-3-22 18:22
Embodied Human–Computer Interaction in Vocal Music Performance作者: 裝入膠囊 時(shí)間: 2025-3-23 00:16 作者: concubine 時(shí)間: 2025-3-23 02:29
Book 2023plores how the voice can be embodied and mediated by means of gestural communication through sensor interfaces and aims to situate and contextualise various aspects that generate meaningful connections in such interactive interface performance. The author offers an approach for understanding creativ作者: 刺耳的聲音 時(shí)間: 2025-3-23 08:40
Microstructure of World Trading Marketsfor music-making. I apply the concept of Denis Smalley’s . and Schaeffer’s . to outline extrinsic and intrinsic vocal qualities. The final section explains how . helps us to understand the creative potential of the abstract vocal terrain as a precondition for the mediated voice.作者: CULP 時(shí)間: 2025-3-23 13:31 作者: 傻瓜 時(shí)間: 2025-3-23 14:32
Franziska BaumannOffers practice-oriented insight into embodied HCI in live music performance with emphasis on voice.This approach is a valuable mix of phenomenology and artistic research.Explores a creative framework作者: 情節(jié)劇 時(shí)間: 2025-3-23 18:35 作者: NICE 時(shí)間: 2025-3-23 22:52
Microstructure and Texture in Steelsts into various experiential domains of the contemporary voice, the book builds on and extends the discourse surrounding interactive music systems such as Holland et al. (2019), and conference proceedings such as the ICLI International Conference on Live Interfaces (2020) and the New Instruments for作者: 者變 時(shí)間: 2025-3-24 06:01
Microstructure of World Trading MarketsI present the listener with the ., a perspective that goes beyond the established western European tradition and considers a new type of musical orientation in contemporary vocal art. The first section discusses the nature of the term .. It gives a brief historical outline of how contemporary vocal 作者: 圍巾 時(shí)間: 2025-3-24 09:53
Qingrui Yin,Binghe Zhu,Huarong Zengs with two basic notions. First, I introduce the mediated voice as an .. As voices “from me” or as “clones of myself”, they are modified through electrified processes and become reflections and distortions of the original voice. Secondly, the mediated voice is explored in prerecorded vocal elements 作者: 制造 時(shí)間: 2025-3-24 11:08 作者: 尖酸一點(diǎn) 時(shí)間: 2025-3-24 18:20 作者: 遠(yuǎn)地點(diǎn) 時(shí)間: 2025-3-24 19:41
Introduction,ts into various experiential domains of the contemporary voice, the book builds on and extends the discourse surrounding interactive music systems such as Holland et al. (2019), and conference proceedings such as the ICLI International Conference on Live Interfaces (2020) and the New Instruments for Musical Expression (NIME) research community.作者: Frequency-Range 時(shí)間: 2025-3-25 01:55
https://doi.org/10.1007/978-3-031-17985-3Embodied Human-Computer Interaction in Live Music Performance; Mediated Voice; Creative Computing; Gest作者: 厭食癥 時(shí)間: 2025-3-25 03:33 作者: 間接 時(shí)間: 2025-3-25 07:46
Embodied Human–Computer Interaction in Vocal Music Performance978-3-031-17985-3Series ISSN 2195-9056 Series E-ISSN 2195-9064 作者: senile-dementia 時(shí)間: 2025-3-25 15:01
Introduction,ts into various experiential domains of the contemporary voice, the book builds on and extends the discourse surrounding interactive music systems such as Holland et al. (2019), and conference proceedings such as the ICLI International Conference on Live Interfaces (2020) and the New Instruments for作者: ETCH 時(shí)間: 2025-3-25 19:40
The Embodied Voice,I present the listener with the ., a perspective that goes beyond the established western European tradition and considers a new type of musical orientation in contemporary vocal art. The first section discusses the nature of the term .. It gives a brief historical outline of how contemporary vocal 作者: 吃掉 時(shí)間: 2025-3-25 21:23 作者: 巨大沒(méi)有 時(shí)間: 2025-3-26 01:26
Embodied Interface Performance with Gestural Systems,ystems. Based on the practices of contemporary vocal art, I will discuss the sensor instrument as prop, object and body extension and show how the sensor’s functions or affordances influence mapping strategies. I will show how the composed mapping of functional and communicative gestures together wi作者: 發(fā)芽 時(shí)間: 2025-3-26 06:22 作者: Prologue 時(shí)間: 2025-3-26 10:13 作者: forestry 時(shí)間: 2025-3-26 14:02 作者: AMBI 時(shí)間: 2025-3-26 19:34 作者: Confound 時(shí)間: 2025-3-27 01:01 作者: 異教徒 時(shí)間: 2025-3-27 04:39 作者: 調(diào)情 時(shí)間: 2025-3-27 08:46
K. M. Chaturvedi,Rohit Mathew Samuel,O. D. Jayakumar,Aryadevi Remanidevi Devidas chapters to management of cardiac patients on extracorporeal membrane oxygenation, hemofiltration, hemo or peritoneal dialysis and plasma exchange. Practical guidelines for cardiovascular nursing care will be also included..978-1-4471-6841-6978-1-84882-262-7作者: Preamble 時(shí)間: 2025-3-27 12:05
Sated, Starved or Satisfied: The Languages of Theatre in Britain Todaynalysed by Aristotle and preserved in the student notes on his lectures which we call the . But her downfall was more than a banal conceit. It was the high point of a process that had been accelerating throughout the decade. In 1980s Britain a number of different developments combined to make possib作者: 摸索 時(shí)間: 2025-3-27 14:29
Propaganda: Origins, Development and Utilizationtherness’, ridicule, demonize, dehumanize and incite hatred and even violent action was a product of the technological advances of the 20th century. But the development of human discourses of identity and difference, the propagation of ideologies of enmity, hatred and violence go back to the start o作者: Heterodoxy 時(shí)間: 2025-3-27 17:52
https://doi.org/10.1007/978-3-642-84763-9IR tr?gt zu diesen Aktivit?ten als leitendes Institut des Campus-Clusters Logistik ma?geblich bei. Es wird nach seinem Geburtstag und dem Umzug seine Forschung neu justieren, indem es neue Formen der Forschungsinfrastruktur für kooperative Entwicklungen zur Verfügung stellt.
