標(biāo)題: Titlebook: Electronic Literature in Latin America; From Text to Hyperte Claire Taylor Book 2019 The Editor(s) (if applicable) and The Author(s) 2019 E [打印本頁] 作者: cucumber 時間: 2025-3-21 19:02
書目名稱Electronic Literature in Latin America影響因子(影響力)
書目名稱Electronic Literature in Latin America影響因子(影響力)學(xué)科排名
書目名稱Electronic Literature in Latin America網(wǎng)絡(luò)公開度
書目名稱Electronic Literature in Latin America網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Electronic Literature in Latin America被引頻次
書目名稱Electronic Literature in Latin America被引頻次學(xué)科排名
書目名稱Electronic Literature in Latin America年度引用
書目名稱Electronic Literature in Latin America年度引用學(xué)科排名
書目名稱Electronic Literature in Latin America讀者反饋
書目名稱Electronic Literature in Latin America讀者反饋學(xué)科排名
作者: Predigest 時間: 2025-3-21 22:20
1554-4028 ng the first coherent approach to these new genres in a Lati.This book explores one of the most exciting new developments in the literary field to emerge over recent decades: the growing body of work known as ‘electronic literature’, comprising literary works that take advantage of the capabilities 作者: 異端邪說2 時間: 2025-3-22 02:24
1554-4028 ment of these new literary forms, the book proposes a three-fold approach of aesthetics, technologics, and ethics, as a framework for analyzing digital literature..978-3-030-30990-9978-3-030-30988-6Series ISSN 1554-4028 Series E-ISSN 2634-520X 作者: 機(jī)密 時間: 2025-3-22 04:46
T. A. Hardy,L. B. Mason,J. D. McConochie being aware of its own imbrication in them. The Introduction then examines the use of intertextual and metatextual references in the selected authors, and their critique of the material conditions that underpin the technologies they employ.作者: 切碎 時間: 2025-3-22 11:04
From Text to Hypertext: Electronic Literature in Latin America, being aware of its own imbrication in them. The Introduction then examines the use of intertextual and metatextual references in the selected authors, and their critique of the material conditions that underpin the technologies they employ.作者: 諷刺滑稽戲劇 時間: 2025-3-22 15:43 作者: 諷刺滑稽戲劇 時間: 2025-3-22 20:27
Morphology of Indian Pandanaceae, a standard feature of Latin American newspaper formats, as well as the long-standing genre of epistolary fiction. In so doing, the chapter investigates how Labbé both updates the potentials of these three pre-digital formats, as well as questioning the extent to which oppositional practices can resist their recuperation by corporate media.作者: infelicitous 時間: 2025-3-23 00:55 作者: 詞匯 時間: 2025-3-23 01:37 作者: magnanimity 時間: 2025-3-23 09:26
,Revitalising Legacy Media: Carlos Labbé’s , (2001) (Chile), a standard feature of Latin American newspaper formats, as well as the long-standing genre of epistolary fiction. In so doing, the chapter investigates how Labbé both updates the potentials of these three pre-digital formats, as well as questioning the extent to which oppositional practices can resist their recuperation by corporate media.作者: 很像弓] 時間: 2025-3-23 09:41 作者: CHIDE 時間: 2025-3-23 14:43
,Animating the Baroque and Resisting the Brand: Belén Gache’s , (2011) and , (2011) (Spain-Argentinan to an analysis of ., and elucidates how this poetry collection works via the recycling of platitudes and commonplaces that characterise corporate branding, trademark symbols, slogans, and rhetorical phrases, and encourages us to reflect upon our imbrication not only in the work, but also in the system of global corporatism.作者: 翻動 時間: 2025-3-23 19:48 作者: 人充滿活力 時間: 2025-3-23 23:07 作者: PANEL 時間: 2025-3-24 03:14 作者: 貝雷帽 時間: 2025-3-24 08:20 作者: Vsd168 時間: 2025-3-24 12:56
,Reanimating the Whodunnit: Jaime Alejandro Rodríguez’s , (2006) (Colombia),els, engages in narrative metalepsis, and questions some of the standard features (such as stability of character or cause-effect relationship) that are so central to the whodunnit genre he mobilises.作者: SEMI 時間: 2025-3-24 17:33
,Twitter Poetry and Rethinking the Aphorism: Eduardo Navas’s , (2011 to date) (US-El Salvador), formats and tools—including the blog as platform, word clouds as visualisation tools, and search engines for retrieving information—to take an oppositional stance, and interrogate the textual formats themselves.作者: ANTIC 時間: 2025-3-24 20:44
,Critiquing Web Structure and Online Social Capital: Doménico Chiappe’s , (2013–2015),, to discuss the commodification of the female body and the functioning of online social capital in the internet age. The chapter reveals how Chiappe forces us to understand our own complicity in the perpetuation of the neoliberal discourses that underpin the circulation of online social capital.作者: 率直 時間: 2025-3-24 23:29 作者: muscle-fibers 時間: 2025-3-25 04:56
From Text to Hypertext: Electronic Literature in Latin America,n scrutinises the relationship between digital culture studies and cultural studies, and advocates for a critical digital culture studies, which involves a potential recuperation of the leftist underpinnings of cultural studies. In so doing, the introduction posits a three-fold approach, combining .作者: flutter 時間: 2025-3-25 09:11 作者: installment 時間: 2025-3-25 15:05
,Foregrounding Fragments and Gaps: Marina Zerbarini’s , (2004) (Argentina),its from the short stories of James Joyce. It elucidates Zerbarini’s creation of technologically enabled gaps, her adoption of Joyce’s technique of unresolved endings, and her engagement with stream of consciousness, whilst also demonstrating the way she troubles these techniques. The chapter also r作者: FLUSH 時間: 2025-3-25 17:12
,Reanimating the Whodunnit: Jaime Alejandro Rodríguez’s , (2006) (Colombia),ts within this work. Firstly, a surrealist heritage is evoked through allusions to the . indicating a long tradition of experimental, ludic practice that informs this work in terms of its structure and procedure. Secondly, the whodunnit genre is invoked in terms of plot and characterisation. The cha作者: 不可思議 時間: 2025-3-25 23:23 作者: 清醒 時間: 2025-3-26 01:25
,Twitter Poetry and Rethinking the Aphorism: Eduardo Navas’s , (2011 to date) (US-El Salvador),rno’s .. The chapter demonstrates how the various levels of remixing of Adorno’s text create new interpretations of the original for the twenty-first century. It reveals how, where Adorno’s book scrutinised social practices and institutions of the era of bourgeois, statist capitalism, Navas’s remix 作者: 大猩猩 時間: 2025-3-26 07:06
,Critiquing Web Structure and Online Social Capital: Doménico Chiappe’s , (2013–2015),understand the networked functioning of the internet and to question the commodification of the online self. Firstly, the chapter analyses the locale, arguing that Chiappe’s narrative structure, situating the reader as investigator in the labyrinthine structure of the hotel, draws parallels between 作者: 極小 時間: 2025-3-26 08:42
Conclusion, through to visualisations and many more, in their creation of hybrid digital genres. They engage in a range of literary and experimental practices, pushing the boundaries of existing literary genres and norms, all the while dialoguing with their print literary predecessors. The Conclusion also rein作者: Myosin 時間: 2025-3-26 13:03
https://doi.org/10.1007/978-3-030-30988-6Electronic Literature; Latin American Cyberculture; Latin American Literature; Latin American Cultural 作者: 設(shè)想 時間: 2025-3-26 20:41
978-3-030-30990-9The Editor(s) (if applicable) and The Author(s) 2019作者: jettison 時間: 2025-3-26 23:27
Electronic Literature in Latin America978-3-030-30988-6Series ISSN 1554-4028 Series E-ISSN 2634-520X 作者: Harness 時間: 2025-3-27 01:50 作者: 敵意 時間: 2025-3-27 08:21
New Directions in Latino American Cultureshttp://image.papertrans.cn/e/image/306334.jpg作者: acclimate 時間: 2025-3-27 11:56
T. A. Hardy,L. B. Mason,J. D. McConochien scrutinises the relationship between digital culture studies and cultural studies, and advocates for a critical digital culture studies, which involves a potential recuperation of the leftist underpinnings of cultural studies. In so doing, the introduction posits a three-fold approach, combining .作者: Basilar-Artery 時間: 2025-3-27 16:38
Morphology of Indian Pandanaceae,Labbé’s engagement with legacy media, and pre-digital forms of assemblage, cutting, and pasting, demonstrating how he makes overt reference to the techniques of collage, as championed by earlier literary and artistic experimentation by the surrealists and others. It also elucidates his use of the .,作者: jumble 時間: 2025-3-27 20:13 作者: adjacent 時間: 2025-3-28 01:54 作者: organism 時間: 2025-3-28 04:17
Md. Nasim Ali,Syandan Sinha Ray demonstrates how the pieces within this collection engage with a particular element of the work of the Spanish Golden Age poet Góngora, and reworks his poem . in a variety of ways, through remixings, visualisations, animations, and interactions with the reader-user. The chapter subsequently moves o作者: 鉤針織物 時間: 2025-3-28 06:35 作者: 商議 時間: 2025-3-28 11:19 作者: integral 時間: 2025-3-28 17:53
https://doi.org/10.1057/9781137474223 through to visualisations and many more, in their creation of hybrid digital genres. They engage in a range of literary and experimental practices, pushing the boundaries of existing literary genres and norms, all the while dialoguing with their print literary predecessors. The Conclusion also rein
