標(biāo)題: Titlebook: Editors Construct the Renaissance Canon, 1825-1915; Paul Salzman Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Shakespear [打印本頁(yè)] 作者: 哄笑 時(shí)間: 2025-3-21 17:33
書目名稱Editors Construct the Renaissance Canon, 1825-1915影響因子(影響力)
書目名稱Editors Construct the Renaissance Canon, 1825-1915影響因子(影響力)學(xué)科排名
書目名稱Editors Construct the Renaissance Canon, 1825-1915網(wǎng)絡(luò)公開度
書目名稱Editors Construct the Renaissance Canon, 1825-1915網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Editors Construct the Renaissance Canon, 1825-1915被引頻次
書目名稱Editors Construct the Renaissance Canon, 1825-1915被引頻次學(xué)科排名
書目名稱Editors Construct the Renaissance Canon, 1825-1915年度引用
書目名稱Editors Construct the Renaissance Canon, 1825-1915年度引用學(xué)科排名
書目名稱Editors Construct the Renaissance Canon, 1825-1915讀者反饋
書目名稱Editors Construct the Renaissance Canon, 1825-1915讀者反饋學(xué)科排名
作者: 使長(zhǎng)胖 時(shí)間: 2025-3-21 23:27 作者: 著名 時(shí)間: 2025-3-22 04:00 作者: Aggrandize 時(shí)間: 2025-3-22 05:38 作者: 令人心醉 時(shí)間: 2025-3-22 11:20 作者: IRK 時(shí)間: 2025-3-22 16:25
Book 2018es of editors who worked on Shakespeare, but also on complete editions of a remarkable range of early modern writers, from the early nineteenth century through to the early twentieth century. It reassesses the point at which purportedly more scientific theories of editing began the process of obscur作者: IRK 時(shí)間: 2025-3-22 18:53
2634-5919 a signal contribution to the discipline.Sheds renewed light This book argues that nineteenth-century editors created the modern idea of English Renaissance literature. The book analyses the theories and practices of editors who worked on Shakespeare, but also on complete editions of a remarkable ran作者: Intractable 時(shí)間: 2025-3-22 22:15 作者: harrow 時(shí)間: 2025-3-23 01:40
Cristina D’Alessandro,Frannie Léautiern, which was the most authoritative for over one hundred years. Dyce’s work has been almost entirely overlooked and this chapter places him at the centre of an eclectic and inclusive approach to editing.作者: Senescent 時(shí)間: 2025-3-23 08:49 作者: 生命層 時(shí)間: 2025-3-23 12:08
Introduction: Redeeming the Editorial Tradition,n argues that the nineteenth-century editorial tradition as a whole has been neglected, and that Shakespeare editing, while less neglected, needs to be set in the context of the editing of early modern literature in general.作者: entitle 時(shí)間: 2025-3-23 14:09
Alexander Dyce,n, which was the most authoritative for over one hundred years. Dyce’s work has been almost entirely overlooked and this chapter places him at the centre of an eclectic and inclusive approach to editing.作者: 遺傳學(xué) 時(shí)間: 2025-3-23 18:41 作者: 過份艷麗 時(shí)間: 2025-3-23 23:26
Editors Construct the Renaissance Canon, 1825-1915978-3-319-77902-7Series ISSN 2634-5919 Series E-ISSN 2634-5927 作者: 鎮(zhèn)壓 時(shí)間: 2025-3-24 04:49 作者: Proclaim 時(shí)間: 2025-3-24 07:00 作者: MANIA 時(shí)間: 2025-3-24 12:54 作者: 致敬 時(shí)間: 2025-3-24 17:41
Conclusion: Forgetting the Past,Chapter 6 looks in detail at current theoretical issues surrounding editing, book history, and questions surrounding the transmission of early modern texts. The chapter argues that current debates need to be set in the context of the history of editing.作者: 座右銘 時(shí)間: 2025-3-24 19:19 作者: incarcerate 時(shí)間: 2025-3-25 00:07
978-3-030-08569-8The Editor(s) (if applicable) and The Author(s) 2018作者: excrete 時(shí)間: 2025-3-25 04:20
Amateurs, Professionals, and the Second Half of the Century,proaches. While an editor like Alexander Grosart exemplifies a late version of nineteenth-century ‘a(chǎn)mateur’ editing, A.H. Bullen is considered as exemplifying a shift towards a more commercial view of the editing process. This chapter also contrasts the editing of Renaissance literature with approaches to the editing of pre-Renaissance literature.作者: 傳染 時(shí)間: 2025-3-25 07:57 作者: 大范圍流行 時(shí)間: 2025-3-25 14:33
Cities’ Sustainability in a Risk-Prone World of Renaissance literature. This is especially the case with Complete Editions, as opposed to the anthologies common in the eighteenth century. Salzman argues that the nineteenth-century editorial tradition as a whole has been neglected, and that Shakespeare editing, while less neglected, needs to b作者: 委托 時(shí)間: 2025-3-25 19:11 作者: 天真 時(shí)間: 2025-3-25 23:55
Digital Urban Networks and Social Media,adventurous nineteenth-century editor, moving between texts that were previously considered to be ephemeral, such as jest-books, and a project like his massive folio Shakespeare edition and his Shakespeare biography. Halliwell’s working methods are analysed in detail, especially his use of scrapbook作者: 隱藏 時(shí)間: 2025-3-26 03:50 作者: musicologist 時(shí)間: 2025-3-26 07:58 作者: 集中營(yíng) 時(shí)間: 2025-3-26 08:49
Paul SalzmanFills a traditional gap in accounts of Renaissance canon formation in the nineteenth century.Features an account of Grosart that will prove a signal contribution to the discipline.Sheds renewed light 作者: Intercept 時(shí)間: 2025-3-26 13:08 作者: 大雨 時(shí)間: 2025-3-26 20:25 作者: Allowance 時(shí)間: 2025-3-26 22:25
Editors Construct the Renaissance Canon, 1825-1915作者: 用不完 時(shí)間: 2025-3-27 04:22 作者: 蝕刻術(shù) 時(shí)間: 2025-3-27 09:05
10樓作者: Incisor 時(shí)間: 2025-3-27 13:25
10樓作者: concubine 時(shí)間: 2025-3-27 13:59
10樓作者: 莊嚴(yán) 時(shí)間: 2025-3-27 20:17
10樓
