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標(biāo)題: Titlebook: Ecofeminist Subjectivities; Chaucer’s Talking Bi Lesley Kordecki Book 2011 Lesley Kordecki 2011 feminism.gender.interaction.parliament [打印本頁]

作者: Inoculare    時間: 2025-3-21 16:57
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作者: 顯而易見    時間: 2025-3-21 22:58
Domesticating the Fable: The Other in the ,scapes, traditionally conducive to animal discourse, as in Chaucer’s earlier poems, undergoes a program of “agriculture” as animals are farmed by the human self-interest in deciphering dreams. Still, the speech of these creatures has, as we will see, discordant elements that threaten the hierarchy,
作者: 高歌    時間: 2025-3-22 01:41

作者: Grating    時間: 2025-3-22 08:38

作者: gout109    時間: 2025-3-22 10:30
https://doi.org/10.1007/978-1-4899-3440-6n. He introduces an eagle guide clearly to reflect a nonhuman element, but the pivotal bird is also granted speech and the answer to the question of what truly constitutes fame. Not until the eagle leads the dreamer do we perceive the interactive questing that the writer attempts while forging a new subjectivity.
作者: 神經(jīng)    時間: 2025-3-22 14:41

作者: 神經(jīng)    時間: 2025-3-22 19:08
https://doi.org/10.1007/978-3-319-10109-5d from active, confrontational, and contemporary voices. These voices are initially unconventional, so much so that we see a storyteller at moments positing nonhuman perspectives, as the “object” starts to speak.
作者: 人類學(xué)家    時間: 2025-3-22 21:20

作者: EXUDE    時間: 2025-3-23 03:24

作者: Type-1-Diabetes    時間: 2025-3-23 09:36
Alternative Antriebe für Automobileisolated from the nonmale and the nonhuman. The story could then ominously conclude Geoffrey Chaucer’s story about stories, the ., effectively establishing or at least sustaining Derrida’s “abyssal” limitations of human subjectivity for subsequent English texts. But the tale has more to offer, and the offending crow is the clue to its potency.
作者: mastoid-bone    時間: 2025-3-23 13:42
Introduction: Avian Subjectivity, Genre, and Feminism,to that feature. What we now are probing is how the alterity of the animal is not entirely suppressed, and how Chaucer, in some odd ways, then is “becoming animal” in his search for his own voice.. And this is good news, for it becomes one more reason why we value these texts.
作者: Merited    時間: 2025-3-23 16:33

作者: 蛤肉    時間: 2025-3-23 20:40
J. T. Grayhack,C. Lee,J. M. Kozlowskito that feature. What we now are probing is how the alterity of the animal is not entirely suppressed, and how Chaucer, in some odd ways, then is “becoming animal” in his search for his own voice.. And this is good news, for it becomes one more reason why we value these texts.
作者: dura-mater    時間: 2025-3-23 22:24
J. T. Grayhack,C. Lee,J. M. Kozlowskieen to be affected by the nonmale and nonhuman voices around him? This book seeks to explore that very possibility, and surprisingly, Chaucer does not disappoint, even with such a contemporary lens. We have for centuries traced how animals represent humans in texts, and these poems are no exception
作者: Mast-Cell    時間: 2025-3-24 04:45

作者: 進(jìn)入    時間: 2025-3-24 10:03
https://doi.org/10.1007/978-3-319-10109-5ubjectivity, complete with ambiguous selves and cacophonous language.. Similar to the progression traced in his ., in this shorter, more enclosed work, the narrator moves, but this time surefootedly from vision to voice, from the vision of static montages of allegorical and mythological figures to t
作者: anatomical    時間: 2025-3-24 14:38
ADMM for Distributed Optimization, sphere,” as we see in this chapter on Chaucer’s . The emphasis in the tale becomes one of comfort and subsistence, two areas defined by gender and now by species. With the ., Geoffrey Chaucer moves from the psychological schema inherent in dream visions to the overtly representational, dramatic gen
作者: Angioplasty    時間: 2025-3-24 16:50

作者: CBC471    時間: 2025-3-24 22:50

作者: 錯誤    時間: 2025-3-24 23:25

作者: 輪流    時間: 2025-3-25 07:03

作者: FLASK    時間: 2025-3-25 07:44

作者: 品牌    時間: 2025-3-25 15:18

作者: textile    時間: 2025-3-25 19:46
2945-5936 urse through an ecofeminist lens.?Works that either speak of animals, or those with animals speaking, give new insights into the medieval textual handling of the ‘others‘ of society.978-1-349-29665-1978-0-230-33789-3Series ISSN 2945-5936 Series E-ISSN 2945-5944
作者: 要求比…更好    時間: 2025-3-25 22:05
Ecofeminist Subjectivities978-0-230-33789-3Series ISSN 2945-5936 Series E-ISSN 2945-5944
作者: exclamation    時間: 2025-3-26 02:11
Alternative Antriebe für Automobilely since he linked them with the voices of similarly dismissed women. But then I began to see that his lively avian performances also work to shift the emphasis of these stories in a way that lets the animal world into the equation, and this intriguing possibility suggested further thought.
作者: Decimate    時間: 2025-3-26 08:13
The New Middle Ageshttp://image.papertrans.cn/e/image/301203.jpg
作者: grounded    時間: 2025-3-26 12:20
Introduction: Avian Subjectivity, Genre, and Feminism,een to be affected by the nonmale and nonhuman voices around him? This book seeks to explore that very possibility, and surprisingly, Chaucer does not disappoint, even with such a contemporary lens. We have for centuries traced how animals represent humans in texts, and these poems are no exception
作者: Mortal    時間: 2025-3-26 14:00

作者: 豎琴    時間: 2025-3-26 20:42

作者: 褻瀆    時間: 2025-3-26 22:54

作者: 沒收    時間: 2025-3-27 05:03

作者: Cirrhosis    時間: 2025-3-27 05:56
Mythological Censorship and the ,” (267).. This chapter argues that the metaphoric tableau of the . seems to relate the lesson that narrative subjectivity will remain apocalyptically isolated from the nonmale and the nonhuman. The story could then ominously conclude Geoffrey Chaucer’s story about stories, the ., effectively establi
作者: Debate    時間: 2025-3-27 11:27

作者: conscribe    時間: 2025-3-27 15:24
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作者: Metamorphosis    時間: 2025-3-28 01:06
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