標(biāo)題: Titlebook: Ecodramaturgies; Theatre, Performance Lisa Woynarski Book 2020 The Editor(s) (if applicable) and The Author(s) 2020 Ecology.Environment.Jus [打印本頁(yè)] 作者: Fixate 時(shí)間: 2025-3-21 17:10
書目名稱Ecodramaturgies影響因子(影響力)
書目名稱Ecodramaturgies影響因子(影響力)學(xué)科排名
書目名稱Ecodramaturgies網(wǎng)絡(luò)公開(kāi)度
書目名稱Ecodramaturgies網(wǎng)絡(luò)公開(kāi)度學(xué)科排名
書目名稱Ecodramaturgies被引頻次
書目名稱Ecodramaturgies被引頻次學(xué)科排名
書目名稱Ecodramaturgies年度引用
書目名稱Ecodramaturgies年度引用學(xué)科排名
書目名稱Ecodramaturgies讀者反饋
書目名稱Ecodramaturgies讀者反饋學(xué)科排名
作者: 系列 時(shí)間: 2025-3-22 00:02
New Dramaturgieshttp://image.papertrans.cn/e/image/301199.jpg作者: 我沒(méi)有強(qiáng)迫 時(shí)間: 2025-3-22 03:07
The “Size Principle” of Human α-Motoneuronesnking. I introduce the area of performance and ecology, demarcating three waves of development. Tracing the lineage of key ideas from 1994 to the present, I interpret this as a relatively new field that draws on a rich history of socio-political performance theories and practices. Ecodramaturgies ar作者: 災(zāi)難 時(shí)間: 2025-3-22 06:03
Ralph L. London,Mary Shaw,Wm. A. WulfWangari Maathai, which connected environmental issues to gender rights, political freedoms and colonial land management. Forgotten histories and the ongoing ecological effects of British colonialism in India are uncovered in the show-and-tell performance . (2018–2020) by Sheila Ghelani and Sue Palme作者: 表狀態(tài) 時(shí)間: 2025-3-22 10:52
https://doi.org/10.1007/978-3-662-56396-0ts between human/nature and disrupt anthropocentrism, by naming the performativity of more-than-humans. Drawing on ecomaterialism, I argue it is by acknowledging, critiquing and engaging with the more-than-human capacity for agency that theatre and performance can resist a reductive anthropocentrism作者: Presbyopia 時(shí)間: 2025-3-22 14:16
Einleitung: Geschichte der Alpinmedizin,ance artist Violeta Luna’s work . (2014) and Cherríe Moraga’s . (1992) to consider how environmental justice issues are experienced in raced and gendered bodies. . (1997–2000) and Ana Mendieta’s . (1973–1980) enact the tension between bodies as ‘natural’, entangled, and inscribed with neoliberal val作者: Presbyopia 時(shí)間: 2025-3-22 17:25 作者: 尖叫 時(shí)間: 2025-3-23 01:04 作者: perpetual 時(shí)間: 2025-3-23 02:02
https://doi.org/10.1007/978-3-642-98018-3he interactive performance by Metis Arts, . (2018), asked what it would mean to imagine and envision different systems and structures not based on capitalism, extractivism and colonial logic. What are the other ways in which we might live together? I trace my experience through the performance and t作者: 正式通知 時(shí)間: 2025-3-23 07:43 作者: 暖昧關(guān)系 時(shí)間: 2025-3-23 11:01 作者: 一回合 時(shí)間: 2025-3-23 14:55
978-3-030-55855-0The Editor(s) (if applicable) and The Author(s) 2020作者: 松軟無(wú)力 時(shí)間: 2025-3-23 18:47
Book 2020 the context of climate change. It offers a detailed study of the ways in which contemporary performance has critiqued and re-imagined everyday ecological relationships, in more just and equitable ways. The broad spectrum of ecologically-oriented theatre and performance included here, largely from t作者: 不適 時(shí)間: 2025-3-24 00:27
2947-6801 amples of practice, providing scholars, students and perform.This book. .addresses theatre’s contribution to the way we think about ecology, our relationship to the environment, and what it means to be human in the context of climate change. It offers a detailed study of the ways in which contempora作者: accessory 時(shí)間: 2025-3-24 03:49 作者: Prostatism 時(shí)間: 2025-3-24 08:53 作者: 使?jié)M足 時(shí)間: 2025-3-24 13:07
Conclusion: Imagining the Future(s),he emergent future scenarios it produced, as a way to encapsulate my theorisation of ecodramaturgies. I also consider the role of failure in ecological theatre and performance, looking to queer failure as a way of continuing to address this work, despite supposed failure and climate emergency.作者: 進(jìn)入 時(shí)間: 2025-3-24 15:03
Ulrike Tunst-Kamleitner,Manuela Larcherheresa J. May and Klamath Theatre Project’s . (2014) and Marie Clements’ . (2003), are analysed for their Indigenous ecological thinking. I argue that Indigenous ecodramaturgies can reframe destructive thinking and centre marginalised ecological worldviews and traditional knowledge.作者: stratum-corneum 時(shí)間: 2025-3-24 22:40 作者: 連詞 時(shí)間: 2025-3-25 00:43
Ralph L. London,Mary Shaw,Wm. A. Wulfecological elements. . (2002) by Osonye Tess Onwueme draws out the intersectional effects of oil extraction in the Niger Delta and the rural women effected. Through these works, I argue that ecodramaturgies can bring to light ecological injustices in theatre and performance.作者: glamor 時(shí)間: 2025-3-25 06:39
https://doi.org/10.1007/978-3-662-56396-0queer ecological thinking through the troubling of distinctions between human, animal and climate. Theses theatre and performance works challenge dominant anthropocentric representational modes and values through metaphors, images, forms, processes and material effects, as ecodramaturgical strategies.作者: floaters 時(shí)間: 2025-3-25 09:48
Experimental study of plant relationships,Boston: South End Press, 1990). Ecodramaturgies can also reframe and interrogate the relationship between the local and global, and heterogeneous ecological relationships and networks revealed in Sharon Switzer’s . (2013) and Shonni Enelow’s . (2014).作者: MODE 時(shí)間: 2025-3-25 14:58 作者: 鍍金 時(shí)間: 2025-3-25 18:45 作者: Condyle 時(shí)間: 2025-3-26 00:02
Earth As Home: Local, Imagined, Material, Global,Boston: South End Press, 1990). Ecodramaturgies can also reframe and interrogate the relationship between the local and global, and heterogeneous ecological relationships and networks revealed in Sharon Switzer’s . (2013) and Shonni Enelow’s . (2014).作者: filial 時(shí)間: 2025-3-26 03:03
Introduction,ent, I interpret this as a relatively new field that draws on a rich history of socio-political performance theories and practices. Ecodramaturgies are understood within an expanded idea of dramaturgy, reflected in the central questions asked in this volume.作者: 拱形大橋 時(shí)間: 2025-3-26 06:30 作者: GUEER 時(shí)間: 2025-3-26 11:50 作者: watertight, 時(shí)間: 2025-3-26 13:39
Introduction,nking. I introduce the area of performance and ecology, demarcating three waves of development. Tracing the lineage of key ideas from 1994 to the present, I interpret this as a relatively new field that draws on a rich history of socio-political performance theories and practices. Ecodramaturgies ar作者: set598 時(shí)間: 2025-3-26 19:54
Intersectional Ecologies,Wangari Maathai, which connected environmental issues to gender rights, political freedoms and colonial land management. Forgotten histories and the ongoing ecological effects of British colonialism in India are uncovered in the show-and-tell performance . (2018–2020) by Sheila Ghelani and Sue Palme作者: 未完成 時(shí)間: 2025-3-27 00:36
More-than-Human Matters: Bioperformativity,ts between human/nature and disrupt anthropocentrism, by naming the performativity of more-than-humans. Drawing on ecomaterialism, I argue it is by acknowledging, critiquing and engaging with the more-than-human capacity for agency that theatre and performance can resist a reductive anthropocentrism作者: 能夠支付 時(shí)間: 2025-3-27 02:15 作者: 使腐爛 時(shí)間: 2025-3-27 06:21
Earth As Home: Local, Imagined, Material, Global, earth as home, in hypothetical, imaginative, literal and material ways. Fevered Sleep’s . (2013) and my own practice, . (2013), both grapple with ideas of place, home and ecology revealing the dangers and complexities of nostalgia in the context of climate change. . (1959) demonstrates the way home作者: CROW 時(shí)間: 2025-3-27 10:12 作者: single 時(shí)間: 2025-3-27 17:39
Conclusion: Imagining the Future(s),he interactive performance by Metis Arts, . (2018), asked what it would mean to imagine and envision different systems and structures not based on capitalism, extractivism and colonial logic. What are the other ways in which we might live together? I trace my experience through the performance and t作者: 彩色的蠟筆 時(shí)間: 2025-3-27 18:59 作者: Euphonious 時(shí)間: 2025-3-28 01:29
2947-6801 he earth as home. Recent works by Fevered Sleep, Rimini Protokoll, Violeta Luna, Deke Weaver, Metis Arts, Lucy + Jorge Orta, as well as Indigenous activist movements such as NoDAPL and Idle No More, are described in detail. .978-3-030-55855-0978-3-030-55853-6Series ISSN 2947-6801 Series E-ISSN 2947-681X 作者: 低能兒 時(shí)間: 2025-3-28 04:01
9樓作者: HAIRY 時(shí)間: 2025-3-28 07:38
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10樓作者: 詢問(wèn) 時(shí)間: 2025-3-29 03:48
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