標題: Titlebook: Early Modern Tragedy, Gender and Performance, 1984-2000; The Destined Livery Roberta Barker Book 2007 Palgrave Macmillan, a division of Mac [打印本頁] 作者: 離開浮于空中 時間: 2025-3-21 16:16
書目名稱Early Modern Tragedy, Gender and Performance, 1984-2000影響因子(影響力)
書目名稱Early Modern Tragedy, Gender and Performance, 1984-2000影響因子(影響力)學(xué)科排名
書目名稱Early Modern Tragedy, Gender and Performance, 1984-2000網(wǎng)絡(luò)公開度
書目名稱Early Modern Tragedy, Gender and Performance, 1984-2000網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Early Modern Tragedy, Gender and Performance, 1984-2000被引頻次
書目名稱Early Modern Tragedy, Gender and Performance, 1984-2000被引頻次學(xué)科排名
書目名稱Early Modern Tragedy, Gender and Performance, 1984-2000年度引用
書目名稱Early Modern Tragedy, Gender and Performance, 1984-2000年度引用學(xué)科排名
書目名稱Early Modern Tragedy, Gender and Performance, 1984-2000讀者反饋
書目名稱Early Modern Tragedy, Gender and Performance, 1984-2000讀者反饋學(xué)科排名
作者: Incumbent 時間: 2025-3-21 22:34 作者: Kinetic 時間: 2025-3-22 02:47 作者: 文件夾 時間: 2025-3-22 06:57
The Natural Father and the Imaginary Daughter: Patriarchy as Realism and Representation in ,een himself and his director over his performance of the play’s leading role. ‘Julie wanted a certain interpretation from me, especially with my daughter, Lavinia,’ he remarks:.Hopkins’ second adjective for the disputed gesture, ‘balletic, ’ suggests that much of the blame for this disagreement betw作者: Substitution 時間: 2025-3-22 10:16 作者: 痛得哭了 時間: 2025-3-22 16:58
Death and the Married Maiden: Gender Reproduction as Destruction in ,an Theatre began with a haunting before the character who appeared as a phantom was actually dead. In the production’s prologue, the spectator encountered Orgilus (Iain Glen), gaunt and black-clad, playing on a lute. He sang of the joys of marriage, of ‘Hearts by holy union wedded, / More than their作者: 痛得哭了 時間: 2025-3-22 19:33
Tricked Like a Bride: A New Traffic in ,lack dress contrasts with her bridal white veil and floral wreath lies spread-eagled between her brother and his arch-enemy as the former offers her to the latter. An adulterous wife discovered . by her husband collapses before him and his faithful retainer in a crumpled heap. These moments of abjec作者: 發(fā)牢騷 時間: 2025-3-23 00:44 作者: abracadabra 時間: 2025-3-23 04:05 作者: 厚臉皮 時間: 2025-3-23 08:49
Death and the Married Maiden: Gender Reproduction as Destruction in ,bridal veil. Orgilus drew it aside to gaze at her face, but immediately his father Crotolon (Tony Britton) entered, speaking the first words of Ford’s playtext: ‘Dally not further’ (1.1.1). At this, Penthea turned from Orgilus and began to walk slowly upstage. Crotolon did not register her presence 作者: 亂砍 時間: 2025-3-23 10:37
Early Modern Tragedy, Gender and Performance, 1984-2000The Destined Livery作者: 吃掉 時間: 2025-3-23 14:29
Early Modern Tragedy, Gender and Performance, 1984-2000978-0-230-59748-8作者: 退出可食用 時間: 2025-3-23 19:21 作者: 小溪 時間: 2025-3-24 00:49 作者: Commission 時間: 2025-3-24 02:34
Palgrave Macmillan, a division of Macmillan Publishers Limited 2007作者: jaundiced 時間: 2025-3-24 09:12
Jagdish Khatwani,Vineet Srivastavaured and murdered by her brothers when she marries the man of her own choice. A new bride is raped by the sons of her father’s enemy, her hands cut off and her tongue cut out so that she cannot name her violators. A queen, spurned by her husband for his male favourite, forms a sexual and political a作者: 主動 時間: 2025-3-24 14:06 作者: 雪崩 時間: 2025-3-24 18:41
The Composite Custom-Made Prosthesis, it; he comes to view the result of his commands only when their object is safely (though, as it proves, not definitively) dead. Even then it remains difficult for him to look on her. ‘Cover her face,’ he bids his suborned assassin, Bosola: ‘Mine eyes dazzle. She died young.’. Then, ignoring Bosola’作者: amyloid 時間: 2025-3-24 22:01
Post-processing of DICOM Images,een himself and his director over his performance of the play’s leading role. ‘Julie wanted a certain interpretation from me, especially with my daughter, Lavinia,’ he remarks:.Hopkins’ second adjective for the disputed gesture, ‘balletic, ’ suggests that much of the blame for this disagreement betw作者: septicemia 時間: 2025-3-25 01:06
3D Printing in Oral & Maxillofacial Surgeryears in one of the resplendent evening gowns that are her trademark dress throughout the film (Figure 5). Flawlessly made up and glittering with jewels, she maintains the bland facial expression and cultivated tones of a BBC news announcer. In ., the published screenplay of the film, Jarman writes o作者: Servile 時間: 2025-3-25 05:40
Nikhil Belsure,Sagar Parekh,Nimesh Sonian Theatre began with a haunting before the character who appeared as a phantom was actually dead. In the production’s prologue, the spectator encountered Orgilus (Iain Glen), gaunt and black-clad, playing on a lute. He sang of the joys of marriage, of ‘Hearts by holy union wedded, / More than their作者: MILL 時間: 2025-3-25 07:33 作者: fodlder 時間: 2025-3-25 15:28 作者: objection 時間: 2025-3-25 18:19 作者: sultry 時間: 2025-3-25 20:13
hen contemporary actors perform the gender norms of previous cultures. It will be of interest to theatre practitioners as well as to students of early modern drama, of performance, and of gender studies.978-0-230-59748-8作者: intricacy 時間: 2025-3-26 00:46 作者: exquisite 時間: 2025-3-26 06:49
3D Printing for Hand Reconstruction,t experimental Stratford theatre, The Other Place. Taken together, they formed a kind of visual .: a haunting, recurring image of vulnerability that seemed to speak in broad terms of gender and class domination. In each scene, the prone body on the floor affirmed its subjection to the power of the man who stood over it.作者: 一個姐姐 時間: 2025-3-26 08:54 作者: 網(wǎng)絡(luò)添麻煩 時間: 2025-3-26 12:44
Tricked Like a Bride: A New Traffic in ,t experimental Stratford theatre, The Other Place. Taken together, they formed a kind of visual .: a haunting, recurring image of vulnerability that seemed to speak in broad terms of gender and class domination. In each scene, the prone body on the floor affirmed its subjection to the power of the man who stood over it.作者: Reverie 時間: 2025-3-26 19:48 作者: 生命 時間: 2025-3-27 00:02
The Composite Custom-Made Prosthesis,s bitter comments on the Duchess’ ‘infelicity’ (4.2.265), Ferdinand produces some hitherto unmentioned information: ‘She and I were twins/And should I die this instant, I had liv’d / Her time to a minute’ (4.2.267–9).作者: colostrum 時間: 2025-3-27 04:01
hen contemporary actors perform the gender norms of previous cultures. It will be of interest to theatre practitioners as well as to students of early modern drama, of performance, and of gender studies.978-0-230-59748-8作者: 激勵 時間: 2025-3-27 08:29 作者: aspect 時間: 2025-3-27 10:42 作者: Gerontology 時間: 2025-3-27 13:57
3D Printing in Oral & Maxillofacial Surgeryest-End ‘musical.’ As she declares that her husband’s ‘looseness hath betrayed the land to spoil, / And made the channels overflow with blood / Of [his] own people’ (. 124), her elegance is in striking contrast to the violence of her words..作者: Synchronism 時間: 2025-3-27 20:56
Insects Nutrition and 3D Printing,ebank’s—impersonation of femininity was really quite delicate, subtle and convincing, despite the stiff wig and heavy makeup that stressed its artificiality. For the few moments she or he was allowed to appear, Sam’s Juliet threatened to unbalance the binary construction of gender the boy actress was used to support elsewhere in the film.作者: MELON 時間: 2025-3-28 00:28
Introduction: The Destined Livery? Tragedy, Performance, Subject and Spectatoror her adultery. In each case, the woman’s suffering fascinates—and sometimes transforms—the men around her. It continues to fascinate audiences four hundred years after these scenes were first performed on the public stage.作者: GEAR 時間: 2025-3-28 06:02
The Natural Father and the Imaginary Daughter: Patriarchy as Realism and Representation in , experimented with many anti-naturalistic techniques, including ‘ideographs’ like the one she asked of Hopkins: ‘compact, spare’ movements that ‘express the kernal of each action without the distracting details’ (Blumenthal and Taymor 12).作者: NICE 時間: 2025-3-28 09:46
‘Let Me Forget Myself’: What a Queen is Good For in ,est-End ‘musical.’ As she declares that her husband’s ‘looseness hath betrayed the land to spoil, / And made the channels overflow with blood / Of [his] own people’ (. 124), her elegance is in striking contrast to the violence of her words..作者: Granular 時間: 2025-3-28 11:43 作者: 玉米棒子 時間: 2025-3-28 14:36
Introduction,and over the past decade it has become indispensable. Along with the rapid growth in the complexity of integrated circuits and digital systems has come an even more rapid growth in the complexity of the software tools and associated data needed to represent a design. A typical Computer-Aided Design
