標(biāo)題: Titlebook: Drones in Society; New Visual Aesthetic Elisa Serafinelli Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive licens [打印本頁] 作者: obesity 時間: 2025-3-21 17:16
書目名稱Drones in Society影響因子(影響力)
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書目名稱Drones in Society網(wǎng)絡(luò)公開度
書目名稱Drones in Society網(wǎng)絡(luò)公開度學(xué)科排名
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書目名稱Drones in Society讀者反饋
書目名稱Drones in Society讀者反饋學(xué)科排名
作者: Migratory 時間: 2025-3-21 20:31
Monstrous Mobilities and Predatory Perspectives: Drone Shots and the Gaze of Monstersigh camera position by evoking the movement of disembodied military technology, here re-embodied as a non-human predator. Sabeen Ahmed (.(2), 382–410, 2018) argues that the phenomenological experience of living under drone warfare is one of a ‘space of death’; following Ahmed, we argue that the mobi作者: 使?jié)M足 時間: 2025-3-22 03:21 作者: oracle 時間: 2025-3-22 05:07
Consumer Drone Warfare: Practices, Aesthetics and Discourses of Consumer Drones in the Russo-Ukrainiequently—our day-to-day lives. We posit that the intimate depictions of violence produced by consumer drones serve (at least) two functions: they allow a besieged state to perform (aerial) sovereignty while eliciting support for the war effort?at the same time, for example through crowdfunding schem作者: 不給啤 時間: 2025-3-22 08:53
The Tourist Drone: Commercial Visions and Practical Considerationszed” with handheld cameras, places now become “dronisized” in the vertical and horizontal exploration by flying camera. “Seeing the world as a picture” transforms into “seeing the world as a parkour” in FPV drone videography. The chapter concludes with considerations for future research as well as t作者: Cultivate 時間: 2025-3-22 13:53 作者: Cultivate 時間: 2025-3-22 18:48 作者: 遺傳學(xué) 時間: 2025-3-22 21:33 作者: 直覺好 時間: 2025-3-23 01:34 作者: 淺灘 時間: 2025-3-23 05:35 作者: Intend 時間: 2025-3-23 13:41 作者: Narcissist 時間: 2025-3-23 14:07 作者: 惡心 時間: 2025-3-23 21:55
Controlling Drones in Contemporary Science Fictionartworks, video games and science fiction novels and movies. Drones are involved in 72 of these works. Analysing a range of examples from contemporary science fiction and video games (e.g. . (2008), . (2018), . (2014), . (2020)), this chapter discusses that while machine vision overall is portrayed 作者: 舊式步槍 時間: 2025-3-24 00:48 作者: CAMEO 時間: 2025-3-24 04:01
Monstrous Mobilities and Predatory Perspectives: Drone Shots and the Gaze of Monsterswing from Thomas Deane Tucker’s (.. Edinburgh University Press, 2022) work on camera movement and human locomotion, we argue that the movement profiles of drone shots place us in the mobile perspective of non-human entities. Where Steadicam shots mirror the motion of human walking, drone shots rely 作者: condemn 時間: 2025-3-24 09:12
Drone Sensing in Emergency: Visuals, Volumes, and Vocabularies It brings drone scholarship interested in the drone’s visual regimes and sensory capacities into conversation with geographies of volume, namely thinking about space in three- rather than two-dimensional terms. Drawing upon focus group and interview data with members of UK emergency services and re作者: Gudgeon 時間: 2025-3-24 13:03 作者: minaret 時間: 2025-3-24 14:57 作者: 鑲嵌細(xì)工 時間: 2025-3-24 19:23
Imaginational Metaveillance, Creative Painting Practice, and the Airborne Drone: A Visual Essay to a selection of paintings that depict airborne civilian and military drones, or indications of their presence. I focus on several issues, for example, the militarise-ability of civilian technology, due to shared civilian-military reliance on access to uncontested and uncongested?frequencies in th作者: Commonplace 時間: 2025-3-24 23:27 作者: 得體 時間: 2025-3-25 04:36 作者: Incorporate 時間: 2025-3-25 10:16 作者: 詞根詞綴法 時間: 2025-3-25 15:36 作者: 小卒 時間: 2025-3-25 16:30
COMPLEX: A Visual Index of the Immigrant Detention Industryration and Customs Enforcement (ICE) in the United States. Providing drone images of 34 detention centers across Arizona, California, Colorado, Nevada, New Mexico and Texas, this chapter reveals the scale of the private prison industry in the American landscape and presents it as a physical expressi作者: Condescending 時間: 2025-3-25 21:26 作者: Gourmet 時間: 2025-3-26 02:33
https://doi.org/10.1007/978-3-642-70809-1king about space in three- rather than two-dimensional terms. Drawing upon focus group and interview data with members of UK emergency services and responders, it asserts the need for, and seeks to articulate, more nuanced vocabularies of drone seeing-sensing and volume alike.作者: biopsy 時間: 2025-3-26 05:04 作者: 善變 時間: 2025-3-26 09:56
Book 2024ehensive collection bridges the gap between technology and aesthetics, dissecting the transformative role drones play in various domains, from cinema and art to surveillance and environmental sensing. Each chapter, penned by leading scholars, explores the unique ways drones are redefining our visual作者: 胖人手藝好 時間: 2025-3-26 14:06
Sascha Weiland,Vittoria von Gizyckip the broader implications of these technologies in our screen-saturated lives. This analysis aims to further academic discourse on drone aesthetics and their profound influence across various contexts and practices.作者: 藥物 時間: 2025-3-26 18:44
https://doi.org/10.1007/978-981-15-0331-3 heightened affective sensations of urban space. Using the case study of . (2022), a film shot during Covid-19 lockdowns in Los Angeles, this chapter explores this aesthetic and connects it to anxieties which are indebted to pandemic realities.作者: Ergots 時間: 2025-3-26 23:53
https://doi.org/10.1007/978-3-319-09126-6ociety” by expanding the complexity of the drone as a technological assemblage (flying platform + camera) to the drone as a “socio-technical network”. In its conclusion, this chapter aims to broaden the understanding of drones through local and global, technical and visual, as well as political and imaginary assemblages.作者: Mercantile 時間: 2025-3-27 04:39 作者: Hearten 時間: 2025-3-27 06:00
Threat Trajectories: Cinema, FPV Drones, and Pandemic Anxiety heightened affective sensations of urban space. Using the case study of . (2022), a film shot during Covid-19 lockdowns in Los Angeles, this chapter explores this aesthetic and connects it to anxieties which are indebted to pandemic realities.作者: 玉米棒子 時間: 2025-3-27 10:52
Global South Dronification: Mapping Drone Socio-Technical Networks in Córdoba (Argentina)ociety” by expanding the complexity of the drone as a technological assemblage (flying platform + camera) to the drone as a “socio-technical network”. In its conclusion, this chapter aims to broaden the understanding of drones through local and global, technical and visual, as well as political and imaginary assemblages.作者: 菊花 時間: 2025-3-27 15:20 作者: 放逐 時間: 2025-3-27 20:53
Speculative Visions: Drones, Digital Art, and Ecological Concernsy. Both . and . explore the value of speculative digital art as a response to the harms precipitated by digital systems, infrastructures, and economies on the Earthly environment—not as a way of undoing the damage, but to emphasise all the more sharply the very frictions, breakdowns, and aporia that result from it.作者: 放氣 時間: 2025-3-28 00:17 作者: 同謀 時間: 2025-3-28 02:17 作者: OCTO 時間: 2025-3-28 07:32 作者: 最初 時間: 2025-3-28 11:16 作者: 裝入膠囊 時間: 2025-3-28 17:22 作者: 令人不快 時間: 2025-3-28 21:11 作者: Multiple 時間: 2025-3-29 02:42 作者: WAX 時間: 2025-3-29 06:08 作者: Malcontent 時間: 2025-3-29 08:54
Imaginational Metaveillance, Creative Painting Practice, and the Airborne Drone: A Visual Essayerations and issues present challenges for painted representation. The essay also reflects on how these creative challenges, combined with research, can?stimulate insights into contemporary technology and war. Imaginational metaveillance is presented as a critical and creative method of enquiry and wonder.作者: UTTER 時間: 2025-3-29 12:31
COMPLEX: A Visual Index of the Immigrant Detention Industrytes which have operated beyond public view are increasingly accessible through the use of tools that are both powerful and ubiquitous. In its conclusions, this chapter discusses their enormous implications for journalism, research and activism as such tools were, until recently, only available to state actors.作者: perpetual 時間: 2025-3-29 16:31 作者: 禁止,切斷 時間: 2025-3-29 21:43 作者: Ordeal 時間: 2025-3-30 02:41 作者: AV-node 時間: 2025-3-30 05:59 作者: Painstaking 時間: 2025-3-30 10:05
Social Visualitieshttp://image.papertrans.cn/e/image/284829.jpg作者: Platelet 時間: 2025-3-30 14:44 作者: Nefarious 時間: 2025-3-30 19:01 作者: 抗生素 時間: 2025-3-30 21:32
https://doi.org/10.1007/978-1-349-07329-0artworks, video games and science fiction novels and movies. Drones are involved in 72 of these works. Analysing a range of examples from contemporary science fiction and video games (e.g. . (2008), . (2018), . (2014), . (2020)), this chapter discusses that while machine vision overall is portrayed
