標題: Titlebook: Durational Cinema; A Short History of L Michael Walsh Book 2022 The Editor(s) (if applicable) and The Author(s), under exclusive license to [打印本頁] 作者: 貧血 時間: 2025-3-21 18:42
書目名稱Durational Cinema影響因子(影響力)
書目名稱Durational Cinema影響因子(影響力)學科排名
書目名稱Durational Cinema網(wǎng)絡公開度
書目名稱Durational Cinema網(wǎng)絡公開度學科排名
書目名稱Durational Cinema被引頻次
書目名稱Durational Cinema被引頻次學科排名
書目名稱Durational Cinema年度引用
書目名稱Durational Cinema年度引用學科排名
書目名稱Durational Cinema讀者反饋
書目名稱Durational Cinema讀者反饋學科排名
作者: 催眠 時間: 2025-3-21 20:52 作者: 殘廢的火焰 時間: 2025-3-22 00:41 作者: 舊石器 時間: 2025-3-22 06:42
James Benning: Minimal, Ultra-Minimal, Beyond the Zero, and Multipleary. This chapter outlines Benning’s astonishing flourish of work since 2000 (39 films totaling nearly 60 hours, plus video installations and other gallery projects), and proposes him as the twenty-first-century durational filmmaker most directly descended from the New York avant-garde of the 1960s.作者: 船員 時間: 2025-3-22 10:46 作者: 忘恩負義的人 時間: 2025-3-22 13:30 作者: 忘恩負義的人 時間: 2025-3-22 21:02
Claude Lanzmann: Duration and Gravitasn Jacobs, a durational aesthetic is subtended by a durational logic of production, work on the . cycle running from 1973 to 2017. Previous discussion criticizes . for seeming sympathetic to its central figure, Benjamin Murmelstein, as well as for breaking with . in its use of period footage. The cha作者: majestic 時間: 2025-3-22 22:42 作者: 侵略者 時間: 2025-3-23 03:05 作者: 褲子 時間: 2025-3-23 06:03
David Claerbout: Duration and Heterochrony shots and the same scenario (a remake of Godard’s .) every 10 minutes from before dawn to after sunset on a long summer day, though the piece is not a loop; the 70 different iterations are 70 different takes. The artist proposes that the narrative tires itself out so that the piece becomes a study 作者: Dawdle 時間: 2025-3-23 13:46
Lav Diaz and the Durational Sublimerevious criticism puts the emphasis on trauma, religion, and the influence of Russian literature. The chapter combines formal analysis of the films with an argument that they are best understood as national allegories and as exemplars of a durational sublime. With cine-metrical analysis of 15 featur作者: 起來了 時間: 2025-3-23 14:56 作者: Synapse 時間: 2025-3-23 20:57 作者: alleviate 時間: 2025-3-24 00:50 作者: Needlework 時間: 2025-3-24 05:19 作者: 夜晚 時間: 2025-3-24 09:41
Experimental Film and Artists’ Moving Imagehttp://image.papertrans.cn/e/image/283410.jpg作者: Oratory 時間: 2025-3-24 13:53
https://doi.org/10.1007/978-3-030-76092-2Avant-garde; New York; 1960s; Video Installation; Andy Warhol; Experimental Film; European Art Cinema作者: 詞匯 時間: 2025-3-24 15:33 作者: duplicate 時間: 2025-3-24 19:26 作者: 朦朧 時間: 2025-3-25 00:22 作者: aesthetician 時間: 2025-3-25 06:10 作者: 阻擋 時間: 2025-3-25 11:30
High-Performance Wideband SDR Channelizersary. This chapter outlines Benning’s astonishing flourish of work since 2000 (39 films totaling nearly 60 hours, plus video installations and other gallery projects), and proposes him as the twenty-first-century durational filmmaker most directly descended from the New York avant-garde of the 1960s.作者: Preserve 時間: 2025-3-25 13:18 作者: A保存的 時間: 2025-3-25 18:18
Islam Alyafawi,Arnaud Durand,Torsten Braunch of the four between a minimal image track and an impassioned voiceover, understanding this as another iteration of the dialectic of minimal and multiple recurrent in durational cinema from the 1960s to the twenty-first century. At the same time, each of the four films offers its own . variety of 作者: 膠狀 時間: 2025-3-25 20:20 作者: 不愛防注射 時間: 2025-3-26 00:36 作者: Dysarthria 時間: 2025-3-26 07:49
,Agnes’s Networks of Philanthropy,he diary film ., and the video installation .. . is understood as strongly formalist, as a road movie, as a film preoccupied with music, and as a meditation on the “bloodlands” of East Germany, Poland, and Russia that suffered equally under Hitler and Stalin. This connects with Akerman’s personal hi作者: 不來 時間: 2025-3-26 12:31
,Agnes’s Networks of Philanthropy, shots and the same scenario (a remake of Godard’s .) every 10 minutes from before dawn to after sunset on a long summer day, though the piece is not a loop; the 70 different iterations are 70 different takes. The artist proposes that the narrative tires itself out so that the piece becomes a study 作者: Morose 時間: 2025-3-26 15:16 作者: AMBI 時間: 2025-3-26 20:30
Iranian Women Entrepreneurs Living in Iranhe first deals with the epochal shutdown of Chinese state-owned enterprises, the other two with still-thriving industries (garment making and fossil fuel extraction). Beginning with an account of the person walking away from the camera as a signature shot in Wang, the chapter moves on to a detailed 作者: conquer 時間: 2025-3-26 21:17
Iranian Women Entrepreneurs Living Abroadour .. All three present an unblinking take on black working-class people at their jobs. The chapter argues that these films represent an implicit (but thereby more effective) critique of the racism in the idea of the “white working class,” a floating signifier in US political punditry ever since th作者: 芳香一點 時間: 2025-3-27 03:50 作者: neuron 時間: 2025-3-27 06:25 作者: 組裝 時間: 2025-3-27 10:04 作者: 笨拙的你 時間: 2025-3-27 15:09 作者: BOON 時間: 2025-3-27 21:49
High-Performance Wideband SDR Channelizersre encompassing, encyclopedic kind of filmmaking. (5) Durational cinema is characteristically representational. (6) Durational cinema converges on certain concepts (the Holocaust, deindustrialization, the experience of the working class and otherwise marginalized people). (7) Despite these convergen作者: minion 時間: 2025-3-28 01:25 作者: 瘙癢 時間: 2025-3-28 06:05
Jims Marchang,Bogdan Ghita,David Lancasterseven different kinds of sound samples, and an account of Jacobs’ own antic 1950s footage. The film is a desperate if not despairing critique of American civilization, from both a libertarian socialist and a “psychohistorical” point of view.作者: Germinate 時間: 2025-3-28 08:30
High-Performance Wideband SDR Channelizersmulated darkening, eclipse). With ., he rejoins a second, less familiar, but equally insistent tradition in durational cinema of encyclopedic and/or citational works. Long-shot long-take minimal films are predominant in Benning, as they are in durational cinema as a whole, but the impulse toward mul作者: 獨白 時間: 2025-3-28 10:52 作者: Dignant 時間: 2025-3-28 15:06
Islam Alyafawi,Arnaud Durand,Torsten Braunentional cinema would be used for cutaways. Meanwhile, the vocal track outlines an incestuous love affair, marked equally by borrowings from Musil and psychological impulses both aggressive and regressive.作者: Enthralling 時間: 2025-3-28 19:41 作者: harpsichord 時間: 2025-3-29 01:20
,Agnes’s Networks of Philanthropy,a variety of languages. The soundtrack is as frantic as the images are desolate. This combination is reminiscent of Duras, but Akerman’s image track is more hyperkinetic than anything in Duras, so that . represents the pole of the multiple in the minimal/multiple dialectic that runs throughout the h作者: COW 時間: 2025-3-29 03:24
,Agnes’s Networks of Philanthropy, is limited to the lifeworld of the bourgeoisie. Other Claerbouts are focalized around housemaids, oil workers, slum-dwellers, and the unhoused. Using digital tools, Claerbout has taken the durational impulse to its utmost in a piece on the decay of the Berlin Olympic stadium that has a notional run作者: 愛哭 時間: 2025-3-29 09:07
Iranian Women Entrepreneurs Living Abroadins with an experience of crossing this boundary, his parents moving from Manila to the island of Mindanao to work with poor and indigenous people. Diaz offers a full panorama of the tortured history of the Philippines, from Spanish colonization to the recent rule of successive dictators. His landsc作者: 桉樹 時間: 2025-3-29 11:33
Iranian Women Entrepreneurs Living in Irans jeans. ., the third of Wang’s three great friezes of the Chinese working class, runs the length of a double shift in a high-desert oilfield, setting aside linear time in favor of categorical segmentation.作者: HALL 時間: 2025-3-29 18:01
Iranian Women Entrepreneurs Living Abroadt a polling station, a dry cleaning plant, and a maker of bowling alley equipment respectively, and in each case study workers at considerable length, achieving a finely poised balance between documentation and a formal interest in repeated movements and gestures.作者: MUTED 時間: 2025-3-29 22:48
Iranian Women Entrepreneurs Living in Irans of all of these, the answer seems to be no. How closely associated it is with structural cinema? If that term is understood to refer to conceptual films that refocus attention on basic constituent elements of cinema, in the case of durational cinema that element must be time itself. But time is co作者: hankering 時間: 2025-3-30 02:57
Introduction,re encompassing, encyclopedic kind of filmmaking. (5) Durational cinema is characteristically representational. (6) Durational cinema converges on certain concepts (the Holocaust, deindustrialization, the experience of the working class and otherwise marginalized people). (7) Despite these convergen作者: browbeat 時間: 2025-3-30 05:41
Andy Warhol’s ,: Duration as Subtractioneration of the film’s homoeroticism modulates into a psychoanalytic account of the paradoxes of a film about sleep made by an insomniac and is followed by a concluding review of the influence on Warhol of the John Cage-organized marathon performance of Erik Satie’s . in 1963.作者: 剝皮 時間: 2025-3-30 08:59
