標(biāo)題: Titlebook: Dramatizations of Social Change: Herman Heijermans’Plays as Compared with Selected Dramas by Ibsen, ; Hilda Neck Yoder Book 1978 Springer [打印本頁] 作者: Sinuate 時(shí)間: 2025-3-21 19:05
書目名稱Dramatizations of Social Change: Herman Heijermans’Plays as Compared with Selected Dramas by Ibsen, 影響因子(影響力)
書目名稱Dramatizations of Social Change: Herman Heijermans’Plays as Compared with Selected Dramas by Ibsen, 影響因子(影響力)學(xué)科排名
書目名稱Dramatizations of Social Change: Herman Heijermans’Plays as Compared with Selected Dramas by Ibsen, 網(wǎng)絡(luò)公開度
書目名稱Dramatizations of Social Change: Herman Heijermans’Plays as Compared with Selected Dramas by Ibsen, 網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Dramatizations of Social Change: Herman Heijermans’Plays as Compared with Selected Dramas by Ibsen, 被引頻次
書目名稱Dramatizations of Social Change: Herman Heijermans’Plays as Compared with Selected Dramas by Ibsen, 被引頻次學(xué)科排名
書目名稱Dramatizations of Social Change: Herman Heijermans’Plays as Compared with Selected Dramas by Ibsen, 年度引用
書目名稱Dramatizations of Social Change: Herman Heijermans’Plays as Compared with Selected Dramas by Ibsen, 年度引用學(xué)科排名
書目名稱Dramatizations of Social Change: Herman Heijermans’Plays as Compared with Selected Dramas by Ibsen, 讀者反饋
書目名稱Dramatizations of Social Change: Herman Heijermans’Plays as Compared with Selected Dramas by Ibsen, 讀者反饋學(xué)科排名
作者: geometrician 時(shí)間: 2025-3-21 21:40 作者: 思考才皺眉 時(shí)間: 2025-3-22 03:35
Book 1978s, he rejected those values and life styles which he felt belonged to the past period dominated by the bourgeoisie, and sought out situations and a profession which would attune him to the future when, he hoped, the proletariat would 2 be in power. He left the conservative business milieu of Rotterd作者: cumulative 時(shí)間: 2025-3-22 05:32 作者: Tidious 時(shí)間: 2025-3-22 09:53
Visual Data Insights Using SAS ODS Graphics95, he became a member of the newly founded Dutch Social Democratic Workers Party. He alienated himself from the literary circles by claiming that art should be socialistic and by rejecting the class separation between artists and workers. He felt himself to be one with the proletariat and, through them, with “The New Life” and “The New Humanity.”作者: CLOT 時(shí)間: 2025-3-22 15:58
Robert E. Shope,James M. Meeganare quite different from each other.. He assumes that since Heijermans is a socialist he must be saying in this play (as he did in .) that the social order which tolerates injustices is at fault: “Ook hier is het dus weer: niet een individu draagt de schuld, maar de maatschappij die dergelijke toestanden tolereert” (p. 70).作者: CLOT 時(shí)間: 2025-3-22 19:35 作者: 令人發(fā)膩 時(shí)間: 2025-3-22 21:37 作者: ordain 時(shí)間: 2025-3-23 02:03 作者: 不成比例 時(shí)間: 2025-3-23 05:49 作者: 避開 時(shí)間: 2025-3-23 13:18 作者: vocation 時(shí)間: 2025-3-23 16:53
https://doi.org/10.1007/978-94-009-9286-3art; drama; future; interpret; language; poetry; tradition作者: 袖章 時(shí)間: 2025-3-23 18:44
978-94-009-9288-7Springer Science+Business Media Dordrecht 1978作者: watertight, 時(shí)間: 2025-3-24 00:51 作者: 尖牙 時(shí)間: 2025-3-24 02:22 作者: 畸形 時(shí)間: 2025-3-24 10:14 作者: 冒號(hào) 時(shí)間: 2025-3-24 13:15
Robert E. Shope,James M. Meegan plays. Flaxman searches for the sympathy with workers under a . economy which he finds in .. To him, “the Socialism in .… is so much more a matter of induction than in the earlier plays, that many of the critics praised the play for its lack of tendenz” (p. 114). He himself wishes that Heijermans h作者: 較早 時(shí)間: 2025-3-24 15:56
Virtual Reality, Training’s Future? in der Welt der ist, der am einsamsten steht.”. In his role as the gadfly of the Dutch theater, Heijermans took up the role of Doctor Stockmann himself; this lonely, stubborn rebel haunts his dramatic work as well — fighting against a world which has replaced justice with injustice, love with money作者: instate 時(shí)間: 2025-3-24 21:24
Conclusion, words, the plays end before the twist in the plot. All these plays are written in what Northrop Frye calls the second phase of the . of comedy, which “in its simplest form, is a comedy in which the hero does not transform a humorous society but simply escapes or runs away from it, leaving its struc作者: 險(xiǎn)代理人 時(shí)間: 2025-3-24 23:54 作者: 扔掉掐死你 時(shí)間: 2025-3-25 06:21 作者: Sinus-Rhythm 時(shí)間: 2025-3-25 09:11 作者: 恃強(qiáng)凌弱 時(shí)間: 2025-3-25 13:58
Dramatizations of Social Change: Herman Heijermans’Plays as Compared with Selected Dramas by Ibsen, 作者: Deceit 時(shí)間: 2025-3-25 18:27 作者: Pigeon 時(shí)間: 2025-3-25 22:17
Introduction,he rejected those values and life styles which he felt belonged to the past period dominated by the bourgeoisie, and sought out situations and a profession which would attune him to the future when, he hoped, the proletariat would be in power. He left the conservative business milieu of Rotterdam in作者: 無動(dòng)于衷 時(shí)間: 2025-3-26 01:00 作者: 刪除 時(shí)間: 2025-3-26 05:20
, and ,,. and . are usually considered the plays in which Heijermans expressed his faith in and sympathy for the proletariat. His reputation as a champion of the poor and a writer of socialist plays is based on these two dramas. Written, respectively, in 1900 and 1901, . and . represent the end of the perio作者: 美食家 時(shí)間: 2025-3-26 11:15 作者: FADE 時(shí)間: 2025-3-26 15:29 作者: flutter 時(shí)間: 2025-3-26 17:35
Schwingungsabwehr bei Maschinenaufstellungen, oder gar zu Zerst?rungen führen k?nnen. Damit ist die Zuverl?ssigkeit oder Sicherheit der Maschine oder Anlage nicht mehr gew?hrleistet. Mit dem Verlust der Sicherheit sind Gef?hrdungen des Menschen durch Havarien verbunden.作者: lethal 時(shí)間: 2025-3-26 22:05 作者: CARK 時(shí)間: 2025-3-27 03:42 作者: chronicle 時(shí)間: 2025-3-27 07:40
Athanasios Mouchtaris,Christos Tzagkarakis,Panagiotis Tsakalidess, physicians, research scientists, and pathologists, whose accumulated wealth of practical experience will inform and inspire further developments in the vital and urgent work of cancer diagnosis, cure, and prevention..978-94-024-0676-4978-94-007-5645-8Series ISSN 2215-0994 Series E-ISSN 2215-1001 作者: 微枝末節(jié) 時(shí)間: 2025-3-27 11:12
The Lewd and the Ludic: Female Pleasure in the Fabliaux This truism about fabliau women has been used by some as evidence to demonstrate the fabliaux’ misogyny, while others have argued that it puts women “on top,” making us admire the clever resourceful heroine and laugh scornfully at the weak, gullible, or dim-witted husband.. It is not my intent in t作者: 妨礙 時(shí)間: 2025-3-27 14:24 作者: 浪蕩子 時(shí)間: 2025-3-27 21:28
