標(biāo)題: Titlebook: Drama: An Introduction; G. J. Watson Textbook 1983Latest edition Macmillan Publishers Limited 1983 drama.literary theory.literature [打印本頁(yè)] 作者: 厭倦了我 時(shí)間: 2025-3-21 16:16
書(shū)目名稱(chēng)Drama: An Introduction影響因子(影響力)
書(shū)目名稱(chēng)Drama: An Introduction影響因子(影響力)學(xué)科排名
書(shū)目名稱(chēng)Drama: An Introduction網(wǎng)絡(luò)公開(kāi)度
書(shū)目名稱(chēng)Drama: An Introduction網(wǎng)絡(luò)公開(kāi)度學(xué)科排名
書(shū)目名稱(chēng)Drama: An Introduction被引頻次
書(shū)目名稱(chēng)Drama: An Introduction被引頻次學(xué)科排名
書(shū)目名稱(chēng)Drama: An Introduction年度引用
書(shū)目名稱(chēng)Drama: An Introduction年度引用學(xué)科排名
書(shū)目名稱(chēng)Drama: An Introduction讀者反饋
書(shū)目名稱(chēng)Drama: An Introduction讀者反饋學(xué)科排名
作者: 傻 時(shí)間: 2025-3-21 20:35
Peter E. Prevelige,Bentley A. Fanethe answer to a riddle (the riddle of himself), the point of the remark is clear; but Sophocles, quite apart from the grandeur of his conception, rigidly eschews the digressions, the false trails and the unfocused naturalism that are regular features of the detective story.作者: 他日關(guān)稅重重 時(shí)間: 2025-3-22 03:36
Sophoclean Tragedy,the answer to a riddle (the riddle of himself), the point of the remark is clear; but Sophocles, quite apart from the grandeur of his conception, rigidly eschews the digressions, the false trails and the unfocused naturalism that are regular features of the detective story.作者: 過(guò)于平凡 時(shí)間: 2025-3-22 05:31 作者: compassion 時(shí)間: 2025-3-22 08:45 作者: 色情 時(shí)間: 2025-3-22 14:06 作者: 色情 時(shí)間: 2025-3-22 18:56
,Chekhov and the Drama of Social Change: ‘The Cherry Orchard’,redetermined thesis lying behind his plays. Miller’s . also suffers from its author’s adoption of a rigid stance, in this case the desire to assert the possibility of the tragedy of the common man (Willy’s very surname is Loman), which is juxtaposed uneasily with Miller’s social insights.作者: NEX 時(shí)間: 2025-3-22 23:57
Shakespearean Tragedy,mile and smile, and be a villain’ as Hamlet discovers, and the intensity with which Shakespeare presents Macbeth’s seared conscience throughout the play makes it impossible to accept the phrase ‘this dead butcher’ as a wholly adequate epitaph on the man.作者: 拱形大橋 時(shí)間: 2025-3-23 02:21
The Nature of Drama, of the form. G. B. Tennyson says: ‘Drama is a story that people act out on a stage before spectators.’ Eric Bentley remarks: ‘The theatrical situation, reduced to a minimum, is that A impersonates B while C looks on.’ For Marjorie Boulton, a play ‘is not really a piece of literature for reading. A 作者: lymphedema 時(shí)間: 2025-3-23 08:53
Sophoclean Tragedy,ts economy as a work of art. Its plot is single and of determined bounds: it tells how Oedipus discovers the secret of his birth, and the effect of this discovery on himself, his wife/mother, and the appalled citizenry. Nothing extraneous is permitted, and the relentless logic of Oedipus’s step-by-s作者: 玉米棒子 時(shí)間: 2025-3-23 12:55 作者: 笨拙的我 時(shí)間: 2025-3-23 13:52 作者: condemn 時(shí)間: 2025-3-23 20:45 作者: 使更活躍 時(shí)間: 2025-3-23 22:50 作者: 必死 時(shí)間: 2025-3-24 03:15 作者: 胖人手藝好 時(shí)間: 2025-3-24 10:07 作者: ATRIA 時(shí)間: 2025-3-24 10:41 作者: CLAIM 時(shí)間: 2025-3-24 15:38
https://doi.org/10.1007/978-1-349-17121-7drama; literary theory; literature作者: 無(wú)王時(shí)期, 時(shí)間: 2025-3-24 22:11 作者: 勛章 時(shí)間: 2025-3-24 23:32 作者: BAIL 時(shí)間: 2025-3-25 06:22
Ibsen and Miller: The Individual and Society,agree with this assessment. Ibsen can be regarded as the father of modern drama, and even in his own lifetime, especially in the last quarter of the nineteenth century, his European reputation was assured. But this reputation was based, in part, on a misunderstanding of where Ibsen’s true interests lay.作者: 閹割 時(shí)間: 2025-3-25 07:45 作者: 舊石器時(shí)代 時(shí)間: 2025-3-25 13:19 作者: CODE 時(shí)間: 2025-3-25 17:08 作者: Unsaturated-Fat 時(shí)間: 2025-3-25 20:25
Visual Lunar and Planetary Astronomyrn takes a more committed, even didactic form — Shaw was a socialist, Brecht a Marxist — and they create dramas which in the end are completely different in spirit and texture from those of Ibsen and Chekhov, whom Shaw, especially, greatly admired.作者: disciplined 時(shí)間: 2025-3-26 03:17 作者: 擴(kuò)音器 時(shí)間: 2025-3-26 06:11
Peter E. Prevelige,Bentley A. Fanets economy as a work of art. Its plot is single and of determined bounds: it tells how Oedipus discovers the secret of his birth, and the effect of this discovery on himself, his wife/mother, and the appalled citizenry. Nothing extraneous is permitted, and the relentless logic of Oedipus’s step-by-s作者: 公式 時(shí)間: 2025-3-26 11:06 作者: miniature 時(shí)間: 2025-3-26 15:08
The Patrick Moore Practical Astronomy Series of tragedy created inside a Christian world view. This did not matter so much to the Greeks, who felt that a man’s nature is completely expressed in what he does. While there is a great deal of crucial action in Shakespeare’s plays, this action does not tell the whole story about a man — ‘one may s作者: 光亮 時(shí)間: 2025-3-26 20:45
Visual Lunar and Planetary Astronomydy tone in the statements of critical theorists — frequently accompanied by an unspoken agreement in the minds of their readers — implying that dramatic comedy is tragedy’s poor sister, an inferior, unserious and essentially trivial form.作者: exceed 時(shí)間: 2025-3-26 23:03
https://doi.org/10.1007/978-1-4614-7019-9agree with this assessment. Ibsen can be regarded as the father of modern drama, and even in his own lifetime, especially in the last quarter of the nineteenth century, his European reputation was assured. But this reputation was based, in part, on a misunderstanding of where Ibsen’s true interests 作者: interference 時(shí)間: 2025-3-27 01:23
Visual Lunar and Planetary Astronomyhis masterpiece, ., is a profound drama of social change. He is, however, a more ‘open’ dramatist than the other two. That is, Ibsen places a perhaps too insistent emphasis on the intractable nature of the opposition between individual aspiration and social constraints. His views are fixed: his prot作者: deface 時(shí)間: 2025-3-27 06:51 作者: Bumble 時(shí)間: 2025-3-27 11:49 作者: 描繪 時(shí)間: 2025-3-27 14:50 作者: OCTO 時(shí)間: 2025-3-27 18:51
Visual Lunar and Planetary Astronomys, for instance, there is no real strain between the religious view of life implied by the presence of the gods and their unalterable laws, and the tragic emphasis on the instability and frailty of man’s life because, though Sophocles in no way indicts the divine powers, he presents them as remote, 作者: Lymphocyte 時(shí)間: 2025-3-28 00:04 作者: Outmoded 時(shí)間: 2025-3-28 03:05 作者: Chronic 時(shí)間: 2025-3-28 09:43
Beckett and Pinter: Empty Spaces and Closed Rooms,stence of God, but ends despairingly, reiterating the word that, as well as any other, describes Beckett’s dramatic landscape, ‘the skull the skull the skull’. When the curtain goes up at the beginning of . (1957) we see a room with two high-up curtained windows, in which the furniture is draped wit作者: 小步走路 時(shí)間: 2025-3-28 11:46
9樓作者: 領(lǐng)導(dǎo)權(quán) 時(shí)間: 2025-3-28 14:52
10樓作者: preeclampsia 時(shí)間: 2025-3-28 21:54
10樓作者: Injunction 時(shí)間: 2025-3-29 00:25
10樓作者: 泥沼 時(shí)間: 2025-3-29 05:21
10樓
