標(biāo)題: Titlebook: Doris Lessing’s The Golden Notebook After Fifty; Alice Ridout (Assistant Professor),Roberta Rubenst Book 2015 Alice Ridout, Roberta Rubens [打印本頁(yè)] 作者: Intimidate 時(shí)間: 2025-3-21 19:59
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作者: 不妥協(xié) 時(shí)間: 2025-3-21 20:36 作者: 別炫耀 時(shí)間: 2025-3-22 00:45
rompted by the novel‘s golden anniversary, the twelve essays collected in this volume provide fresh analyses along with appreciative memoirs for 21st century readers of this well-known masterpiece.978-1-349-50406-0978-1-137-47742-2作者: 高射炮 時(shí)間: 2025-3-22 07:02 作者: 冒號(hào) 時(shí)間: 2025-3-22 12:34 作者: CT-angiography 時(shí)間: 2025-3-22 14:03 作者: CT-angiography 時(shí)間: 2025-3-22 20:57 作者: 不如樂(lè)死去 時(shí)間: 2025-3-22 22:19
Tre Generazioni: Da Tartaglia a Galileoon. I know that I’ve often treated . as a Bible of sorts myself, beginning in 1968 when I first assigned it to undergraduates at the State University of New York where I taught in the English Department and where, in 1969, I met Doris Lessing herself, who was on the cusp of her fiftieth birthday.作者: 陪審團(tuán) 時(shí)間: 2025-3-23 03:35 作者: interrupt 時(shí)間: 2025-3-23 06:34 作者: 搖曳 時(shí)間: 2025-3-23 10:46
Gli Astronomi Dovrebbero Guardare il Cielo? not a book solely about female experience; it was seamed through with the understanding that politics is fundamental, that individuals whether male or female are coursed through by the shared hopes and fears of their lived historical moment—but also that they live that moment differently from each other.作者: arboretum 時(shí)間: 2025-3-23 13:52
Disguised Autobiography, and know where they come from.”. The third and fourth volumes of ., titled . (1958) and . (1965) and based on her involvement with Marxist socialism and communism in southern Africa in 1943–44, are, according to Lessing, the most “directly autobiographical” of all of her fiction, after which, she claimed, she “l(fā)eft autobiography behind” (. 267, 298).作者: TEN 時(shí)間: 2025-3-23 21:14
: First Impact and Revisionary Reading not a book solely about female experience; it was seamed through with the understanding that politics is fundamental, that individuals whether male or female are coursed through by the shared hopes and fears of their lived historical moment—but also that they live that moment differently from each other.作者: Delectable 時(shí)間: 2025-3-23 22:52 作者: microscopic 時(shí)間: 2025-3-24 04:43
“Across the Frontiers”: Reading Africa in it for the last twenty-five years—which I attribute to being an Africanist—it is my turn to tell a complicated story of my own reluctant engagement with Lessing’s .. In fact, the first Lessing book I read was .; it was also the first properly African book I read—notwithstanding David Livingstone’s .作者: 動(dòng)機(jī) 時(shí)間: 2025-3-24 09:27 作者: FIS 時(shí)間: 2025-3-24 11:28
“Through That Gap the Future Might Pour”: Dreaming the Post-Cold War World in and mode. There are not only the five notebooks kept by Anna Wulf and the manuscript of her new novel, Free Women, which frames them, but these inner texts are themselves filled with recounted stories, fictional scenarios, memory exercises, and literary parodies. At the experimental edge of this ra作者: moratorium 時(shí)間: 2025-3-24 16:21 作者: 馬籠頭 時(shí)間: 2025-3-24 19:40
Disguised Autobiography, and of the truth.”. She acknowledged that her early fiction contains many autobiographical elements, particularly as reflected in the experiences of her first narrative alter ego, Martha Quest, in the five-volume series ., as well as elsewhere in her novels and shorter fiction. Admitting that she “mined作者: 減少 時(shí)間: 2025-3-25 00:25 作者: 都相信我的話(huà) 時(shí)間: 2025-3-25 05:00 作者: 大量 時(shí)間: 2025-3-25 09:33 作者: 水槽 時(shí)間: 2025-3-25 12:01 作者: nepotism 時(shí)間: 2025-3-25 17:05
Timing Is All: , Then and Nows Lessing’s . series. In 1966, I spent a long afternoon with Lessing at her home. Our conversation, mostly tape-recorded, has been used by innumerable doctoral candidates, and in part has also been published. Since then, I corresponded with Doris, saw her twice more, and sent her copies of all the A作者: HERTZ 時(shí)間: 2025-3-25 20:43 作者: ELUDE 時(shí)間: 2025-3-26 03:42
http://image.papertrans.cn/e/image/282666.jpg作者: leniency 時(shí)間: 2025-3-26 06:58 作者: Exploit 時(shí)間: 2025-3-26 10:47 作者: 浸軟 時(shí)間: 2025-3-26 16:17
978-1-349-50406-0Alice Ridout, Roberta Rubenstein, and Sandra Singer 2015作者: Visual-Acuity 時(shí)間: 2025-3-26 18:43
Surrogacy Contracting and Intermediationxt of the reader can generate diverse interpretations of a text, akin to her protagonist, Anna Wulf, who offers contradictory reviews of her previously published novel, ., in 1951 and then “from 1954 on” (58). In her most famous rereading of ., her 1971 Preface, Lessing expressed her irritation at t作者: Sinus-Node 時(shí)間: 2025-3-26 23:22 作者: ENNUI 時(shí)間: 2025-3-27 02:27
https://doi.org/10.1007/978-88-470-0542-6r Nuclear Disarmament (CND) in 1957 and participated in the famous first Aldermaston March of 1958 (and several of the subsequent annual marches), an event she later recounted in . (1969).. But, according to her autobiography ., after she was spuriously conscripted into the Committee of a Hundred, t作者: CHAFE 時(shí)間: 2025-3-27 07:51
https://doi.org/10.1007/978-88-470-0542-6 and mode. There are not only the five notebooks kept by Anna Wulf and the manuscript of her new novel, Free Women, which frames them, but these inner texts are themselves filled with recounted stories, fictional scenarios, memory exercises, and literary parodies. At the experimental edge of this ra作者: 公理 時(shí)間: 2025-3-27 11:16
https://doi.org/10.1007/978-88-470-0542-6fractured aesthetic of the novel seemed to some too narrowly focused on personal issues among women rather than on wider social concerns of interest to the Left in its time, which could arguably be captured through realistic representation. Through the complex portrayal of two independently minded s作者: enumaerate 時(shí)間: 2025-3-27 17:40
https://doi.org/10.1007/978-88-470-0542-6of the truth.”. She acknowledged that her early fiction contains many autobiographical elements, particularly as reflected in the experiences of her first narrative alter ego, Martha Quest, in the five-volume series ., as well as elsewhere in her novels and shorter fiction. Admitting that she “mined作者: obviate 時(shí)間: 2025-3-27 20:28 作者: CESS 時(shí)間: 2025-3-28 01:42 作者: heartburn 時(shí)間: 2025-3-28 04:06 作者: farewell 時(shí)間: 2025-3-28 08:06 作者: 使堅(jiān)硬 時(shí)間: 2025-3-28 10:48
Come Contare I Granelli di Sabbias Lessing’s . series. In 1966, I spent a long afternoon with Lessing at her home. Our conversation, mostly tape-recorded, has been used by innumerable doctoral candidates, and in part has also been published. Since then, I corresponded with Doris, saw her twice more, and sent her copies of all the A作者: fulcrum 時(shí)間: 2025-3-28 15:31
Gli Astronomi Dovrebbero Guardare il Cielo?my memory and even seem inseparable now. Doris Lessing says in her 1971 Preface to the book that it “was not a trumpet for Women’s Liberation” and points out that “it described many female emotions of aggression, hostility, resentment” (9). But that was of course one of the ways in which it liberate作者: Volatile-Oils 時(shí)間: 2025-3-28 21:56
rompted by the novel‘s golden anniversary, the twelve essays collected in this volume provide fresh analyses along with appreciative memoirs for 21st century readers of this well-known masterpiece.978-1-349-50406-0978-1-137-47742-2作者: ALE 時(shí)間: 2025-3-29 01:44 作者: 壓倒 時(shí)間: 2025-3-29 07:06 作者: CUMB 時(shí)間: 2025-3-29 08:52 作者: PAC 時(shí)間: 2025-3-29 11:54 作者: gangrene 時(shí)間: 2025-3-29 15:52 作者: 俗艷 時(shí)間: 2025-3-29 22:53 作者: OTHER 時(shí)間: 2025-3-30 03:32 作者: Graves’-disease 時(shí)間: 2025-3-30 04:45
“Through That Gap the Future Might Pour”: Dreaming the Post-Cold War World in d inward-facing of the modes that Doris Lessing portrays as available for interpreting the world, for together they advance her search, with this novel, for a literary form relevant to what Anna calls “the fragmentation of everything” in the social and psychic environment of postwar Western life (.
