標(biāo)題: Titlebook: Domestic Noir; The New Face of 21st Laura Joyce,Henry Sutton Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Gender.Marriage [打印本頁] 作者: DART 時(shí)間: 2025-3-21 18:54
書目名稱Domestic Noir影響因子(影響力)
書目名稱Domestic Noir影響因子(影響力)學(xué)科排名
書目名稱Domestic Noir網(wǎng)絡(luò)公開度
書目名稱Domestic Noir網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Domestic Noir被引頻次
書目名稱Domestic Noir被引頻次學(xué)科排名
書目名稱Domestic Noir年度引用
書目名稱Domestic Noir年度引用學(xué)科排名
書目名稱Domestic Noir讀者反饋
書目名稱Domestic Noir讀者反饋學(xué)科排名
作者: cringe 時(shí)間: 2025-3-21 21:05
The Literary Antecedents of Domestic Noirvels of anxiety within and through her novels, not just in the minds of her, often hapless, protagonists but also in those of her readers. However, I will be arguing here that she also deserves recognition as an antecedent of the recent ‘domestic noir’ subgenre. While Highsmith’s protagonists are pr作者: slow-wave-sleep 時(shí)間: 2025-3-22 02:50 作者: enmesh 時(shí)間: 2025-3-22 06:02
Gone Genre: How the Academy Came Running and Discovered Nothing Was As It Seemedxt (or employment of metafictional strategies)? While this question is implicitly posed in many of the studies mentioned in this essay, it has rarely been the explicit starting point for an analysis. Asking the question from this way round yields some different lines of enquiry. In other words, how 作者: 漸變 時(shí)間: 2025-3-22 11:25 作者: palliate 時(shí)間: 2025-3-22 13:24
“How Much Do You Want to Pay for This Beauty?”: Domestic Noir and the Active Turn in Feminist Crime o fight back, to make choices, to survive a crime or even to be a criminal agent. Focusing on Gillian Flynn’s . and Paul Hawkins’ ., this chapter examines the gendering of the body in crime fiction and how female characters are portrayed as increasingly active participants in the plots of popular no作者: palliate 時(shí)間: 2025-3-22 20:32 作者: 旅行路線 時(shí)間: 2025-3-22 22:54 作者: 變態(tài) 時(shí)間: 2025-3-23 02:37 作者: 止痛藥 時(shí)間: 2025-3-23 05:55
The Subversion of the Male Tradition in Crime Fiction: Liane Moriarty’s ,ourses in crime fiction. Focusing on the three female main characters, the chapter examines the portrayal of specific female and feminist issues in contemporary society: Domestic violence, motherhood, and sexual assault. As well as considering how the main characters resolve these issues, both as in作者: expunge 時(shí)間: 2025-3-23 10:16
Domestic Noir and the US Cozy as Responses to the Threatened Home noir and the American cozy, suggesting that both articulate modern anxieties concerning the tensions between individuality, personal space and safety versus conformity and community. Mostly written by and for women, featuring female protagonists, the novels’ focus is on domestic space and domestic 作者: 沒收 時(shí)間: 2025-3-23 14:47 作者: A簡潔的 時(shí)間: 2025-3-23 20:00
Crime, the Domestic, and Social Commentary in Pierre Lemaitre’s Thrillersonal life or, alternatively, criminal behaviours that originate from a traumatic family past. His novels also comment on rape, sexual violence and the disruption of human relations under global capitalism.作者: nepotism 時(shí)間: 2025-3-23 23:39
Carmen’s Final Problem: Contesting Crime Fiction and Gender Roles in Marcela Serrano’s ,y drawing a parallel between conforming to the conventions of the detective genre and to patriarchal gender roles. A famous female writer fakes her mysterious disappearance in order to stop writing the same detective tales and to escape her bourgeois, unfulfilling married life. Private investigator 作者: 察覺 時(shí)間: 2025-3-24 06:10 作者: Hemodialysis 時(shí)間: 2025-3-24 06:40 作者: 斗爭 時(shí)間: 2025-3-24 14:41
Book 2018ndmark collection since Lee Horsley‘s .The Noir Thriller., it extends the argument for serious, academic study of crime fiction, particularly in relation to gender, domestic violence, social and political awareness, psychological acuity, and structural and narratological inventiveness. As well as th作者: Debility 時(shí)間: 2025-3-24 16:22
Introduction to ,,s functioned in part to reveal and critique contemporaneous cultural anxieties, and fiction that deals with domestic, intimate, and sexual violence, that deals with a lack of recourse for victims, and that asks questions about the safety, rights, and freedoms of those most vulnerable in society is having a moment.作者: Innovative 時(shí)間: 2025-3-24 19:21
The Literary Antecedents of Domestic Noirwill be arguing here that she also deserves recognition as an antecedent of the recent ‘domestic noir’ subgenre. While Highsmith’s protagonists are predominantly male, my contention is that this is no impediment to the particularly ‘feminine’ discourse that she evokes throughout many of her texts.作者: certain 時(shí)間: 2025-3-25 01:01 作者: CHASM 時(shí)間: 2025-3-25 03:22
The Violent Mother in Fact and Fictiong their representations of mothers as perpetrators of crimes with the intelligence on gender(ed) violence that comes from studies in criminology and cultural criminology. Di Ciolla and Pasolini assess the extent to which literature and criminology can work synergetically towards a better understanding of women and crime.作者: slow-wave-sleep 時(shí)間: 2025-3-25 09:20
Carmen’s Final Problem: Contesting Crime Fiction and Gender Roles in Marcela Serrano’s ,sterious disappearance in order to stop writing the same detective tales and to escape her bourgeois, unfulfilling married life. Private investigator Rosa Alvallay ultimately decides not to unveil the writer’s fate in an act of female solidarity.作者: 逢迎春日 時(shí)間: 2025-3-25 13:20
https://doi.org/10.1007/978-3-322-97864-6knowing are certain crime writers? Rita Felski discusses the concept of ‘interpretation-as-narrative’, stating that it is ‘the means by which a critical sensibility spins out storylines that connect understanding to explaining. What are the guiding affinities between suspicion and storytelling?’作者: LITHE 時(shí)間: 2025-3-25 19:06
https://doi.org/10.1007/978-3-322-97864-6plications of this cultural fascination with particular kinds of victimhood. The aim of this chapter is to evaluate Flynn’s success (or lack thereof) in exploring the obsession with female victimhood as a type of symbolic subjugation, which may be interpreted as simultaneously reassuring and restrictive.作者: 脫離 時(shí)間: 2025-3-25 21:17
Von Ziffernsystemen und Palindromene, has called ‘…the vexed relationship between vital female agency and the limits placed on female desire.’ After years of arse-kicking feminist detectives and plucky teenage action heroes, it seems that female characters are finally allowed to be morally complex.作者: Solace 時(shí)間: 2025-3-26 02:25 作者: 寬敞 時(shí)間: 2025-3-26 08:11 作者: 有罪 時(shí)間: 2025-3-26 09:13 作者: FIG 時(shí)間: 2025-3-26 13:00 作者: 埋伏 時(shí)間: 2025-3-26 20:31
Gone Genre: How the Academy Came Running and Discovered Nothing Was As It Seemedknowing are certain crime writers? Rita Felski discusses the concept of ‘interpretation-as-narrative’, stating that it is ‘the means by which a critical sensibility spins out storylines that connect understanding to explaining. What are the guiding affinities between suspicion and storytelling?’作者: 不可比擬 時(shí)間: 2025-3-26 23:13 作者: Pedagogy 時(shí)間: 2025-3-27 02:35 作者: 使顯得不重要 時(shí)間: 2025-3-27 08:35 作者: 綁架 時(shí)間: 2025-3-27 10:51 作者: Adulterate 時(shí)間: 2025-3-27 13:48
Domestic Noir and the US Cozy as Responses to the Threatened Homelife and the issues consequent upon twenty-first-century modes of living that force women out of the home. In their analysis of cozy mysteries and domestic noirs, the authors find contrasting yet connected accounts of female responses to the pressures of modern life.作者: Fortuitous 時(shí)間: 2025-3-27 17:59
The House and the Hallucination in Tana French’s New Irish Gothicul way to analyze character and identity. French’s two novels with female narrators, . (2008) and . (2016), are the primary focus of analysis, and Johnsen’s conclusion makes connections between French’s fictional exploration of modern Ireland to the Tuam babies scandal.作者: 不足的東西 時(shí)間: 2025-3-28 00:01 作者: Myosin 時(shí)間: 2025-3-28 04:42
2947-8340 ord from Julia Crouch, the originator of the term ‘domestic This book represents the first serious consideration of the ‘domestic noir‘ phenomenon and, by extension, the psychological thriller. The only such landmark collection since Lee Horsley‘s .The Noir Thriller., it extends the argument for ser作者: Tractable 時(shí)間: 2025-3-28 08:27 作者: 胰島素 時(shí)間: 2025-3-28 12:52
https://doi.org/10.1007/978-3-322-97864-6will be arguing here that she also deserves recognition as an antecedent of the recent ‘domestic noir’ subgenre. While Highsmith’s protagonists are predominantly male, my contention is that this is no impediment to the particularly ‘feminine’ discourse that she evokes throughout many of her texts.作者: MODE 時(shí)間: 2025-3-28 15:22 作者: archaeology 時(shí)間: 2025-3-28 21:17 作者: Bumble 時(shí)間: 2025-3-29 00:38
Die Methode des Betriebsvergleichssterious disappearance in order to stop writing the same detective tales and to escape her bourgeois, unfulfilling married life. Private investigator Rosa Alvallay ultimately decides not to unveil the writer’s fate in an act of female solidarity.作者: 臭名昭著 時(shí)間: 2025-3-29 05:26 作者: Phenothiazines 時(shí)間: 2025-3-29 11:11
978-3-030-09884-1The Editor(s) (if applicable) and The Author(s) 2018作者: addition 時(shí)間: 2025-3-29 11:42
https://doi.org/10.1007/978-3-322-97864-6ater the whole world would feel like a more sinister, violent place. A place that felt closer than ever to Margaret Atwood’s Gilead. Fiction has always functioned in part to reveal and critique contemporaneous cultural anxieties, and fiction that deals with domestic, intimate, and sexual violence, t作者: growth-factor 時(shí)間: 2025-3-29 17:43 作者: Gyrate 時(shí)間: 2025-3-29 20:11 作者: 極少 時(shí)間: 2025-3-30 02:56 作者: 賞心悅目 時(shí)間: 2025-3-30 07:52 作者: 有偏見 時(shí)間: 2025-3-30 12:15
https://doi.org/10.1007/978-3-322-98597-2o fight back, to make choices, to survive a crime or even to be a criminal agent. Focusing on Gillian Flynn’s . and Paul Hawkins’ ., this chapter examines the gendering of the body in crime fiction and how female characters are portrayed as increasingly active participants in the plots of popular no作者: 男學(xué)院 時(shí)間: 2025-3-30 13:29
Von Ziffernsystemen und Palindromenth novels feature adolescent girls—not as murder victims, but as protagonist and antagonist (Addy and Beth in .) and as killers (Amma and her girl gang in .). They also feature adult women who are complex, desiring and deeply flawed, and the books explore what Grossman, writing about the femme fatal作者: 辯論 時(shí)間: 2025-3-30 18:44
https://doi.org/10.1007/978-3-322-98598-9ntersected with theories and methodologies from the field of cultural criminology. They analyse three contemporary European “domestic noirs”, comparing their representations of mothers as perpetrators of crimes with the intelligence on gender(ed) violence that comes from studies in criminology and c作者: 上坡 時(shí)間: 2025-3-30 20:46
Zweck und Methode des Betriebsvergleichst the almost mystical ways in which unseen hegemonic forces invade the most sacrosanct of domestic spaces. To represent such hauntings in crime fiction is to reveal the inextricable lines between the past and the present, between domestic home life and organizing systems of social power. French’s gh作者: 陶器 時(shí)間: 2025-3-31 04:51 作者: 多節(jié) 時(shí)間: 2025-3-31 08:37
