標(biāo)題: Titlebook: Doing Dramaturgy; Thinking Through Pra Maaike Bleeker Textbook 2023 Springer Nature Switzerland AG 2023 Dramaturgy.Practice.Practice as res [打印本頁] 作者: fathom 時間: 2025-3-21 19:27
書目名稱Doing Dramaturgy影響因子(影響力)
書目名稱Doing Dramaturgy影響因子(影響力)學(xué)科排名
書目名稱Doing Dramaturgy網(wǎng)絡(luò)公開度
書目名稱Doing Dramaturgy網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Doing Dramaturgy被引頻次
書目名稱Doing Dramaturgy被引頻次學(xué)科排名
書目名稱Doing Dramaturgy年度引用
書目名稱Doing Dramaturgy年度引用學(xué)科排名
書目名稱Doing Dramaturgy讀者反饋
書目名稱Doing Dramaturgy讀者反饋學(xué)科排名
作者: 可行 時間: 2025-3-21 21:42 作者: 樣式 時間: 2025-3-22 03:44 作者: amplitude 時間: 2025-3-22 07:55
—Milo Rauclose reading of . from the perspective of the dramaturgical mode of looking introduced in Chap. 3 and traces aspects of the creative process. The chapter identifies several characteristics of the modes of thinking through practice of the makers and makes observations about the role of dramaturgy in this practice.作者: 馬具 時間: 2025-3-22 09:56 作者: 襲擊 時間: 2025-3-22 16:47
2947-6801 r makers.Explores how doing dramaturgy is informed by today’.This book explores how doing dramaturgy is informed by today’s highly diverse field of theatre, dance and performance. It does so in dialogue with fourteen performances and their makers, tracing the thinking-through-practice that underlies作者: 襲擊 時間: 2025-3-22 17:36 作者: 禁令 時間: 2025-3-22 23:08
https://doi.org/10.1007/978-1-349-01642-6do as a result of how they are constructed. The chapter also shows how this approach works toward an understanding of performances and their modes of operating that is relational, processual, and ecological.作者: Fantasy 時間: 2025-3-23 04:13 作者: chlorosis 時間: 2025-3-23 07:14
Tyssot De Patot and His Work 1655 – 1738ces aspects of the creative process. The chapter identifies several characteristics of the modes of thinking through practice of the makers and makes observations about the role of dramaturgy in this practice.作者: 舔食 時間: 2025-3-23 11:42 作者: adroit 時間: 2025-3-23 16:02
Tyssot de Patot and His Work 1655–1738king introduced in Chap. . and traces aspects of the creative process. The chapter identifies several characteristics of the modes of thinking through practice of the makers and makes observations about the role of dramaturgy in this practice.作者: Arteriography 時間: 2025-3-23 19:39 作者: overrule 時間: 2025-3-24 00:32 作者: exercise 時間: 2025-3-24 04:35 作者: 釘牢 時間: 2025-3-24 08:42
https://doi.org/10.1007/978-3-322-80899-8cts of the creative process. The chapter identifies several characteristics of the modes of thinking through practice of the makers and makes observations about the role of dramaturgy in this practice.作者: 遷移 時間: 2025-3-24 11:13 作者: 蒸發(fā) 時間: 2025-3-24 18:28
—Jr.cE.sA.rFikry El Azzouzi, and composer Cesar Janssens (the collective Jr.cE.sA.r) this chapter traces aspects of the creative process and identifies several characteristics of the modes of thinking through practice of the makers. The chapter ends with observations about the role of dramaturgy in this practice.作者: 摻和 時間: 2025-3-24 23:01
—Anouk van Dijk and Falk Richterces aspects of the creative process. The chapter identifies several characteristics of the modes of thinking through practice of the makers and makes observations about the role of dramaturgy in this practice.作者: insurrection 時間: 2025-3-25 01:48 作者: 情感 時間: 2025-3-25 06:10
—EG|PCking introduced in Chap. . and traces aspects of the creative process. The chapter identifies several characteristics of the modes of thinking through practice of the makers and makes observations about the role of dramaturgy in this practice.作者: 折磨 時間: 2025-3-25 08:33
—Kris Verdonckof the dramaturgical mode of looking introduced in Chap. . and traces aspects of the creative process. The chapter identifies several characteristics of the modes of thinking through practice of the makers and makes observations about the role of dramaturgy in this practice.作者: 偏離 時間: 2025-3-25 14:35
—Julian Hetzelm the perspective of the dramaturgical mode of looking introduced in Chap. . and traces aspects of the creative process. The chapter identifies several characteristics of the modes of thinking through practice of the makers and makes observations about the role of dramaturgy in this practice.作者: 文字 時間: 2025-3-25 18:20 作者: Cosmopolitan 時間: 2025-3-25 21:18
—Hotel Moderncts of the creative process. The chapter identifies several characteristics of the modes of thinking through practice of the makers and makes observations about the role of dramaturgy in this practice.作者: squander 時間: 2025-3-26 00:32
https://doi.org/10.1007/978-1-349-01642-6e made and decisions that can be taken in creative processes, as well as the implications of these choices and decisions, and (4) a dramaturgical mode of looking as a looking for how performances do what they do as a result of how they are constructed.作者: PHAG 時間: 2025-3-26 04:22 作者: innate 時間: 2025-3-26 11:47 作者: Ophthalmologist 時間: 2025-3-26 12:58 作者: cleaver 時間: 2025-3-26 18:14 作者: 動機(jī) 時間: 2025-3-26 21:49
https://doi.org/10.1007/978-1-349-01642-6directing a dramaturgical mode of looking toward creative processes as themselves the outcome of choices made and decisions taken in organizing them. The chapter then looks at various ways in which dramaturgy contributes to setting collaborative making-thinking in motion and identifies seven modes o作者: 似少年 時間: 2025-3-27 02:08 作者: 過濾 時間: 2025-3-27 07:36
,Abkürzungen und Formelgr?ssen,en rules devised to support the development of Rau’s “City Theatre of the Future” project. . is an example of what Rau calls .: art that makes experiential how historical and contemporary events exist at the intersection of multiple realities without erasing this complexity. This chapter presents a 作者: ambivalence 時間: 2025-3-27 12:17 作者: 閑逛 時間: 2025-3-27 15:43 作者: infelicitous 時間: 2025-3-27 19:22 作者: Bucket 時間: 2025-3-28 01:03 作者: 公式 時間: 2025-3-28 02:24 作者: 去才蔑視 時間: 2025-3-28 07:41
https://doi.org/10.1007/978-94-017-4692-2her inspiration from theory and philosophy and works in extended periods of theoretical and scenic research. . (2017) is a one-person show inspired by the work of plant philosopher Michael Marder and plant neurologist Stefano Mancuso, as well as various other posthumanist and new materialist thinker作者: Rheumatologist 時間: 2025-3-28 10:52
https://doi.org/10.1007/978-3-322-97658-1ce is an example of how Verdonck’s posthuman perspective on the human condition is also reflected in his approach to making theatre, in which creation is not a matter of externalizing ideas conceived by autonomous creators but the result of engaging with and listening to the materials one works with作者: 災(zāi)難 時間: 2025-3-28 17:49 作者: 忍耐 時間: 2025-3-28 22:24 作者: Seminar 時間: 2025-3-29 02:25
Helmut Remschmidt,Reinhard Walterhow this divisions are part of the ways in which dance is seen and understood. . (2017) is an example of the research-based character of Pi?a’s artistic practice and how she uses performance as a means to incite reflection on the cultural perspective at work in ways of seeing, understanding and eval作者: chassis 時間: 2025-3-29 03:24 作者: tenosynovitis 時間: 2025-3-29 07:51
https://doi.org/10.1007/978-3-531-90868-7, a woman and a man, compete for the audience’s favor, using excerpts from famous political speeches. With this simple, yet very effective, construction, . draws attention to the role of speeches and other public expressions in the modes of operating of democratic systems, and to the role of the aud作者: Herpetologist 時間: 2025-3-29 13:07
Doing Dramaturgy978-3-031-08303-7Series ISSN 2947-6801 Series E-ISSN 2947-681X 作者: IRK 時間: 2025-3-29 17:01 作者: 鋼筆尖 時間: 2025-3-29 20:36 作者: Engaging 時間: 2025-3-30 01:41
https://doi.org/10.1007/978-3-031-08303-7Dramaturgy; Practice; Practice as research; Theatre; Performance作者: 絕食 時間: 2025-3-30 06:51 作者: Assault 時間: 2025-3-30 09:22 作者: Lacunar-Stroke 時間: 2025-3-30 14:15
https://doi.org/10.1007/978-1-349-01642-6others since then, to show how these pave the way for an understanding of dramaturgy as a function in the creative process that can take shape in different ways in different creative processes. The final part of the chapter elaborates an understanding of creative processes as forms of collective thi作者: deriver 時間: 2025-3-30 20:35 作者: invade 時間: 2025-3-30 22:44
https://doi.org/10.1007/978-3-662-00978-9ces between theatrical staging and reality. This chapter presents a close reading of . from the perspective of the dramaturgical mode of looking introduced in Chap. . and traces aspects of the creative process. The chapter identifies several characteristics of the modes of thinking through practice 作者: Recess 時間: 2025-3-31 02:46 作者: 該得 時間: 2025-3-31 07:31 作者: incredulity 時間: 2025-3-31 12:31 作者: ineluctable 時間: 2025-3-31 15:47
Doing Dramaturgy dramaturgy in the transition from the emergence of no-one’s thought in collective processes of making toward what the audience encounters, the question why bringing in a dramaturg, and where to begin when working as a dramaturg.作者: Dorsal-Kyphosis 時間: 2025-3-31 21:25 作者: insular 時間: 2025-4-1 01:45
—Dries Verhoevend in Chap. . and traces aspects of the creative process. The chapter identifies several characteristics of the modes of thinking through practice of the makers and makes observations about the role of dramaturgy in this practice.
