派博傳思國際中心

標題: Titlebook: Doctor Faustus; Text and Performance William Tydeman Textbook 1984Latest edition William Tydeman 1984 Europe.fiction.history of literature. [打印本頁]

作者: ONSET    時間: 2025-3-21 16:17
書目名稱Doctor Faustus影響因子(影響力)




書目名稱Doctor Faustus影響因子(影響力)學科排名




書目名稱Doctor Faustus網絡公開度




書目名稱Doctor Faustus網絡公開度學科排名




書目名稱Doctor Faustus被引頻次




書目名稱Doctor Faustus被引頻次學科排名




書目名稱Doctor Faustus年度引用




書目名稱Doctor Faustus年度引用學科排名




書目名稱Doctor Faustus讀者反饋




書目名稱Doctor Faustus讀者反饋學科排名





作者: lacrimal-gland    時間: 2025-3-21 23:05
‘The Form of Faustus’ Fortunes’ong more disciplined lines. Plays, such as ., which adhered fairly strictly to regular rules failed to constitute acceptable models for those striving to satisfy the popular tastes of Elizabethan London.
作者: 玉米棒子    時間: 2025-3-22 00:50

作者: assent    時間: 2025-3-22 06:45
Stating the Themesions on what to stress and what to play down. With a work such as ., over-emphasis on ambivalence, however admirable in academic terms, can leave spectators baffled; on the other hand, over-insistence on a particular reading can lay a producer open to the charge of limiting our response to a full r
作者: Scintillations    時間: 2025-3-22 10:23
Heike Proff,Fabian Falk,Daniel Jaspers as ‘a living man thirsting for the infinite’. Such eulogies continued into the present century, Una Ellis-Fermor discovering in him ‘dignity, patience, tenacity and a certain profundity of thought’ while by 1932 F. S. Boas was applying to a Faustus cast in his creator’s image Horatio’s tribute to t
作者: Volatile-Oils    時間: 2025-3-22 16:35
Samta Jain,Smita Kashiramka,P. K. Jainong more disciplined lines. Plays, such as ., which adhered fairly strictly to regular rules failed to constitute acceptable models for those striving to satisfy the popular tastes of Elizabethan London.
作者: Volatile-Oils    時間: 2025-3-22 19:38

作者: vocation    時間: 2025-3-22 22:33

作者: Bronchial-Tubes    時間: 2025-3-23 04:54
Selecting the Textportions of each he conflated to form a new whole? How relevant are scholarly opinions as to what is and what is not Marlowe’s personal handiwork? Does ‘directorial interpretation’ include abandoning those parts of the play which do not support a particular reading?
作者: Evocative    時間: 2025-3-23 08:40

作者: irreparable    時間: 2025-3-23 10:55
https://doi.org/10.1057/9780230275232h Marlowe compared with Shakespeare, which has persuaded them to ensure intimacy and immediacy at all costs. The danger then is that Marlowe’s plays come to be seen as no more than collector’s pieces; yet their revival has certainly benefited from a recognition of what open platforms and thrust stages have to offer.
作者: 聲明    時間: 2025-3-23 17:13
https://doi.org/10.1007/978-981-16-1453-8portions of each he conflated to form a new whole? How relevant are scholarly opinions as to what is and what is not Marlowe’s personal handiwork? Does ‘directorial interpretation’ include abandoning those parts of the play which do not support a particular reading?
作者: 國家明智    時間: 2025-3-23 18:20

作者: Gene408    時間: 2025-3-24 00:31

作者: 外觀    時間: 2025-3-24 03:07

作者: 裝入膠囊    時間: 2025-3-24 06:34

作者: 脫落    時間: 2025-3-24 11:37
‘What Means This Show?’ delivered or reacted to. In brief, we have to direct the play in our own heads, complete with set, costumes, lights, music and so forth, before we can truly say that we are ‘reading’ a play. Such ability has to be cultivated, especially if we do not often get the chance to watch drama in performance.
作者: 禮節(jié)    時間: 2025-3-24 17:24
Delighting the Sensegue that the work can stand on its own without undue decoration. Certainly Gareth Morgan’s Theatregoround production of 1970 and the Lyric Studio version of 1980 demonstrated that . could be highly effective without elaborate embellishment.
作者: ventilate    時間: 2025-3-24 23:04
Introduction the page’. While scholars and critics have always kept debate about the play’s content fruitfully alive, today, as a result of the achievements of directors and actors, Marlowe’s most complex drama has emerged from theatrical obscurity to excite and engage live audiences too.
作者: deadlock    時間: 2025-3-25 00:56

作者: farewell    時間: 2025-3-25 06:06
Organizations in a Complex WorldThe following four productions have been selected for special consideration in this section:
作者: 織布機    時間: 2025-3-25 10:31
IntroductionThe following four productions have been selected for special consideration in this section:
作者: Intractable    時間: 2025-3-25 14:11

作者: originality    時間: 2025-3-25 16:18

作者: vector    時間: 2025-3-25 21:58

作者: 指派    時間: 2025-3-26 03:53
Anchal Gupta,Rajesh Kumar Singh,P. K. Surihat most are largely written in verse, and that it is still essential to treat them as dramatic poems too. As highly wrought, highly complex linguistic organisms, they require far closer attention than if they were entirely couched in the naturalistic speech of everyday urban life.
作者: Intrepid    時間: 2025-3-26 06:01
Lucas A. Müller,Michael Stephand the closing of London’s playhouses fifty years later. Because, happily, this earliest of great Elizabethan tragedies is now often performed, contemporary playgoers are in a better position to assess its qualities for themselves than were those who could only judge Marlowe’s work from ‘the words on
作者: dainty    時間: 2025-3-26 11:51

作者: Ebct207    時間: 2025-3-26 14:44

作者: DIS    時間: 2025-3-26 19:12
Samta Jain,Smita Kashiramka,P. K. Jains remind us that, whatever virtues they exhibit, and they are legendary, the great plays of Shakespeare’s time, by comparison with those of Pericles’s Athens or Richelieu’s France, often lack streamlined aesthetic structure, or stringent artistic control. Clowns brush shoulders with kings; high trag
作者: nugatory    時間: 2025-3-27 00:47

作者: 萬神殿    時間: 2025-3-27 04:38

作者: 蔓藤圖飾    時間: 2025-3-27 09:05
https://doi.org/10.1007/978-981-16-1453-8nt, questions of textual taste and preference also arise. Should either the A-text or the B-text be selected as it stands? Should the most acceptable portions of each he conflated to form a new whole? How relevant are scholarly opinions as to what is and what is not Marlowe’s personal handiwork? Doe
作者: 自作多情    時間: 2025-3-27 10:59

作者: 一再遛    時間: 2025-3-27 15:33

作者: 感情脆弱    時間: 2025-3-27 20:54
Rethinking International Development series in opportunities for impressive sights and sounds, for colourful costuming and inventive stage effects. Yet there is always the danger that the spectacle will take command, that the eye and ear will be sated while the mind or emotions remain unengaged. Too much pageantry is distracting, and, althou
作者: 大約冬季    時間: 2025-3-28 01:22

作者: 很像弓]    時間: 2025-3-28 03:24
Introductiond the closing of London’s playhouses fifty years later. Because, happily, this earliest of great Elizabethan tragedies is now often performed, contemporary playgoers are in a better position to assess its qualities for themselves than were those who could only judge Marlowe’s work from ‘the words on
作者: Coterminous    時間: 2025-3-28 06:46
‘What Doctrine Call You This?’no one but himself, could pronounce his fate undeserved, Francis Jeffrey endorsed the fall of ‘a vulgar sorcerer, tempted to sell his soul to the Devil for the ordinary price of sensual pleasure, and earthly power and glory’. As the nineteenth century wore on, however, general opinion strengthened t
作者: 假裝是我    時間: 2025-3-28 13:09

作者: 窗簾等    時間: 2025-3-28 15:11

作者: ONYM    時間: 2025-3-28 19:13
‘Heavenly Words’hat most are largely written in verse, and that it is still essential to treat them as dramatic poems too. As highly wrought, highly complex linguistic organisms, they require far closer attention than if they were entirely couched in the naturalistic speech of everyday urban life.
作者: 整潔    時間: 2025-3-28 23:49
‘What Means This Show?’atrical impact from the hints supplied. It is not enough to read the words; we have to hear them spoken in our imagination. Stage directions have to be translated into a setting with doors and windows, or trees and benches, that we can visualise. We have to think how people are to be grouped on stag
作者: mortgage    時間: 2025-3-29 05:50

作者: 執(zhí)拗    時間: 2025-3-29 10:02

作者: membrane    時間: 2025-3-29 12:40

作者: brother    時間: 2025-3-29 19:23
Delighting the Sense in opportunities for impressive sights and sounds, for colourful costuming and inventive stage effects. Yet there is always the danger that the spectacle will take command, that the eye and ear will be sated while the mind or emotions remain unengaged. Too much pageantry is distracting, and, althou
作者: 藥物    時間: 2025-3-29 21:29

作者: Anticlimax    時間: 2025-3-30 01:52
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作者: 聰明    時間: 2025-3-30 05:59
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作者: nocturnal    時間: 2025-3-30 08:21
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作者: 甜食    時間: 2025-3-30 16:07
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作者: Panacea    時間: 2025-3-30 18:23
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作者: microscopic    時間: 2025-3-31 00:33
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