作者: craven 時間: 2025-3-21 21:37
,From Cognitive to Cultural Theories of ‘Distribution’: A Creativity Framework,buted creativity. While extended mind and distributed cognition theories share the assumption that psychological processes don’t take place solely inside our heads, they continue to reproduce an unproductive dichotomy between the ‘internal’ and ‘external’ world. In contrast, cultural psychological v作者: 繞著哥哥問 時間: 2025-3-22 03:42 作者: cardiac-arrest 時間: 2025-3-22 07:03 作者: Spinal-Tap 時間: 2025-3-22 09:34 作者: Gnrh670 時間: 2025-3-22 13:01
Why do We Need to Distribute Creativity?,usly socially, materially and temporally distributed. Several theoretical and practical consequences of adopting a view of creativity as a distributed process are presented. These concern the definition of creativity, current dichotomies between celebrated and mundane creations, the role of individu作者: Gnrh670 時間: 2025-3-22 17:07
https://doi.org/10.1007/978-94-010-1636-0 and acts from dialogue and debate regarding their meaning and their value. Ultimately, creativity is a social act even when performed in solitude. This is because creators work with other people in mind and, during their activity, they necessarily place themselves as ‘others’ in relation to their own developing creations.作者: 聯(lián)想 時間: 2025-3-23 00:25
https://doi.org/10.1007/978-3-319-70632-0ontrary, it can put up its own resistance to the intentions of creative people or groups. The chapter ends with discussion of how creative agency, as an emergent phenomenon, is constructed in the encounter between person and the materiality of the world.作者: CAPE 時間: 2025-3-23 02:14 作者: 大氣層 時間: 2025-3-23 08:16
https://doi.org/10.1007/978-94-010-1636-0ed quality of what it means to act creatively in and on the world. The example of how research on craft activities can help us unpack important ideas regarding distributed creativity is discussed, as well as the general organisation of the book.作者: Accord 時間: 2025-3-23 13:47
https://doi.org/10.1007/978-94-010-1636-0nt, as well as systemic ways of theorising creativity, a framework is proposed that articulates creative actors, audiences, actions, artefacts and affordances. Three lines of distribution of creative acts are embedded within this model: social, material and temporal.作者: Fretful 時間: 2025-3-23 16:51 作者: 缺陷 時間: 2025-3-23 21:51 作者: HUMID 時間: 2025-3-24 02:12
,From Cognitive to Cultural Theories of ‘Distribution’: A Creativity Framework,nt, as well as systemic ways of theorising creativity, a framework is proposed that articulates creative actors, audiences, actions, artefacts and affordances. Three lines of distribution of creative acts are embedded within this model: social, material and temporal.作者: Texture 時間: 2025-3-24 05:11 作者: 吹牛者 時間: 2025-3-24 06:51 作者: 虛假 時間: 2025-3-24 10:46
Creativity and Materiality,ontrary, it can put up its own resistance to the intentions of creative people or groups. The chapter ends with discussion of how creative agency, as an emergent phenomenon, is constructed in the encounter between person and the materiality of the world.作者: 發(fā)誓放棄 時間: 2025-3-24 15:45 作者: 形狀 時間: 2025-3-24 20:53 作者: Orchiectomy 時間: 2025-3-25 01:54
Book 2014ind or more precisely, that the human mind extends through the means of action into the world. The notion of ‘distributed creativity’ is not commonly used within the literature and yet it has the potential to revolutionise the way we think about creativity, from how we define and measure it to what 作者: WAX 時間: 2025-3-25 06:51
Book 2014heories and empirical examples that help us unpack each of these dimensions and above all, articulate them into a novel and meaningful conception of creativity as a simultaneously psychological and socio-material process. The volume concludes?by examining the practical implications in adopting this?作者: CANE 時間: 2025-3-25 10:22
2192-8363 articulate them into a novel and meaningful conception of creativity as a simultaneously psychological and socio-material process. The volume concludes?by examining the practical implications in adopting this?978-3-319-05433-9978-3-319-05434-6Series ISSN 2192-8363 Series E-ISSN 2192-8371 作者: Paleontology 時間: 2025-3-25 11:41 作者: 慷慨不好 時間: 2025-3-25 16:12
https://doi.org/10.1007/978-94-010-1636-0buted creativity. While extended mind and distributed cognition theories share the assumption that psychological processes don’t take place solely inside our heads, they continue to reproduce an unproductive dichotomy between the ‘internal’ and ‘external’ world. In contrast, cultural psychological v作者: VERT 時間: 2025-3-25 23:12
https://doi.org/10.1007/978-94-010-1636-0 between people. On the one hand, all creativity is, in some form or another, co-creation, depending on the direct or distant collaboration between different individuals at different times. On the other hand, since creativity relies on social validation it is impossible to separate creative products作者: AMITY 時間: 2025-3-26 03:22 作者: 看法等 時間: 2025-3-26 04:25 作者: 花費 時間: 2025-3-26 11:17 作者: osteocytes 時間: 2025-3-26 14:28
Distributed Creativity978-3-319-05434-6Series ISSN 2192-8363 Series E-ISSN 2192-8371 作者: 馬籠頭 時間: 2025-3-26 16:46 作者: 抗體 時間: 2025-3-27 00:40 作者: Alcove 時間: 2025-3-27 02:05
SpringerBriefs in Psychologyhttp://image.papertrans.cn/e/image/281879.jpg作者: Chauvinistic 時間: 2025-3-27 05:16
10樓作者: acetylcholine 時間: 2025-3-27 12:35
10樓作者: cortisol 時間: 2025-3-27 15:57
10樓作者: 到婚嫁年齡 時間: 2025-3-27 19:10
10樓
