標(biāo)題: Titlebook: Dissembling Disability in Early Modern English Drama; Lindsey Row-Heyveld Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 T [打印本頁(yè)] 作者: 是英寸 時(shí)間: 2025-3-21 18:50
書目名稱Dissembling Disability in Early Modern English Drama影響因子(影響力)
書目名稱Dissembling Disability in Early Modern English Drama影響因子(影響力)學(xué)科排名
書目名稱Dissembling Disability in Early Modern English Drama網(wǎng)絡(luò)公開度
書目名稱Dissembling Disability in Early Modern English Drama網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Dissembling Disability in Early Modern English Drama被引頻次
書目名稱Dissembling Disability in Early Modern English Drama被引頻次學(xué)科排名
書目名稱Dissembling Disability in Early Modern English Drama年度引用
書目名稱Dissembling Disability in Early Modern English Drama年度引用學(xué)科排名
書目名稱Dissembling Disability in Early Modern English Drama讀者反饋
書目名稱Dissembling Disability in Early Modern English Drama讀者反饋學(xué)科排名
作者: plasma-cells 時(shí)間: 2025-3-21 22:09
2947-7409 lores how fears of counterfeit disability created a feedback loop of performance and suspicion. The result is the still-pervasive insistence that even genuinely disabled people must perform in order to, paradoxically, prove the authenticity of their impairments..978-3-030-06371-9978-3-319-92135-8Series ISSN 2947-7409 Series E-ISSN 2947-7417 作者: 公理 時(shí)間: 2025-3-22 02:22
Book 2018 loop of performance and suspicion. The result is the still-pervasive insistence that even genuinely disabled people must perform in order to, paradoxically, prove the authenticity of their impairments..作者: Chipmunk 時(shí)間: 2025-3-22 06:46
https://doi.org/10.1007/978-3-319-92135-8Theatre; Drama; Reformation; Charity; Physical impairment; Social welfare; Monstrosity; John Marston; Ben Jo作者: Functional 時(shí)間: 2025-3-22 10:47
978-3-030-06371-9The Editor(s) (if applicable) and The Author(s) 2018作者: kidney 時(shí)間: 2025-3-22 16:56 作者: kidney 時(shí)間: 2025-3-22 17:30 作者: 抗生素 時(shí)間: 2025-3-22 22:12
Dissembling Disability in Early Modern English Drama978-3-319-92135-8Series ISSN 2947-7409 Series E-ISSN 2947-7417 作者: Erythropoietin 時(shí)間: 2025-3-23 02:22 作者: 減至最低 時(shí)間: 2025-3-23 06:03 作者: 客觀 時(shí)間: 2025-3-23 13:40 作者: FIG 時(shí)間: 2025-3-23 14:13 作者: CHIDE 時(shí)間: 2025-3-23 21:39 作者: 把…比做 時(shí)間: 2025-3-24 01:57 作者: 大看臺(tái) 時(shí)間: 2025-3-24 06:17 作者: exorbitant 時(shí)間: 2025-3-24 06:54 作者: 尊重 時(shí)間: 2025-3-24 12:39 作者: Vaginismus 時(shí)間: 2025-3-24 15:36
The LINK: Violence Toward People and Animalsopportunity to reshape their own feminine identities by exposing both femininity and disability as culturally crafted constructs. However, these plays ultimately encode complications in their ambivalent endings—where feminine and disabled identities suddenly diverge and issues of charity trouble easy resolution.作者: exercise 時(shí)間: 2025-3-24 21:37 作者: Neuralgia 時(shí)間: 2025-3-25 00:45 作者: Eviction 時(shí)間: 2025-3-25 06:00 作者: 走調(diào) 時(shí)間: 2025-3-25 10:22
Rules of Charity: , and the Counterfeit-Disability Tradition,ty. The play presents an early modern notion of the non-standard body that resists determinism. Instead, by dissembling disability with his authentically impaired body, . reveals that performance—rather than predestination—makes Richard truly threatening.作者: integral 時(shí)間: 2025-3-25 13:49 作者: 啟發(fā) 時(shí)間: 2025-3-25 19:06
The Long Bones, General Commentsnd to inoculate him (and the audience) against the dangerous ethics of that vengeance. Further, Row-Heyveld argues that consistent attention to audience interpretation—where skillful spectators suspect counterfeit disability and faulty spectators believe and pity dissemblers—fosters suspicion about disability off-stage as well.作者: 向外 時(shí)間: 2025-3-25 21:54 作者: 祖?zhèn)髫?cái)產(chǎn) 時(shí)間: 2025-3-26 02:17 作者: needle 時(shí)間: 2025-3-26 08:10 作者: 大吃大喝 時(shí)間: 2025-3-26 11:38
Act the Fool: , and the Conventions of the Counterfeit-Disability Tradition,nd to inoculate him (and the audience) against the dangerous ethics of that vengeance. Further, Row-Heyveld argues that consistent attention to audience interpretation—where skillful spectators suspect counterfeit disability and faulty spectators believe and pity dissemblers—fosters suspicion about disability off-stage as well.作者: constellation 時(shí)間: 2025-3-26 15:23
Double Dissimulation: Counterfeit Disability in ,he counterfeit-disability tradition, this chapter also illustrates how he uses it both to criticize the systems of power that sought to define disability in early modern England and, simultaneously, to suggest that disability was difficult to detect, always potentially false, and undeserving of charity.作者: glisten 時(shí)間: 2025-3-26 17:34
Mandated Masquerade: Disability, Metatheater, and Audience Complicity in , and ,eal audience complicity in creating performative disability. Yet, the tradition also discloses the costs of such skepticism, showing how requiring performativity from disability incriminates audiences in that performance.作者: Intrepid 時(shí)間: 2025-3-26 22:36 作者: 枯燥 時(shí)間: 2025-3-27 03:11 作者: 過于光澤 時(shí)間: 2025-3-27 06:57 作者: Proponent 時(shí)間: 2025-3-27 13:17
Double Dissimulation: Counterfeit Disability in ,sability twice in . (1614), only to send it up—and, by extension, mock playwrights like John Marston who employed it. By transporting the counterfeit-disability trope from tragedy to comedy, Jonson makes audience reaction, rather than theatrical action, the real source of spectacle in .. This generi作者: LATHE 時(shí)間: 2025-3-27 15:02 作者: 冷淡一切 時(shí)間: 2025-3-27 18:49
Rules of Charity: , and the Counterfeit-Disability Tradition,thenticity of Richard’s disability, she nevertheless maintains that the counterfeit-disability tradition animates this play. Richard performs his deformity in such a way as to prey upon his spectators’ charity, employing the strategies conventional to the counterfeit-disability tradition. The play l作者: Cumbersome 時(shí)間: 2025-3-28 00:16 作者: 對(duì)手 時(shí)間: 2025-3-28 05:28
Conclusion: Early Modern Fantasies and Contemporary Realities,ction, the counterfeit-disability tradition instructed audiences to approach disability with suspicion, both on the stage and in the streets of London. The tradition demanded that genuinely disabled people perform their disabilities to, paradoxically, prove the reality of their impairments. Although作者: 令人苦惱 時(shí)間: 2025-3-28 09:14 作者: LIMN 時(shí)間: 2025-3-28 11:25
https://doi.org/10.1007/978-3-662-63986-3e system means taking into account the possibility of non-adiabatic transitions from one to another potential energy surface. This is still an unsolved problem of theoretical chemistry which is open for discussion.作者: 故意 時(shí)間: 2025-3-28 15:50 作者: 輕率的你 時(shí)間: 2025-3-28 20:24
