標(biāo)題: Titlebook: Displacing Caravaggio; Art, Media, and Huma Francesco Zucconi Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Baroque.art.hu [打印本頁] 作者: Cataplexy 時(shí)間: 2025-3-21 17:00
書目名稱Displacing Caravaggio影響因子(影響力)
作者: 犬儒主義者 時(shí)間: 2025-3-21 23:27 作者: MIR 時(shí)間: 2025-3-22 00:45
Book 2018d. (1608) end up on the island of Lampedusa, at the heart of the Mediterranean migrant crisis? And why was his painting .The Seven Works of Mercy. (1607) requested for display at a number of humanitarian public events? After critical reflection on these significant transfers of Caravaggio’s work, Fr作者: Crumple 時(shí)間: 2025-3-22 06:59 作者: 負(fù)擔(dān) 時(shí)間: 2025-3-22 10:16 作者: 高興去去 時(shí)間: 2025-3-22 15:10 作者: 高興去去 時(shí)間: 2025-3-22 19:34
Caravaggio on Lampedusa,mmunications. The chapter examines the potentialities and limits of efforts by scholars, exhibitions, and communications to engage the history of art with current events in the news and on the world geographic and political scene.作者: 誘導(dǎo) 時(shí)間: 2025-3-22 21:30
Ulrich Welsch,Akira Chiba,Yoshiharu Honmaical purposes in relation to the visual field of humanitarian action; on the other, based on Caravaggio’s aesthetic innovations, it offers the opportunity to produce new forms of montage that are anachronistic and thought-provoking with the intention of guiding the observer through the most haunting and compelling images of our time.作者: 自由職業(yè)者 時(shí)間: 2025-3-23 04:39
Sachin Patel,Cecilia J. Hillarders the opportunity to draw a comparison with postcolonial studies and, in this way, to reflect on the relationship between systems of representation of the colonial past and those of the humanitarian present.作者: GET 時(shí)間: 2025-3-23 08:14
Maurice R. Elphick,Michaela Egertová. The chapter concludes with three photographs explicitly inspired by works by Caravaggio that best express the temporality and spatiality that typify “everyday life.” Humanitarian photography, too, is shown to promote the immanence of intersubjective relations: the small gestures of people living under emergency conditions.作者: defendant 時(shí)間: 2025-3-23 11:26
Endocannabinoids and Their Synthetic Analogsmmunications. The chapter examines the potentialities and limits of efforts by scholars, exhibitions, and communications to engage the history of art with current events in the news and on the world geographic and political scene.作者: 有惡意 時(shí)間: 2025-3-23 13:53
e relationship between the representation of suffering in thThis book takes its start from a series of attempts to use Caravaggio’s works for contemporary humanitarian communications. How did his .Sleeping Cupid. (1608) end up on the island of Lampedusa, at the heart of the Mediterranean migrant cri作者: BLOT 時(shí)間: 2025-3-23 21:42 作者: Indict 時(shí)間: 2025-3-24 00:05 作者: 寬敞 時(shí)間: 2025-3-24 03:08
Cannabinoid Receptor Genetics and Evolutione devices facilitate spectators in developing a “witnessing gaze”? Under what conditions does the gesture of putting on a VR headset, conveniently in one’s own home, take on an ethical and political value in the face of catastrophic events that devastate entire populations around the world?作者: 緯度 時(shí)間: 2025-3-24 06:59
On the Limits of the Virtual Humanitarian Experience,e devices facilitate spectators in developing a “witnessing gaze”? Under what conditions does the gesture of putting on a VR headset, conveniently in one’s own home, take on an ethical and political value in the face of catastrophic events that devastate entire populations around the world?作者: 意外的成功 時(shí)間: 2025-3-24 14:04 作者: 事先無準(zhǔn)備 時(shí)間: 2025-3-24 18:00
Ulrich Welsch,Akira Chiba,Yoshiharu Honma the most important changes that influenced the iconography of the works of mercy between the twelfth and seventeenth centuries, it highlights how the types of assistance depicted as part of this theme provide an effective typology for describing and understanding humanitarian communications. The th作者: Keratectomy 時(shí)間: 2025-3-24 21:47
Sachin Patel,Cecilia J. Hillardaravaggio’s works—particularly focusing on the surfaces of bodies, on the skin. This question is then used as a key to understand some longstanding rhetorical devices underlying humanitarian photography. An analysis of a few famous shots and of some lesser-known and less widely circulated images off作者: 冷淡一切 時(shí)間: 2025-3-24 23:45
Maurice R. Elphick,Michaela Egertovácatastrophic circumstances and the . of the representative models through which suffering and precariousness have taken form in the West over the course of centuries. Humanitarian communications, it is shown, can be conceived of and investigated as a form of “secularization” of Christian iconography作者: 空洞 時(shí)間: 2025-3-25 05:13
Cannabinoid Receptor Genetics and Evolutionthereby raising awareness of humanitarian operations. The study focuses particularly on United Nations projects in virtual reality (VR) cinema. Following the principle of displacement that guides the entire book, a comparison is drawn between the compositional and experiential characteristics of VR 作者: Panther 時(shí)間: 2025-3-25 10:54
Endocannabinoids and Their Synthetic Analogse Mediterranean.” It describes the installation constructed around the painting in the island museum and reflects critically on the juxtaposition introduced in media discourse between Caravaggio’s painting and the photograph of Alan Kurdi as well as on the iconography of childhood in humanitarian co作者: Yourself 時(shí)間: 2025-3-25 13:09
https://doi.org/10.1007/978-3-319-93378-8Baroque; art; humanitarian; bodies; philosophy; visual; suffering; displacement作者: 信徒 時(shí)間: 2025-3-25 18:47
978-3-030-06649-9The Editor(s) (if applicable) and The Author(s) 2018作者: hemorrhage 時(shí)間: 2025-3-25 20:45
Sachin Patel,Cecilia J. HillardThe last chapter reflects on the possibility—beyond the “case of Caravaggio”—of conceptualizing displacement as a useful critical paradigm for mobilizing and challenging the artistic and historic heritage of the West in response to the urgent demands of our contemporary world.作者: Glaci冰 時(shí)間: 2025-3-26 00:37
On Displacing,The last chapter reflects on the possibility—beyond the “case of Caravaggio”—of conceptualizing displacement as a useful critical paradigm for mobilizing and challenging the artistic and historic heritage of the West in response to the urgent demands of our contemporary world.作者: acrophobia 時(shí)間: 2025-3-26 08:04
Francesco ZucconiTranslated by Zakiya Hanafi.Marks the first book to offer an archeology of “humanitarian visual culture”.Challenges readers to reconsider the relationship between the representation of suffering in th作者: AUGER 時(shí)間: 2025-3-26 10:38
http://image.papertrans.cn/e/image/281536.jpg作者: 貿(mào)易 時(shí)間: 2025-3-26 14:26 作者: 狂熱語言 時(shí)間: 2025-3-26 19:28 作者: medieval 時(shí)間: 2025-3-27 01:01
Un-Still Life,aravaggio’s works—particularly focusing on the surfaces of bodies, on the skin. This question is then used as a key to understand some longstanding rhetorical devices underlying humanitarian photography. An analysis of a few famous shots and of some lesser-known and less widely circulated images off作者: 廢除 時(shí)間: 2025-3-27 01:57
,Pathos, Survival, and “Quasi Immanence”,catastrophic circumstances and the . of the representative models through which suffering and precariousness have taken form in the West over the course of centuries. Humanitarian communications, it is shown, can be conceived of and investigated as a form of “secularization” of Christian iconography作者: legislate 時(shí)間: 2025-3-27 08:24 作者: 全神貫注于 時(shí)間: 2025-3-27 12:23 作者: 周興旺 時(shí)間: 2025-3-27 16:36
10樓作者: Vsd168 時(shí)間: 2025-3-27 19:35
10樓
