標(biāo)題: Titlebook: Disney Stories; Getting to Digital Krystina Madej,Newton Lee Book 2020Latest edition Springer Nature Switzerland AG 2020 Digital Narrative. [打印本頁(yè)] 作者: 非決定性 時(shí)間: 2025-3-21 17:38
書目名稱Disney Stories影響因子(影響力)
書目名稱Disney Stories影響因子(影響力)學(xué)科排名
書目名稱Disney Stories網(wǎng)絡(luò)公開度
書目名稱Disney Stories網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Disney Stories被引頻次
書目名稱Disney Stories被引頻次學(xué)科排名
書目名稱Disney Stories年度引用
書目名稱Disney Stories年度引用學(xué)科排名
書目名稱Disney Stories讀者反饋
書目名稱Disney Stories讀者反饋學(xué)科排名
作者: AXIS 時(shí)間: 2025-3-21 22:54
Capturing Life in Animated Filmigs were eaten, the studio took the three pigs and the wolf and gave them realistic appearances and a sense of life; out of their drawings they created actors who reached out, and engaged the audience emotionally by encouraging it to really feel the situation and root for the little pigs.作者: CRUE 時(shí)間: 2025-3-22 02:15
Learning to Navigate ewing the disaster that was coming to the first two Little Pigs. . had taught them what they could achieve with perspective, . about how to hint of future action with clues imbedded in background settings; . about depth and perspective through manipulation with the multiplane camera. . had also been作者: ALOFT 時(shí)間: 2025-3-22 05:53
Live Action and Animation Hybridsher Roy were the only employees of the company and were struggling financially, it became the go-to mainstay of the first Alice shorts. As the studio hired more animators and became more stable financially, animation replaced live action so that it became almost non-existent in the later Alice short作者: Invigorate 時(shí)間: 2025-3-22 12:35
Development Cycle: Gamesnattended to, his diaper would fill up; if the Drooling Beast was unhappy he would drown in his own tears; and if the Hairy Creature was left alone for too long, his hair would grow uncontrollably long.作者: Liability 時(shí)間: 2025-3-22 14:19
Development Cycle: Quality and Feedbackk or the print book, and played with the Hercules and Megara dolls, this legacy of experience with the character adds the extra dimension of a larger, all-embracing story within which they engage with the character’s activities in the game. This past experience also gives younger children the sense 作者: Liability 時(shí)間: 2025-3-22 18:24 作者: 繁殖 時(shí)間: 2025-3-22 23:44 作者: 進(jìn)步 時(shí)間: 2025-3-23 02:50
https://doi.org/10.1007/978-3-540-70763-9ewing the disaster that was coming to the first two Little Pigs. . had taught them what they could achieve with perspective, . about how to hint of future action with clues imbedded in background settings; . about depth and perspective through manipulation with the multiplane camera. . had also been作者: hypertension 時(shí)間: 2025-3-23 06:04 作者: follicle 時(shí)間: 2025-3-23 11:42
https://doi.org/10.1007/978-3-642-99691-7nattended to, his diaper would fill up; if the Drooling Beast was unhappy he would drown in his own tears; and if the Hairy Creature was left alone for too long, his hair would grow uncontrollably long.作者: decipher 時(shí)間: 2025-3-23 17:01 作者: 騷動(dòng) 時(shí)間: 2025-3-23 19:06
Book 2020Latest editionheme parks..Krystina Madej’s engaging portrayal of the long history of Disney’s love affair with storytelling and technology brings to life the larger focus of innovation in creating characters and stories that captivate an audience, and together with Newton Lee’s detailed experience of? Disney duri作者: ROOF 時(shí)間: 2025-3-23 23:12 作者: 實(shí)施生效 時(shí)間: 2025-3-24 03:12 作者: 產(chǎn)生 時(shí)間: 2025-3-24 10:22 作者: 多嘴 時(shí)間: 2025-3-24 11:41
Book 2020Latest edition general. The first edition was planned as a short history of the companies evolution from analog storytelling to a digital online presence that closed the chapter on early Disney films with the release of the groundbreaking .Snow White.. The purpose of the new edition is to bring to readers a more 作者: 輕彈 時(shí)間: 2025-3-24 18:23
https://doi.org/10.1007/978-3-658-16203-0ry based lightly on a previous . cartoon. The progress the studio had made in improving animation techniques and creating more original gags and storylines suffered in the move from . to their new character . in much the same way that the progress made with some of the .s suffered in the change to the . cartoons.作者: Nucleate 時(shí)間: 2025-3-24 22:50 作者: Forehead-Lift 時(shí)間: 2025-3-25 00:54
https://doi.org/10.1007/978-3-658-34154-1ce. Children could enjoy a different scavenger hunt each day as well as chat with Disney characters such as Mickey Mouse. The site joined with .and through this venue provided parents advice and additional activities for their children.作者: FLING 時(shí)間: 2025-3-25 05:09
Synchronizing Sound and Characterry based lightly on a previous . cartoon. The progress the studio had made in improving animation techniques and creating more original gags and storylines suffered in the move from . to their new character . in much the same way that the progress made with some of the .s suffered in the change to the . cartoons.作者: BOLUS 時(shí)間: 2025-3-25 08:22 作者: 細(xì)絲 時(shí)間: 2025-3-25 14:44
Going Online: A Personal Theme Parkce. Children could enjoy a different scavenger hunt each day as well as chat with Disney characters such as Mickey Mouse. The site joined with .and through this venue provided parents advice and additional activities for their children.作者: intertwine 時(shí)間: 2025-3-25 17:41
https://doi.org/10.1007/978-3-658-25724-8em into her everyday reality. In Amanda’s ., children make Inigo’s actions their own. “Children know intuitively where to click,” and how to make the story happen. It is no longer a “print” story, with words and pictures on a page, but a virtual story environment with which to interact and in which things can be made to happen.作者: Pseudoephedrine 時(shí)間: 2025-3-25 21:11
https://doi.org/10.1007/978-3-8348-9093-1p scores were updated daily on one of the ESPN pages. Many other Disney online games kept the daily top 100 scores and the all-time top 10 scores. If a player scored high enough to be listed in the all-time top 10 or daily top 100 list, the player would be allowed to enter his or her nickname in the hall of fame.作者: 沒血色 時(shí)間: 2025-3-26 04:10 作者: 雀斑 時(shí)間: 2025-3-26 05:22 作者: outset 時(shí)間: 2025-3-26 10:40
in the 1920s, to virtual online environments in the 1990s, .The second edition of .Disney Stories: Getting to Digital. will be of interest to lovers of Disney history and also to lovers of Hollywood history in general. The first edition was planned as a short history of the companies evolution from作者: 王得到 時(shí)間: 2025-3-26 13:26
https://doi.org/10.1007/978-3-8348-2235-2rward and with the increased success of their sound cartoons the Disney studio turned its attention again to its animation production and drawing techniques and how these could improve how they created the storyline and the character development.作者: Bricklayer 時(shí)間: 2025-3-26 19:28
https://doi.org/10.1007/978-3-8348-8107-6e Little Pigs, and their friends, and then Snow White and her friends the Seven Dwarfs enjoyed a popular, ubiquitous presence in neighborhoods across the country. The name “Walt Disney” became synonymous with these likeable, friendly, and amusing characters, and with the technological innovations that brought them to their admiring public.作者: Coeval 時(shí)間: 2025-3-26 23:49
Drawing and Color: The Language of Realismrward and with the increased success of their sound cartoons the Disney studio turned its attention again to its animation production and drawing techniques and how these could improve how they created the storyline and the character development.作者: 鬼魂 時(shí)間: 2025-3-27 04:41
Engaging Audiences Across Mediae Little Pigs, and their friends, and then Snow White and her friends the Seven Dwarfs enjoyed a popular, ubiquitous presence in neighborhoods across the country. The name “Walt Disney” became synonymous with these likeable, friendly, and amusing characters, and with the technological innovations that brought them to their admiring public.作者: intimate 時(shí)間: 2025-3-27 08:20 作者: 辮子帶來幫助 時(shí)間: 2025-3-27 12:49
https://doi.org/10.1007/978-3-658-34154-1s featured in platform games, puzzle games, and racing games, among others. Mickey and friends ran, jumped, juggled, collected, raced, got into scraps, danced and taught kids their ABCs and numbers across multiple platforms.作者: conference 時(shí)間: 2025-3-27 16:35
https://doi.org/10.1007/978-3-658-25724-8erCard to write the first interactive digital story, .. Her motivation? To capture the traditional storytelling atmosphere her grandmother had created for her when she was a young child: a vital interactive environment in which her grandmother would say, “what do you think happens next?” and in whic作者: 光亮 時(shí)間: 2025-3-27 21:03
https://doi.org/10.1007/978-3-658-16203-0series she represented and was eager to find a new cartoon series with which to replace them. Without seeing . she had written back immediately. Walt, discouraged with the financial problems of ., had already left for Hollywood in early August 1923 and had “put my drawing board away. What I wanted t作者: machination 時(shí)間: 2025-3-28 01:10 作者: Paradox 時(shí)間: 2025-3-28 06:00
https://doi.org/10.1007/978-3-8348-2235-2ween sound and movement and improving it, less attention was paid to the details of animation and story. For Walt there was always the need to push forward and with the increased success of their sound cartoons the Disney studio turned its attention again to its animation production and drawing tech作者: 高興一回 時(shí)間: 2025-3-28 10:04
,Computer-Verfahren für Biegeprobleme,ions. In ., unrestricted by the need to work with established characters or traditional subject matter, Walt continued his exploration of uncharted territory. He used each symphony to experiment with different animation and sound techniques and to try out new forms of storytelling.. While the . exem作者: Musket 時(shí)間: 2025-3-28 14:12 作者: 誰(shuí)在削木頭 時(shí)間: 2025-3-28 16:10
Der Arbeitsbegriff in der Elastostatik, that included live action and animation. As shown in an earlier chapter, Walt first used the combination in 1922 for ., the pilot made for the Alice series which he successfully sold to the distributor Margaret Winkler. The technique had worked successfully for Max Fleischer’s . series that feature作者: 傲慢人 時(shí)間: 2025-3-28 20:34
Das zentrale ebene Kraftsystem,When the studio was in production for S., 158 inkers and painters sat at desks pushing out cels at an incredible rate to complete the movie on time (Disney 2012). The well-trained inkers and painters (mainly women) were the muscle of the animation industry. they prepared the animators concepts for t作者: 無(wú)能的人 時(shí)間: 2025-3-28 23:03
https://doi.org/10.1007/978-3-8348-8107-6on and for keeping “the audience laughing and chuckling from the moment the lead titles came on the screen” (.). Walt’s love of animation, and his understanding of the nature of stories, determined the push towards exploration of the expressive nature of the new technologies he worked with. This was作者: neutral-posture 時(shí)間: 2025-3-29 04:43 作者: 是貪求 時(shí)間: 2025-3-29 09:03
https://doi.org/10.1007/978-3-658-34154-1 handheld game systems in 1981, the company had licensed its characters and established development and publishing alliances with leading interactive gaming companies, first with Nintendo Entertainment Systems (NES) and then with Sega, Capcom, Square Enix, Sierra On-Line and others. Disney character作者: 向宇宙 時(shí)間: 2025-3-29 12:09
https://doi.org/10.1007/978-3-658-34154-1 and online environments. Continuing the synergistic strategy that had successfully moved it into new technologies in the past, the company looked to use the graphics capabilities introduced to the World Wide Webin the mid-1990s to expand its transmedia reach and create a virtual environment for its作者: 強(qiáng)有力 時(shí)間: 2025-3-29 16:33
https://doi.org/10.1007/978-3-642-99691-7une into. Each of these online channels had their own theme and featured original animation and games. The . focused on presenting arcade and puzzle games to do with animals, like .. . featured . for sharing birthday wishes and other community based events. . featured unique games based on the popul作者: narcotic 時(shí)間: 2025-3-29 19:43 作者: etiquette 時(shí)間: 2025-3-30 02:43 作者: 費(fèi)解 時(shí)間: 2025-3-30 07:56 作者: MORPH 時(shí)間: 2025-3-30 08:24
978-3-030-42740-5Springer Nature Switzerland AG 2020作者: 格言 時(shí)間: 2025-3-30 16:28
Dietmar Gross,Werner Hauger,Walter SchnellThree things become apparent when we look at Walt’s early life. It was filled with experiences that gave him a familiarity with people from all walks of life in innumerable situations. It was filled with merriment as Walt delighted in entertainment of all kinds. It was directed by Walt’s love of drawing and cartoons.作者: exophthalmos 時(shí)間: 2025-3-30 20:23 作者: 實(shí)施生效 時(shí)間: 2025-3-30 23:25
Krystina Madej,Newton LeeProvides details of how Disney’s synergistic development of story and technology evolved from the real world pleasures of analog experiences in the 1920s, to virtual online environments in the 1990s, 作者: 裂縫 時(shí)間: 2025-3-31 03:39
http://image.papertrans.cn/e/image/281452.jpg作者: narcotic 時(shí)間: 2025-3-31 06:24
Introduction: Stories Across Media,erCard to write the first interactive digital story, .. Her motivation? To capture the traditional storytelling atmosphere her grandmother had created for her when she was a young child: a vital interactive environment in which her grandmother would say, “what do you think happens next?” and in whic作者: maintenance 時(shí)間: 2025-3-31 09:58
From Gags to Charactersseries she represented and was eager to find a new cartoon series with which to replace them. Without seeing . she had written back immediately. Walt, discouraged with the financial problems of ., had already left for Hollywood in early August 1923 and had “put my drawing board away. What I wanted t作者: exquisite 時(shí)間: 2025-3-31 13:57 作者: 鎮(zhèn)痛劑 時(shí)間: 2025-3-31 20:53
Drawing and Color: The Language of Realismween sound and movement and improving it, less attention was paid to the details of animation and story. For Walt there was always the need to push forward and with the increased success of their sound cartoons the Disney studio turned its attention again to its animation production and drawing tech作者: Contort 時(shí)間: 2025-4-1 00:15 作者: 不能妥協(xié) 時(shí)間: 2025-4-1 05:40
Learning to Navigate shorts were used as testing ground for experimentation. There was no expectation from the audience that these shorts would be about the studio’s stars and for the most part, each went their separate ways (excepting appearances by Donald and Pluto). Each . was a novelty, intended that way, and apprec
