標(biāo)題: Titlebook: Directors’ Theatre; David Bradby,David Williams Textbook 1988Latest edition David Bradby and David Williams 1988 20th century.individual.p [打印本頁(yè)] 作者: 游牧 時(shí)間: 2025-3-21 16:38
書(shū)目名稱Directors’ Theatre影響因子(影響力)
作者: 針葉類的樹(shù) 時(shí)間: 2025-3-21 23:01 作者: pus840 時(shí)間: 2025-3-22 01:33
Adjusting Costs and Consequencesowever, despite the mass of material produced around the ‘Grotowski phenomenon’, much remains misunderstood or shrouded in the obscurantist mysticism that . to characterise Grotowski’s own gnomic utterances (the fruit of a peculiarly Polish blend of Catholicism and existentialism).作者: sterilization 時(shí)間: 2025-3-22 07:51 作者: 一致性 時(shí)間: 2025-3-22 11:37
Studie A: Gesundheitsgefahren im Krankenhausber in decisions of every kind. Yet Stein’s working methods are not collaborative in the same sense as Littlewood’s or Mnouchkine’s. He has always operated on the assumption that ‘scenic writing’ (the organisation by the director of action and design on stage) is as important as ‘dramatic writing’ (the playwright’s text).作者: Morose 時(shí)間: 2025-3-22 15:56
C. Niederau,R. Lüthen,J. W. Heise,H. Beckerprinciple theoretical legacy is the concept of the .: a synthesis of disparate art forms — dance and movement, light, design, music — into a total work of art. Wilson’s major work, from . (1971) to the monumental but ill-fated . fifteen years later, may be seen as an attempt to realise a . of and for our times.作者: Morose 時(shí)間: 2025-3-22 18:55 作者: 無(wú)辜 時(shí)間: 2025-3-22 22:05 作者: AMPLE 時(shí)間: 2025-3-23 04:43 作者: 刺耳 時(shí)間: 2025-3-23 09:22
Peter Brook,rks principally as a catalyst to his actors’ creativity. His art is also marked, however, by his own ethical concerns and has increasingly become a vehicle for spiritual search, both for himself and for the members of his international research group.作者: 劇毒 時(shí)間: 2025-3-23 09:59 作者: 音樂(lè)等 時(shí)間: 2025-3-23 14:03 作者: 裝勇敢地做 時(shí)間: 2025-3-23 18:03 作者: 粘土 時(shí)間: 2025-3-23 22:32 作者: 偽造 時(shí)間: 2025-3-24 03:32 作者: recession 時(shí)間: 2025-3-24 07:27 作者: 凝結(jié)劑 時(shí)間: 2025-3-24 12:02
https://doi.org/10.1007/978-1-4684-6876-2of the 1930s. The significance of her work lies in her ability to form a company and through it to develop a theatre style that gave adequate and complex expression to those convictions formed in the left-wing struggles of the 1930s.作者: 文件夾 時(shí)間: 2025-3-24 15:35 作者: 額外的事 時(shí)間: 2025-3-24 22:00 作者: Detoxification 時(shí)間: 2025-3-25 03:10
Joan Littlewood,ion was to make theatre once more a vital force in society in the same way as it had been for the Elizabethans: a focus both for popular fun and for political debate. Like Brecht, she was a charismatic personality nevertheless committed to collaborative working methods; like him, she developed a dis作者: 兇殘 時(shí)間: 2025-3-25 04:59
Roger Planchon,eople. Just as Littlewood remained faithful to Stratford East, so Planchon has refused to move from Villeurbanne, a working-class suburb of Lyon, and has had the satisfaction (denied to Littlewood) of seeing the cultural authorities endorse this stand, transferring the prestigious title Théatre Nati作者: 拒絕 時(shí)間: 2025-3-25 09:11 作者: CRAMP 時(shí)間: 2025-3-25 14:52 作者: 我邪惡 時(shí)間: 2025-3-25 17:42 作者: URN 時(shí)間: 2025-3-25 21:36 作者: byline 時(shí)間: 2025-3-26 02:12 作者: Intrepid 時(shí)間: 2025-3-26 07:22 作者: watertight, 時(shí)間: 2025-3-26 12:04
Roger Planchon,ess, becoming, like Craig’s ‘stage director’, a master of all techniques: he is a powerful actor, a prolific inventor of stage images, a playwright of originality and complexity. Directing, for him, involves a mobilisation of all these skills in some degree and he has gone so far as to claim that th作者: RALES 時(shí)間: 2025-3-26 14:02 作者: predict 時(shí)間: 2025-3-26 18:44
https://doi.org/10.1007/978-1-349-19478-020th century; individual; play; theatre作者: 夾克怕包裹 時(shí)間: 2025-3-27 00:01 作者: backdrop 時(shí)間: 2025-3-27 01:14 作者: 千篇一律 時(shí)間: 2025-3-27 09:14 作者: 感情 時(shí)間: 2025-3-27 13:15 作者: arrhythmic 時(shí)間: 2025-3-27 15:32 作者: 我正派 時(shí)間: 2025-3-27 20:09
Adjusting Costs and Consequences20 years as profoundly as Jerzy Grotowski. Starting out as a director quite content to treat his actors as his raw material, he has changed and developed to the point where he now sees his role as simply that of a catalyst of others’ creativity. The major performances by his Laboratory Theatre — . s作者: eardrum 時(shí)間: 2025-3-27 22:31
Introduction to Socioeconomic Evaluations productions, eight operas and eleven films. Since his work in the 1950s and 1960s is well documented, this chapter will provide an outline of his concerns and practice from . in 1970 to . in 1986. Brook was intensely impressed in the 1960s with the work of Grotowski, whom he invited to conduct work作者: OATH 時(shí)間: 2025-3-28 02:53 作者: 強(qiáng)壯 時(shí)間: 2025-3-28 09:44
C. Niederau,R. Lüthen,J. W. Heise,H. Beckerhitecture of the late twentieth century, from surrealist dream imagery to post-modern choreography and the perceptual modes of so-called ‘maladjusted’ children. He is unique in his uncompromising fidelity to the realisation of his own visions in performance, fuelled by a quasi-mystical belief in the作者: 有角 時(shí)間: 2025-3-28 13:09
https://doi.org/10.1007/978-3-030-69352-7e thoughtful deployment of the taught strategies. These positive shifts in collaborative competences, cognitive competences, metacognitive processing and increased self-efficacy were positively correlated with attainment in problem solving in physics. However, this shift proved to be due to different mechanisms triggered in the different students.作者: 沒(méi)血色 時(shí)間: 2025-3-28 14:41 作者: catagen 時(shí)間: 2025-3-28 20:51
,Stagnation: Die Familie Werlitz 1870–1907,teils liberalen, teils spekulativen vorm?rzlichen Buchhandels gewesen. Im letzten Drittel des Jahrhunderts hat die Stadt diese Pr?gung weitgehend verloren. Das gewandelte Stuttgart der Gründerjahre bildet den passenden Hintergrund für die Entwicklung des Metzler-Verlags im Wilhelminischen Reich.
