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標題: Titlebook: Directing for Stage and Screen; Marian F. Monta,Jack R. Stanley Book 2008 Marian F. Monta and Jack R. Stanley 2008 film.stage.television [打印本頁]

作者: Cleveland    時間: 2025-3-21 16:48
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作者: Permanent    時間: 2025-3-21 22:29
Directing and Style,invented by the Duke of Saxe Meiningen. in the late nineteenth century. Yet as long as there has been theatre, someone had to tell the other people what to do, to some extent. If you have studied film history, you know that film has been around a little over a century, so it is far from being the world’s oldest profession.
作者: GROVE    時間: 2025-3-22 02:52

作者: 妨礙議事    時間: 2025-3-22 07:50

作者: 小歌劇    時間: 2025-3-22 11:15
http://image.papertrans.cn/e/image/280673.jpg
作者: 英寸    時間: 2025-3-22 13:23

作者: 英寸    時間: 2025-3-22 18:15

作者: Constituent    時間: 2025-3-22 23:43
https://doi.org/10.1007/978-3-658-34972-1Good directing involves learning certain basic principles. Experienced directing involves learning some quick and easy tricks to make life a little simpler. This chapter will cover a little of both.
作者: arrogant    時間: 2025-3-23 03:33

作者: Systemic    時間: 2025-3-23 08:42
What is Picturization?,In Chapter 5, we said that composition gives the scene mood, not meaning. Picturization is the process by which we add meaning. It is a name for the elements we add to the scene—before we add dialogue or movement—to tell the story. Picturization tries to get across subtext—the meaning that may or may not be supported by the words.
作者: Ventilator    時間: 2025-3-23 10:09
Idea, Rhythm, Pace, and Tempo,We use the term . in two different ways in dramatic analysis. The first use, taken from college English texts for reading purposes, means the same as theme. In our case, for production analysis, the idea of a script is its basic meaning. The writer puts together characters and actions so that the actions result in an idea.
作者: Intruder    時間: 2025-3-23 16:15

作者: CUR    時間: 2025-3-23 18:42
,That’s a Wrap!,Our students have helped us enormously in writing this book, so we asked for their input for the final chapter. What did they want to know that we had not previously covered? These were the topics that most of the students suggested.
作者: caldron    時間: 2025-3-24 00:39

作者: 逃避現(xiàn)實    時間: 2025-3-24 02:45
Grundgesetz für das vereinte Deutschlandis theatre. This book deals with the elementary techniques of directing theatre for the various media. For too long, practitioners of live theatre have looked on the electronic media as the enemy. We argue it is simply another avenue of delivery.
作者: 設施    時間: 2025-3-24 07:52
https://doi.org/10.1007/978-3-642-99545-3omposes it. At times, that is the same person. Perhaps the person is called the “writer-director” (the hyphenate). But this chapter deals with the script from the point of view of someone who is not involved in its creation. Someone else wrote the script, and the director decides to execute it.
作者: Feigned    時間: 2025-3-24 11:23
https://doi.org/10.1007/978-3-531-90275-3ting process. But first, let’s look at the actor from the director’s point of view. Whether or not you had any say in selecting the actors with whom you work, you still have to do your best with them once they are cast.
作者: flamboyant    時間: 2025-3-24 16:44

作者: 共同確定為確    時間: 2025-3-24 22:51
Henning Storz,Carolin Rei?landtthe camera movement has the same use and effect as actor movement between points. Movement takes place between compositions. In order to really see movement on the stage or screen, the actor, object, or camera must travel at least five feet.
作者: BILL    時間: 2025-3-25 02:21

作者: TEN    時間: 2025-3-25 05:29
What About the Script?,omposes it. At times, that is the same person. Perhaps the person is called the “writer-director” (the hyphenate). But this chapter deals with the script from the point of view of someone who is not involved in its creation. Someone else wrote the script, and the director decides to execute it.
作者: AXIS    時間: 2025-3-25 07:29
Working with Actors,ting process. But first, let’s look at the actor from the director’s point of view. Whether or not you had any say in selecting the actors with whom you work, you still have to do your best with them once they are cast.
作者: Champion    時間: 2025-3-25 15:13

作者: 樂章    時間: 2025-3-25 19:16
Movement,the camera movement has the same use and effect as actor movement between points. Movement takes place between compositions. In order to really see movement on the stage or screen, the actor, object, or camera must travel at least five feet.
作者: 口訣    時間: 2025-3-25 23:38
Book 2008If directing dramatic productions interests you, this book is a basic guide to show you know to apply the principles of directing to any dramatic medium - stage, television, or film. The authors, who have worked in all three media, illustrated how the principles of one medium relate to the other two.
作者: 小平面    時間: 2025-3-26 00:32
https://doi.org/10.1057/9780230610453film; stage; television
作者: 柔美流暢    時間: 2025-3-26 04:55

作者: sperse    時間: 2025-3-26 10:05

作者: 縮減了    時間: 2025-3-26 13:54
https://doi.org/10.1007/978-3-642-99545-3formal role of the director has changed considerably over the years. According to some books, the job description of the director, as we know it, was invented by the Duke of Saxe Meiningen. in the late nineteenth century. Yet as long as there has been theatre, someone had to tell the other people wh
作者: CAMEO    時間: 2025-3-26 17:56
https://doi.org/10.1007/978-3-642-99545-3omposes it. At times, that is the same person. Perhaps the person is called the “writer-director” (the hyphenate). But this chapter deals with the script from the point of view of someone who is not involved in its creation. Someone else wrote the script, and the director decides to execute it.
作者: 小隔間    時間: 2025-3-26 21:26

作者: 心胸開闊    時間: 2025-3-27 03:16

作者: 改變    時間: 2025-3-27 05:45

作者: 雜色    時間: 2025-3-27 11:07

作者: profligate    時間: 2025-3-27 16:09

作者: Crepitus    時間: 2025-3-27 18:32
Directing and Style,formal role of the director has changed considerably over the years. According to some books, the job description of the director, as we know it, was invented by the Duke of Saxe Meiningen. in the late nineteenth century. Yet as long as there has been theatre, someone had to tell the other people wh
作者: saphenous-vein    時間: 2025-3-27 22:40
What About the Script?,omposes it. At times, that is the same person. Perhaps the person is called the “writer-director” (the hyphenate). But this chapter deals with the script from the point of view of someone who is not involved in its creation. Someone else wrote the script, and the director decides to execute it.
作者: 以煙熏消毒    時間: 2025-3-28 05:08

作者: Jogging    時間: 2025-3-28 09:08

作者: 草本植物    時間: 2025-3-28 11:41

作者: 蛛絲    時間: 2025-3-28 17:46

作者: Arresting    時間: 2025-3-28 20:44
Peter Simons- und Maple-Programmen und Java-Applets, Behandlung grundlegender Konzepte und Verfahren der numerischen Analysis. Das Buch kann ab dem ersten Semester als Vorlesungsgrundlage, als Begleittext zu einer Vorlesung oder im Selbststudium verwendet werden..978-3-540-27564-0Series ISSN 1614-5216
作者: Palter    時間: 2025-3-29 01:01
Rainer Ko?,Simon P. Feiler,Jürgen Liedtke,Lucas Bitzer,Timo Essig,Michael Marz,Kevin Rapedius,Vita Rm Zimmer bleiben k?nnen. [...] [M]an sucht Unterhaltungen und Zerstreuung bei Spielen nur, weil man nicht vergnügt zu Hause bleibt.“ (Pascal 1992, S. 69) Aber auch harte Anstrengungen und Grenzerfahrungen lassen sich hier subsumieren: ?Wenn man [...] verschwitzt und müde, mit durchgekletterten Finge
作者: DEFER    時間: 2025-3-29 06:14

作者: abnegate    時間: 2025-3-29 07:25

作者: Generic-Drug    時間: 2025-3-29 14:58

作者: 棲息地    時間: 2025-3-29 16:52





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