標(biāo)題: Titlebook: Dimensions of Monstrosity in Contemporary Narratives; Theory, Psychoanalys Andrew Hock-soon Ng Book 2004 Palgrave Macmillan, a division of [打印本頁(yè)] 作者: 富裕 時(shí)間: 2025-3-21 17:28
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作者: 膠狀 時(shí)間: 2025-3-21 21:22 作者: Chagrin 時(shí)間: 2025-3-22 02:06
Book 2004 demonstrates that the monster (and monstrosity) is largely a cultural and ideological production. Figures such as the serial-killer, the monstrous child, deformed bodies and spatially-influenced monstrosity will be considered through analyses of texts by Peter Ackroyd, Bret Easton Ellis, and Angela作者: 效果 時(shí)間: 2025-3-22 08:20 作者: 會(huì)議 時(shí)間: 2025-3-22 09:01 作者: 無(wú)瑕疵 時(shí)間: 2025-3-22 13:29 作者: 無(wú)瑕疵 時(shí)間: 2025-3-22 20:01
Book 2004ild, deformed bodies and spatially-influenced monstrosity will be considered through analyses of texts by Peter Ackroyd, Bret Easton Ellis, and Angela Carter (among others). The conclusion proposes that language itself becomes monstrous when it attempts, and fails, to articulate the monster.作者: remission 時(shí)間: 2025-3-23 00:06
nstrous child, deformed bodies and spatially-influenced monstrosity will be considered through analyses of texts by Peter Ackroyd, Bret Easton Ellis, and Angela Carter (among others). The conclusion proposes that language itself becomes monstrous when it attempts, and fails, to articulate the monster.978-1-349-52250-7978-0-230-50298-7作者: 不能妥協(xié) 時(shí)間: 2025-3-23 02:24 作者: 無(wú)思維能力 時(shí)間: 2025-3-23 09:24
Louis Brennan,Natalia Utrero-Gonzálezon the template of the body. It is, after all, his ‘hideousness’ that turned his creator away from him in shock and disgust in the first place. Victor describes his creation as variously a ‘catastrophe’, ‘the wretch’, ‘breathless horror’, and finally:作者: 口味 時(shí)間: 2025-3-23 13:15 作者: Blatant 時(shí)間: 2025-3-23 15:36
https://doi.org/10.1057/9780230502987Analyse; Cultural Studies; gender; Narrative; postmodernism; psychoanalysis; space作者: integrated 時(shí)間: 2025-3-23 20:31
978-1-349-52250-7Palgrave Macmillan, a division of Macmillan Publishers Limited 2004作者: 顛簸下上 時(shí)間: 2025-3-24 00:26 作者: 陰謀小團(tuán)體 時(shí)間: 2025-3-24 04:36
The Golden Age of Planetary Exploration . (1975) will be the focus of my analyses. Both novels, in different ways, depict how space can contain certain unacknowledged ‘energies’ which manifest themselves, nevertheless, through bodies which inhabit it. In the case of ., it is unconscious history — history officially denied but survives as作者: MORPH 時(shí)間: 2025-3-24 09:47 作者: ALE 時(shí)間: 2025-3-24 13:38 作者: Keratectomy 時(shí)間: 2025-3-24 15:33 作者: 冷淡一切 時(shí)間: 2025-3-24 20:21 作者: FOR 時(shí)間: 2025-3-25 03:00 作者: 技術(shù) 時(shí)間: 2025-3-25 06:34 作者: Sad570 時(shí)間: 2025-3-25 10:36 作者: 厭倦嗎你 時(shí)間: 2025-3-25 12:41
Dimensions of Monstrosity in Contemporary NarrativesTheory, Psychoanalys作者: daredevil 時(shí)間: 2025-3-25 17:22
Dimensions of Monstrosity in Contemporary Narratives978-0-230-50298-7作者: LATHE 時(shí)間: 2025-3-25 20:07 作者: mastoid-bone 時(shí)間: 2025-3-26 01:52
Monstrous Space, space, and how this monstrous extension can take on incredible qualities which transform that time/space continuum into something both expansive and claustrophobic. Inspired by another fictional text on London, ., by Iain Sinclair, Ackroyd fictively reconstructs the life of Nicholas Dyer, an authen作者: licence 時(shí)間: 2025-3-26 06:36
Conclusion: The Language of Monstrosity,ual extremity (for example, the hysterical text). In the first instance, the monster becomes ‘tamed’, thus temporarily recuperating language from becoming disembodied in attempting to express the inexpressible. Many traditional monster (that is, the Gothic) narratives resort to this form of textual 作者: 微塵 時(shí)間: 2025-3-26 08:43
Introduction: Dimensions of Monstrosity,inties and discomforts which appear to be endemic to the constantly changing social, political, and economic conditions of our technologically oriented cultures’.. Grixti is correct in asserting that monsters in horror fiction are often metaphors for ‘unpleasant social and existential realities’. th作者: Apoptosis 時(shí)間: 2025-3-26 12:47
Monstrous Space, . (1975) will be the focus of my analyses. Both novels, in different ways, depict how space can contain certain unacknowledged ‘energies’ which manifest themselves, nevertheless, through bodies which inhabit it. In the case of ., it is unconscious history — history officially denied but survives as作者: Moderate 時(shí)間: 2025-3-26 17:03 作者: ALE 時(shí)間: 2025-3-26 22:37
Monstrous Progeny,e-Father, and staged within geopolitics. Monstrosity, as I have demonstrated, is the direct result of an identification with this lived space. In this chapter, I want to look at the other complementary half of the Symbolic order termed the Name-of-the-Father, and locate it directly within the patril作者: Odyssey 時(shí)間: 2025-3-27 01:16 作者: 防銹 時(shí)間: 2025-3-27 07:11 作者: Petechiae 時(shí)間: 2025-3-27 09:41
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10樓作者: 夜晚 時(shí)間: 2025-3-28 02:01
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10樓作者: 改革運(yùn)動(dòng) 時(shí)間: 2025-3-28 06:38
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