標(biāo)題: Titlebook: Digital Sound Synthesis by Physical Modeling Using the Functional Transformation Method; Lutz Trautmann,Rudolf Rabenstein Book 2003 Kluwer [打印本頁] 作者: 呻吟 時間: 2025-3-21 18:07
書目名稱Digital Sound Synthesis by Physical Modeling Using the Functional Transformation Method影響因子(影響力)
書目名稱Digital Sound Synthesis by Physical Modeling Using the Functional Transformation Method影響因子(影響力)學(xué)科排名
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書目名稱Digital Sound Synthesis by Physical Modeling Using the Functional Transformation Method網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Digital Sound Synthesis by Physical Modeling Using the Functional Transformation Method被引頻次
書目名稱Digital Sound Synthesis by Physical Modeling Using the Functional Transformation Method被引頻次學(xué)科排名
書目名稱Digital Sound Synthesis by Physical Modeling Using the Functional Transformation Method年度引用
書目名稱Digital Sound Synthesis by Physical Modeling Using the Functional Transformation Method年度引用學(xué)科排名
書目名稱Digital Sound Synthesis by Physical Modeling Using the Functional Transformation Method讀者反饋
書目名稱Digital Sound Synthesis by Physical Modeling Using the Functional Transformation Method讀者反饋學(xué)科排名
作者: innate 時間: 2025-3-21 21:23 作者: 持續(xù) 時間: 2025-3-22 04:14
nthesizers, computer sound cards, and computer games. Physical modeling synthesis has been commercialized for the first time about 10 years ago. Recently, it has been one of the most active research topics in musical acoustics and computer music. The authors of this book, Dr. Lutz Trautmann and Dr. 作者: PLE 時間: 2025-3-22 06:16
Zhaoyu Shou,Fengbo Zou,Hao Tian,Simin Lias an extension of the time dependent sound-based methods with the inclusion of the spatial dimensions. They are explained in more detail than the sound-based synthesis methods since they compete with the functional transformation method (FTM), which is introduced as a new physical modeling method in chapter 5.作者: 指派 時間: 2025-3-22 12:12 作者: Slit-Lamp 時間: 2025-3-22 14:57
Introduction,heir time. But the regional variations of the instruments played today have not only their origin in different economical or technical backgrounds but also in the cultural environment and the hearing practice of the different peoples.作者: Slit-Lamp 時間: 2025-3-22 18:51
Book 2003, computer sound cards, and computer games. Physical modeling synthesis has been commercialized for the first time about 10 years ago. Recently, it has been one of the most active research topics in musical acoustics and computer music. The authors of this book, Dr. Lutz Trautmann and Dr. Rudolf Rab作者: 能得到 時間: 2025-3-22 22:22
Classical Synthesis Methods Based on Physical Models,as an extension of the time dependent sound-based methods with the inclusion of the spatial dimensions. They are explained in more detail than the sound-based synthesis methods since they compete with the functional transformation method (FTM), which is introduced as a new physical modeling method in chapter 5.作者: 短程旅游 時間: 2025-3-23 02:07 作者: harpsichord 時間: 2025-3-23 07:57
Daeil Jang,Taeeun Kim,Hwankuk Kim record. First evidences of musical instruments have been found from the old stone age. These instruments are called ’primal property’ and they include rattles, drums, flutes, cornets, and musical bows. This primal property is the origin of all percussions, woodwinds, brasses, and stringed instrumen作者: crease 時間: 2025-3-23 12:10
Compact Cat Swarm Optimization Algorithme-dependent sound signals, either by producing sounds with different artificial mathematical rules or by processing of existing sounds. Short overviews of these methods can also be found in V?lim?ki and Takala, 1996; Rabenstein and Trautmann, 2000a.作者: Extemporize 時間: 2025-3-23 14:43 作者: Bricklayer 時間: 2025-3-23 20:09 作者: ELUC 時間: 2025-3-24 00:41 作者: 離開就切除 時間: 2025-3-24 03:45 作者: 擁護(hù)者 時間: 2025-3-24 06:38 作者: 妨礙議事 時間: 2025-3-24 14:41
https://doi.org/10.1007/978-3-030-16946-6In this chapter the new physical modeling method, the FTM, is compared with the classical physical modeling methods explained in chapter 4 with respect to their作者: Abominate 時間: 2025-3-24 16:18 作者: Excise 時間: 2025-3-24 21:04 作者: 有限 時間: 2025-3-25 03:03
https://doi.org/10.1007/978-1-4615-0049-0Vibration; electrical engineering; filter; mechanics; partial differential equation; simulation; stability作者: Felicitous 時間: 2025-3-25 03:24
978-1-4613-4900-6Kluwer Academic / Plenum Publishers, New York 2003作者: Catheter 時間: 2025-3-25 08:57
Book 2003e topic in journals and conference proceedings. In this excellent textbook, the results are combined in a single volume. I believe that this will be considered an important step forward for the whole community.作者: 混合 時間: 2025-3-25 13:33
pers on the topic in journals and conference proceedings. In this excellent textbook, the results are combined in a single volume. I believe that this will be considered an important step forward for the whole community.978-1-4613-4900-6978-1-4615-0049-0作者: obscurity 時間: 2025-3-25 16:16 作者: NEEDY 時間: 2025-3-25 22:43 作者: 廚房里面 時間: 2025-3-26 03:10
Digital Sound Synthesis by Physical Modeling Using the Functional Transformation Method作者: fender 時間: 2025-3-26 06:58
Digital Sound Synthesis by Physical Modeling Using the Functional Transformation Method978-1-4615-0049-0作者: 擴大 時間: 2025-3-26 10:00 作者: 調(diào)味品 時間: 2025-3-26 15:20
Summary, Conclusions, and Outlook,odal synthesis (MS). They allow intuitive sound modifications and expressive simulations of musical instruments. The FDM is classified as an offline method due to its high computational complexity. To be able to realize the vibrational simulation in real-time, the MS and the DWG simulate the vibrati作者: 種類 時間: 2025-3-26 18:09
Introduction, record. First evidences of musical instruments have been found from the old stone age. These instruments are called ’primal property’ and they include rattles, drums, flutes, cornets, and musical bows. This primal property is the origin of all percussions, woodwinds, brasses, and stringed instrumen作者: Anterior 時間: 2025-3-26 21:22 作者: Hiatal-Hernia 時間: 2025-3-27 02:07
Physical Description of Musical Instruments,instruments has to be derived first. Therefore, in this chapter musical instruments are briefly described with respect to their physical behaviour. Instrument families are discussed on one example, extensions to similar instruments are mentioned. First of all, section 1 presents the general notation作者: DRILL 時間: 2025-3-27 06:58 作者: Chronic 時間: 2025-3-27 10:06 作者: 英寸 時間: 2025-3-27 15:14
Summary, Conclusions, and Outlook,cialized hardware synthesizers or even in desktop PCs in real-time. The development started with the computationally cheap traditional sound-based synthesis methods as described in chapter 2. They can produce interesting synthetic sounds but the expressional simulation of acoustical instruments is a作者: homeostasis 時間: 2025-3-27 18:28 作者: 呼吸 時間: 2025-3-28 02:00 作者: AV-node 時間: 2025-3-28 03:59
