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標(biāo)題: Titlebook: Digital Shakespeares from the Global South; Amrita Sen Book 2022 The Editor(s) (if applicable) and The Author(s), under exclusive license [打印本頁]

作者: 小天使    時間: 2025-3-21 20:09
書目名稱Digital Shakespeares from the Global South影響因子(影響力)




書目名稱Digital Shakespeares from the Global South影響因子(影響力)學(xué)科排名




書目名稱Digital Shakespeares from the Global South網(wǎng)絡(luò)公開度




書目名稱Digital Shakespeares from the Global South網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Digital Shakespeares from the Global South被引頻次




書目名稱Digital Shakespeares from the Global South被引頻次學(xué)科排名




書目名稱Digital Shakespeares from the Global South年度引用




書目名稱Digital Shakespeares from the Global South年度引用學(xué)科排名




書目名稱Digital Shakespeares from the Global South讀者反饋




書目名稱Digital Shakespeares from the Global South讀者反饋學(xué)科排名





作者: Amylase    時間: 2025-3-21 22:13
Global Shakespeareshttp://image.papertrans.cn/d/image/279661.jpg
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作者: Evacuate    時間: 2025-3-22 15:31
Einleitung in das Recht des Besitzesnon-Anglophone countries in the Global South: articles appeared in regional journals, institutional bulletins, and society newsletters, each of which might have a publication run of only a few dozen copies. This chapter traces the move from regionalized Shakespeare publication to truly global public
作者: Evacuate    時間: 2025-3-22 17:47

作者: Brain-Waves    時間: 2025-3-22 23:12
Eigentumserwerb vom Berechtigtenble the performances and textual translations from Latin America. This chapter argues that these websites open up new possibilities of community building through their curatorial strategies and social outreach. They not only act as repositories of actual performances, but also function as archives o
作者: 嗎啡    時間: 2025-3-23 01:30
https://doi.org/10.1007/978-3-662-09791-5e pedagogy in the country. In doing so, he traces a connect with the colonial pedagogy and its post-independence forms with the current online avatar, especially from post-Covid times. While addressing the more commonly advertised narrative of technological promise, this chapter also points out how,
作者: 蔑視    時間: 2025-3-23 09:29

作者: muffler    時間: 2025-3-23 12:31
Digital Shakespeares from the Global South978-3-031-04787-9Series ISSN 2947-8901 Series E-ISSN 2947-891X
作者: Conserve    時間: 2025-3-23 15:56

作者: 精確    時間: 2025-3-23 21:00
Introduction: Experiencing Digital Shakespeares in the Global South,nd Shakespeare adaptations in the digital age. Teaching, learning, and adaptations of Shakespeare have a long history in the Global South, usually mediated through colonial experiences. In recent years with the expansion of the digital marketplace in the Global South, Shakespeare has also made the d
作者: 單色    時間: 2025-3-24 00:48
Finding and Accessing Shakespeare Scholarship in the Global South: Digital Research and Bibliographnon-Anglophone countries in the Global South: articles appeared in regional journals, institutional bulletins, and society newsletters, each of which might have a publication run of only a few dozen copies. This chapter traces the move from regionalized Shakespeare publication to truly global public
作者: Arresting    時間: 2025-3-24 04:19

作者: AMITY    時間: 2025-3-24 09:37

作者: deficiency    時間: 2025-3-24 13:01
Teaching Shakespeare in the Indian (Google) Classroom: The Digital Promise and the Digital Divide,e pedagogy in the country. In doing so, he traces a connect with the colonial pedagogy and its post-independence forms with the current online avatar, especially from post-Covid times. While addressing the more commonly advertised narrative of technological promise, this chapter also points out how,
作者: absolve    時間: 2025-3-24 16:33
Shakespeare as a Digital Nomad: An Afterword,ltural marketplace—is aided by digital tools of dissemination and digital forms of artistic expression. Shakespeare has evolved from a cultural nomad in the past centuries—a body of works with no permanent artistic home base—to a digital nomad in the twenty-first century—an artist whose livelihood d
作者: accrete    時間: 2025-3-24 19:45
2947-8901 es during the Covid pandemic.Addresses questions of accessib.Digital Shakespeares from the Global South re-directs current conversations on digital appropriations of Shakespeare away from its Anglo-American bias. The individual essays examine digital Shakespeares from South Africa, India, and Latin
作者: 拍翅    時間: 2025-3-25 02:33

作者: CHAR    時間: 2025-3-25 04:28

作者: mastopexy    時間: 2025-3-25 10:16
Eigentum: Begriff, Inhalt, Arten and accessible form of Shakespeare. The overall result was a circulation of bitesize Shakespeare—a fragmentation that may have lacked coherence but provided a valuable counterpoint to the ‘worthy’, weighty Shakespeare that most South Africans associate primarily with educational curricula.
作者: 不發(fā)音    時間: 2025-3-25 11:58
Eigentumserwerb vom Berechtigtening and reading Latin American Shakespeares. This chapter interrogates the global relevance of these websites by taking into consideration the often overlooked history of Shakespeare transmission in Latin America.
作者: 最有利    時間: 2025-3-25 17:45
Introduction: Experiencing Digital Shakespeares in the Global South,mic. To speak of digital Shakespeares in the Global South is to address questions of digital divide. Insufficient bandwidth and access to digital equipment, all factor into how digital Shakespeares are experienced in classrooms and homes.
作者: 向下五度才偏    時間: 2025-3-25 21:11

作者: 范圍廣    時間: 2025-3-26 02:40
Practicing Digital Shakespeare in Latin America: Case Studies from Argentina and Brazil,ing and reading Latin American Shakespeares. This chapter interrogates the global relevance of these websites by taking into consideration the often overlooked history of Shakespeare transmission in Latin America.
作者: 仇恨    時間: 2025-3-26 04:49
Einleitung in das Recht des Besitzesation. It considers how online publishing (including open journal systems and open-access publishing), institutional repositories, and digital bibliography make research from around the Globe findable. This chapter examines how the . participates in global Shakespeare studies by making multilingual criticism, editions, and performances searchable.
作者: 帶子    時間: 2025-3-26 08:30

作者: annexation    時間: 2025-3-26 15:15
Einleitung in das Recht des Besitzesepends on commissions online and who works from any number of physical locations. The digital sphere is now the most important habitation for global Shakespeare, especially in the era of the pandemic of Covid-19. A nomad may not have a place to call home, but they can also lay claim to any cultural location.
作者: FLIC    時間: 2025-3-26 17:41

作者: BLOT    時間: 2025-3-26 23:41
Teaching Shakespeare in the Indian (Google) Classroom: The Digital Promise and the Digital Divide, as in the early days of the East India Company, Shakespeare still belongs to an elite, only one that is larger in number—even with greater connectivity and global reach, access remains limited and is a matter of privilege as is especially evident from the digital divide in India in post-Covid times.
作者: 北極人    時間: 2025-3-27 02:23
Shakespeare as a Digital Nomad: An Afterword,epends on commissions online and who works from any number of physical locations. The digital sphere is now the most important habitation for global Shakespeare, especially in the era of the pandemic of Covid-19. A nomad may not have a place to call home, but they can also lay claim to any cultural location.
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作者: 輕信    時間: 2025-3-27 13:12
Asynchronous Deterministic Rendezvous in Bounded Terrains,h scenario we design a deterministic rendezvous algorithm and analyze its cost. We also prove lower bounds on the cost of any deterministic rendezvous algorithm in each case. For all scenarios these bounds are tight.
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作者: 濕潤    時間: 2025-3-28 06:25
Raimundo Henriques containment. Although fetal skin is constantly exposed to amniotic fluid and urine before birth, diaper rash is exclusively a disease of extrauterine life. Diaper rash, i.e., mild erythema and SC barrier compromise typically develops over the first few postnatal weeks. If diseases are defined broad
作者: temperate    時間: 2025-3-28 12:18
0258-1256 op was to provide a "state of the art" report on our knowledge of the sensitivities and responses of forests, wetlands and crops to airborne pollutants. Approximately 40 scientific experts from nine countries participated. Most participants were actively involved in research concerning the effects o




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