標(biāo)題: Titlebook: Digital Media and Documentary; Antipodean Approache Adrian Miles Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 interactive [打印本頁(yè)] 作者: HEIR 時(shí)間: 2025-3-21 19:09
書(shū)目名稱(chēng)Digital Media and Documentary影響因子(影響力)
書(shū)目名稱(chēng)Digital Media and Documentary影響因子(影響力)學(xué)科排名
書(shū)目名稱(chēng)Digital Media and Documentary網(wǎng)絡(luò)公開(kāi)度
書(shū)目名稱(chēng)Digital Media and Documentary網(wǎng)絡(luò)公開(kāi)度學(xué)科排名
書(shū)目名稱(chēng)Digital Media and Documentary被引頻次
書(shū)目名稱(chēng)Digital Media and Documentary被引頻次學(xué)科排名
書(shū)目名稱(chēng)Digital Media and Documentary年度引用
書(shū)目名稱(chēng)Digital Media and Documentary年度引用學(xué)科排名
書(shū)目名稱(chēng)Digital Media and Documentary讀者反饋
書(shū)目名稱(chēng)Digital Media and Documentary讀者反饋學(xué)科排名
作者: sparse 時(shí)間: 2025-3-21 21:52
The Documentary Designer: A List of Propositions for Interactive Documentary Practice Online,h this, documentary can use design methods to identify the affordances of the network to then connect media into a web of relations. Design in this context is also a process that responds to problems that arise through change, and this ability to negotiate change is key in the fast-paced environment of the Internet.作者: 不來(lái) 時(shí)間: 2025-3-22 00:37 作者: Vertical 時(shí)間: 2025-3-22 05:51 作者: 滑動(dòng) 時(shí)間: 2025-3-22 11:24
https://doi.org/10.1007/978-981-99-4829-1ides a variety of reports from scholar practitioners that offer a series of views for what interactive documentary practice is, and might be. It argues that for these practitioner scholars the network emerges as a site of practice, and that as a place for making requires different affordances and un作者: septicemia 時(shí)間: 2025-3-22 13:50 作者: septicemia 時(shí)間: 2025-3-22 19:50 作者: RADE 時(shí)間: 2025-3-22 22:20
Role of Microbes in Sustainable Developmenth this, documentary can use design methods to identify the affordances of the network to then connect media into a web of relations. Design in this context is also a process that responds to problems that arise through change, and this ability to negotiate change is key in the fast-paced environment作者: 發(fā)誓放棄 時(shí)間: 2025-3-23 03:15
Edible Bird’s Nest as Brain Foodformal media trails as part of our mediated everyday. When considered as systems these apps provide a model for a yet to be realised mode of “auto-documentary” that aggregates events through what are described as automatic and ambient media machines.作者: Fsh238 時(shí)間: 2025-3-23 07:29 作者: LUMEN 時(shí)間: 2025-3-23 11:38
Edible Bird’s Nest as Brain Food of local communities, and the creation of “sociability” in documentaries about place. By means of utilising mobile, smartphone and pocket camera filmmaking techniques, these workshops question notions of authorship and extend our understanding of creativity.作者: 尾隨 時(shí)間: 2025-3-23 14:15
https://doi.org/10.1007/978-3-319-68643-1interactive documentary; interactive filmmaking; Antipodean; digitisation; digital methods; digital media作者: 繁榮中國(guó) 時(shí)間: 2025-3-23 20:41
The Editor(s) (if applicable) and The Author(s) 2018作者: itinerary 時(shí)間: 2025-3-24 01:10 作者: nocturia 時(shí)間: 2025-3-24 03:49 作者: Iniquitous 時(shí)間: 2025-3-24 09:15 作者: 毗鄰 時(shí)間: 2025-3-24 14:09 作者: 分開(kāi)如此和諧 時(shí)間: 2025-3-24 16:43
Edible Bird’s Nest as Brain Foodformal media trails as part of our mediated everyday. When considered as systems these apps provide a model for a yet to be realised mode of “auto-documentary” that aggregates events through what are described as automatic and ambient media machines.作者: 典型 時(shí)間: 2025-3-24 21:38
Edible Bird’s Nest as Brain Food of local communities, and the creation of “sociability” in documentaries about place. By means of utilising mobile, smartphone and pocket camera filmmaking techniques, these workshops question notions of authorship and extend our understanding of creativity.作者: Cupping 時(shí)間: 2025-3-25 00:28 作者: 侵略者 時(shí)間: 2025-3-25 06:05
Achhada Ujalkaur Avatsingh,Nasib Singhuser and the real world. The objective of this method is to guide the audience as a participant through a series of directed poetic experiences to provoke situated knowledges about place and to consider other perspectives.作者: 不適 時(shí)間: 2025-3-25 08:08 作者: 外貌 時(shí)間: 2025-3-25 13:35
Thirteen Points of View from Afar,derstandings than that of legacy documentary. It concludes with a series of propositions about the World Wide Web as a socio-technical system that encourages granular, distributed, and relational forms.作者: 有說(shuō)服力 時(shí)間: 2025-3-25 19:44 作者: 桉樹(shù) 時(shí)間: 2025-3-25 20:35 作者: overweight 時(shí)間: 2025-3-26 03:53
Book 2018ions raised for documentary makers and scholars as new production methods, narrative forms, and participation practices emerge. The book presents an introduction to documentary techniques shaped by new digital technologies, and will appeal to documentary scholars, students, and film-makers alike.. . .作者: GLUE 時(shí)間: 2025-3-26 05:38
https://doi.org/10.1007/978-981-99-4829-1derstandings than that of legacy documentary. It concludes with a series of propositions about the World Wide Web as a socio-technical system that encourages granular, distributed, and relational forms.作者: exclamation 時(shí)間: 2025-3-26 11:55 作者: 盟軍 時(shí)間: 2025-3-26 14:37 作者: Immunotherapy 時(shí)間: 2025-3-26 18:23
Thirteen Points of View from Afar,ides a variety of reports from scholar practitioners that offer a series of views for what interactive documentary practice is, and might be. It argues that for these practitioner scholars the network emerges as a site of practice, and that as a place for making requires different affordances and un作者: 誹謗 時(shí)間: 2025-3-27 00:11 作者: Hearten 時(shí)間: 2025-3-27 02:42
Documentary, Instructions, and Experiences of Place,project the intention is that the embodied experience of the digital content is emphasized, setting up a resonance between content, instructions, the user and the real world. The objective of this method is to guide the audience as a participant through a series of directed poetic experiences to pro作者: 四牛在彎曲 時(shí)間: 2025-3-27 05:17
The Documentary Designer: A List of Propositions for Interactive Documentary Practice Online,h this, documentary can use design methods to identify the affordances of the network to then connect media into a web of relations. Design in this context is also a process that responds to problems that arise through change, and this ability to negotiate change is key in the fast-paced environment作者: ORBIT 時(shí)間: 2025-3-27 11:10 作者: SOBER 時(shí)間: 2025-3-27 15:36 作者: GEST 時(shí)間: 2025-3-27 21:16
,: An Emerging Form of Workshop-Generated Documentary, of local communities, and the creation of “sociability” in documentaries about place. By means of utilising mobile, smartphone and pocket camera filmmaking techniques, these workshops question notions of authorship and extend our understanding of creativity.作者: brother 時(shí)間: 2025-3-28 00:17
Science Fiction Roots And Branchesdifficult than predicting simple campaigns. Our result applies even if we use a Web traffic sample from the current period (idealized Web traffic prediction) and a simulator that practically emulates ad server operation (the most realistic prediction approach).作者: 反對(duì) 時(shí)間: 2025-3-28 03:42
Annegret Flohryment rate of 11.7% in 2015 (The World Bank in The internet users .). Entrepreneurship could be a part of the solution to the high unemployment rate in Iran. As a matter of fact, the Iranian diaspora seizes influential positions in technology, business, and financial industries in Europe and North A作者: Pillory 時(shí)間: 2025-3-28 06:36
On Lack of Effectiveness in Semi-algebraic Geometry,, by means of algorithms with computably bounded complexity. It is also a fact that semi-algebraic objects have some . finiteness properties. Hence the interest in finding reasonably ”fast” algorithms or “sharp” bounds. Neverthless, on the other side of the mainstream, one can be interested in .. We
