作者: 斷言 時(shí)間: 2025-3-22 00:17
https://doi.org/10.1007/978-3-319-12039-3 2D and pixel based, and a vector image that is 2D (or 3D), and vertex and line (or curve) based. In this chapter, we build on these concepts by looking at the . and . dimensions of digital image compositing. Since you now have GIMP downloaded onto your computer, I will illustrate concepts in the bo作者: 繼承人 時(shí)間: 2025-3-22 03:49
A Cipher of Class: The Wage-Labour Bargainsider the . (rectangular or square) of your digital imagery. Your digital imagery.s shape, known in the industry as its .aspect ratio,. is more important than you might think, especially when you’re changing it using image scaling (known as resampling) or image cropping.作者: Injunction 時(shí)間: 2025-3-22 05:38 作者: Affluence 時(shí)間: 2025-3-22 12:07
https://doi.org/10.1007/978-0-230-51323-5ng to be focusing on the . from here on out, it is time to take a more in-depth look at how colors are represented . for each pixel. The number of bits used to define color within a digital image and its file format are traditionally referred to as the digital image . The most common color depth, us作者: 單片眼鏡 時(shí)間: 2025-3-22 14:45
Sandro Mezzadra,Federico Rahola on the 32-bit . from here on out. The RGBA mode is tantamount for all of the compositing layers in an image composite other than the 24-bit color image back plate. We are also not going to focus on High Dynamic Range Imagery (HDRI) because it is data heavy and not practical for the types of usage t作者: 單片眼鏡 時(shí)間: 2025-3-22 20:32 作者: Affirm 時(shí)間: 2025-3-22 23:19 作者: 適宜 時(shí)間: 2025-3-23 04:57 作者: Nucleate 時(shí)間: 2025-3-23 07:35
https://doi.org/10.1057/9781137347794in software. . can automate specialized imaging effects for you, by allowing you to simply set a number of options and click the OK button in the dialog! These plug-ins are generally found in the . (Photoshop) or . (GIMP) menu in your digital image compositing software package.作者: 絕種 時(shí)間: 2025-3-23 09:51 作者: MUT 時(shí)間: 2025-3-23 16:10
https://doi.org/10.1057/978-1-137-55143-6 you could probably base a lucrative career on, it’s time to take a look at how to output, or “export,” these digital image composites, as highly optimized files. In this chapter, you will learn about the considerations of data footprint optimization, so that you can export (save) a digital image fi作者: DAUNT 時(shí)間: 2025-3-23 19:53 作者: 全等 時(shí)間: 2025-3-23 22:27
Wallace JacksonThis is a unique practical short book on image compositing and optimization fundamentals.Examples are demonstrated using both GIMP, a free open source digital image application, and Adobe Photoshop.Af作者: growth-factor 時(shí)間: 2025-3-24 03:00
http://image.papertrans.cn/d/image/279428.jpg作者: 四牛在彎曲 時(shí)間: 2025-3-24 10:23 作者: 啞巴 時(shí)間: 2025-3-24 14:40
A Cipher of Class: The Wage-Labour Bargainsider the . (rectangular or square) of your digital imagery. Your digital imagery.s shape, known in the industry as its .aspect ratio,. is more important than you might think, especially when you’re changing it using image scaling (known as resampling) or image cropping.作者: ACRID 時(shí)間: 2025-3-24 16:57 作者: BOLT 時(shí)間: 2025-3-24 22:58
https://doi.org/10.1057/9781137435934ding mode functionality contained within each of these layers. These . are present in both GIMP and Photoshop, and they allow . for combining pixels across different layers. These blending algorithms were originally the work of . and ., and in the Android API, blending modes are, in fact, a part of a . class, named after these two men.作者: 微粒 時(shí)間: 2025-3-24 23:50
https://doi.org/10.1057/9781137347794in software. . can automate specialized imaging effects for you, by allowing you to simply set a number of options and click the OK button in the dialog! These plug-ins are generally found in the . (Photoshop) or . (GIMP) menu in your digital image compositing software package.作者: Sedative 時(shí)間: 2025-3-25 04:28
The Foundation of Digital Imaging: The Pixel,evel concepts—in this chapter that’s the .—and builds upon each of those concepts in subsequent chapters until we have a comprehensive understanding of image-compositing concepts, pipelines, work flows, and terminology.作者: Confirm 時(shí)間: 2025-3-25 09:57
The Shape of Digital Imaging: Aspect Ratio,sider the . (rectangular or square) of your digital imagery. Your digital imagery.s shape, known in the industry as its .aspect ratio,. is more important than you might think, especially when you’re changing it using image scaling (known as resampling) or image cropping.作者: sundowning 時(shí)間: 2025-3-25 13:06 作者: connoisseur 時(shí)間: 2025-3-25 19:25
The Algorithms of Digital Imaging: Blending Modes,ding mode functionality contained within each of these layers. These . are present in both GIMP and Photoshop, and they allow . for combining pixels across different layers. These blending algorithms were originally the work of . and ., and in the Android API, blending modes are, in fact, a part of a . class, named after these two men.作者: 拔出 時(shí)間: 2025-3-25 20:28 作者: aneurysm 時(shí)間: 2025-3-26 03:24 作者: pancreas 時(shí)間: 2025-3-26 04:28 作者: maroon 時(shí)間: 2025-3-26 08:43
The Foundation of Digital Imaging: The Pixel,evel concepts—in this chapter that’s the .—and builds upon each of those concepts in subsequent chapters until we have a comprehensive understanding of image-compositing concepts, pipelines, work flows, and terminology.作者: ELATE 時(shí)間: 2025-3-26 12:52 作者: 災(zāi)禍 時(shí)間: 2025-3-26 20:14 作者: figment 時(shí)間: 2025-3-26 21:36 作者: 亞麻制品 時(shí)間: 2025-3-27 01:47 作者: Rheumatologist 時(shí)間: 2025-3-27 06:35
The Transparency of Digital Imaging: Alpha Channel, on the 32-bit . from here on out. The RGBA mode is tantamount for all of the compositing layers in an image composite other than the 24-bit color image back plate. We are also not going to focus on High Dynamic Range Imagery (HDRI) because it is data heavy and not practical for the types of usage t作者: 終止 時(shí)間: 2025-3-27 12:47
The Organization of Digital Imaging: Using Layers,he to organize your digital image compositing projects. Layers allow you to isolate masked objects as well as to apply imaging special effects to individual layers and your digital image backplate—that is, the foundational background image upon which your digital image composite is based.作者: 可能性 時(shí)間: 2025-3-27 17:29 作者: 口訣法 時(shí)間: 2025-3-27 17:48
The Modality of Digital Imaging: Modal Operation,), layers, blending modes, and the like, let’s spend a chapter taking a closer look at the nature of the . of advanced digital imaging software. This modal operation is also present in other high-end multimedia production software packages, such as 3D, digital video editing and special effects, and 作者: Concomitant 時(shí)間: 2025-3-27 23:55
The Automation of Digital Imaging: Plug-In Filters,in software. . can automate specialized imaging effects for you, by allowing you to simply set a number of options and click the OK button in the dialog! These plug-ins are generally found in the . (Photoshop) or . (GIMP) menu in your digital image compositing software package.作者: 魅力 時(shí)間: 2025-3-28 03:17 作者: Pituitary-Gland 時(shí)間: 2025-3-28 06:36 作者: 含糊 時(shí)間: 2025-3-28 11:05
The Automation of Digital Imaging: Programming,kages and to export them to the most popular file formats, it’s time to take a look at those programming platforms themselves, just in case you want to take your digital image compositing career to the next level. In this chapter, you will learn about the internal programming languages used for GIMP作者: rheumatism 時(shí)間: 2025-3-28 17:54 作者: AUGER 時(shí)間: 2025-3-28 21:28
The Size of Digital Imaging: Resolution,ng at the . and . dimensions of digital image compositing. Since you now have GIMP downloaded onto your computer, I will illustrate concepts in the book using both Photoshop and GIMP, as those are the most widely used digital-image packages.作者: 上下倒置 時(shí)間: 2025-3-29 02:34
The Color of Digital Imaging: Color Theory,erspective, each pixel contains its own characteristics, such as the .,. grid (array) ., ., ., ., and the like. We will be looking at all of these areas individually, each in their own chapters within this book.作者: Gullible 時(shí)間: 2025-3-29 04:21 作者: CONE 時(shí)間: 2025-3-29 07:39
The Modality of Digital Imaging: Modal Operation,modal operation is also present in other high-end multimedia production software packages, such as 3D, digital video editing and special effects, and audio packages. This modal functionality is also part of programming languages, such as C, C#, C++, Python, Java, JavaFX, and JavaScript.作者: 允許 時(shí)間: 2025-3-29 14:59
https://doi.org/10.1007/978-0-230-51323-5ed in the most common image format, JPEG, is ., or . color. There are also other image formats that use different bit-level color depths, such as the . format, which uses . or .; the . format, which uses . or .; and the . format and . format, which can use up to 48-bit and even use 64-bit color.作者: ureter 時(shí)間: 2025-3-29 17:10
,Introduction: Manga as “Banal Memory”, (Python) and Photoshop (JavaScript) as well as external programming languages that support digital imaging such as C# (.NET); ObjectiveC (iOS); Java (Android Studio, Linux); JavaFX; JavaScript; HTML5; and CSS3 (WebKit Browsers, HTML5 OSs).作者: Exhilarate 時(shí)間: 2025-3-29 20:30
Interwar Britain and German Racial Theory complex 2D and 3D software packages, knowing what is happening at the core processing level can be an advantage and help you to understand what the software tool is doing (and what it is going to do).作者: Inflamed 時(shí)間: 2025-3-30 02:17
https://doi.org/10.1057/978-1-137-55143-6le that contains your digital image compositing pipeline creation; that is, your resulting visual image multimedia asset for use in whatever digital playground you happen to be playing in at the time.
