標題: Titlebook: Digital Echoes; Spaces for Intangibl Sarah Whatley,Rosamaria K. Cisneros,Amalia Sabiesc Book 2018 The Editor(s) (if applicable) and The Aut [打印本頁] 作者: 請回避 時間: 2025-3-21 18:08
書目名稱Digital Echoes影響因子(影響力)
書目名稱Digital Echoes影響因子(影響力)學科排名
書目名稱Digital Echoes網(wǎng)絡(luò)公開度
書目名稱Digital Echoes網(wǎng)絡(luò)公開度學科排名
書目名稱Digital Echoes被引頻次
書目名稱Digital Echoes被引頻次學科排名
書目名稱Digital Echoes年度引用
書目名稱Digital Echoes年度引用學科排名
書目名稱Digital Echoes讀者反饋
書目名稱Digital Echoes讀者反饋學科排名
作者: sundowning 時間: 2025-3-21 23:40
978-3-030-08861-3The Editor(s) (if applicable) and The Author(s) 2018作者: BARGE 時間: 2025-3-22 00:49
Sarah Whatley,Rosamaria K. Cisneros,Amalia SabiescBrings an interdisciplinary perspective on a variety of geographical locations and cultural settings (from Europe to Asia) from which it draws case studies and examples.Examines the relationship betwe作者: WAG 時間: 2025-3-22 05:46 作者: 財政 時間: 2025-3-22 09:47
https://doi.org/10.1057/9780230305861etween performing arts, intangible cultural heritage (ICH) and digital environments. The volume features sixteen essays that treat four themes, focused respectively on critical and reflexive engagements; digital interventions in time and space; documentation and preservation; and authorship, ownersh作者: 機警 時間: 2025-3-22 14:06 作者: 機警 時間: 2025-3-22 19:28
Giorgos Katsambekis,George Souvlisalyse contemporary/Bharatanatyam danceworks. Drawing on practice, it demonstrates how the celebration of techno-human bodies by contemporary choreographers has not only provided room for expressing artistic subjectivities but has also expanded the psycho-visual aesthetics of performance. Furthermore作者: 威脅你 時間: 2025-3-22 23:59 作者: capillaries 時間: 2025-3-23 03:32 作者: PAD416 時間: 2025-3-23 07:59 作者: 品牌 時間: 2025-3-23 11:44 作者: remission 時間: 2025-3-23 14:01
Repositioning Organization Theoryew sensibilities. At the heart of this collaboration is the performance of . choreographed and directed by Adam Benjamin with the disabled and non-disabled dancers of Integrated Dance Company-Kyo and concept design and music composition by artist and architect Mathew Emmett. The work premiered in To作者: micronized 時間: 2025-3-23 18:23
Positioning Organization Theoryonic version of the Indian tabla drums, as well as a related new approach to notation and teaching for the instrument. The chapter explores complex questions of cultural heritage, tradition and adaptation in performance forms in diaspora communities. As well as outlining the collaborative process in作者: 樹木中 時間: 2025-3-24 01:04
Repositioning Organization Theory the key intercultural productions of East and Southeast Asia. Notions of ownership, representation and interculturality are tested when cultural productions that are translations and creative interpretations of Shakespeare’s text and Asian performance forms are hosted in a single online repository.作者: 無價值 時間: 2025-3-24 04:21 作者: Hot-Flash 時間: 2025-3-24 09:33
Anne Hume,Rebecca Cooper,Andreas Borowskisly ephemeral notion of dance performance. Within the field of dance, discussions about conserving the legacy of choreographic works have consistently been riddled with a number of philosophical issues relating to the tangibility of live performance. This chapter interrogates this issue through a di作者: 昏迷狀態(tài) 時間: 2025-3-24 11:59 作者: Inflated 時間: 2025-3-24 18:51 作者: FECT 時間: 2025-3-24 19:19 作者: 寬大 時間: 2025-3-24 23:43 作者: Spirometry 時間: 2025-3-25 06:13
Book 2018ging practices and case studies, as well as critical, historical and theoretical perspectives. It features essays that engage with varied forms of intangible cultural heritage, from music and storytelling to dance, theatre and martial arts. Cases of digital technology interventions are provided from作者: 遺留之物 時間: 2025-3-25 10:47
ws case studies and examples.Examines the relationship betweThis book explores the interplay between performing arts, intangible cultural heritage and digital environments through a compendium of essays on emerging practices and case studies, as well as critical, historical and theoretical perspecti作者: crutch 時間: 2025-3-25 14:19
Book 2018l interventions have on intangible cultural heritage engagements, its curation and transmission in diverse localities. The volume is a valuable resource for discovering the multiple ways in which cultural heritage is mediated through digital technologies, and engages with audiences, artists, users and researchers..作者: Flatus 時間: 2025-3-25 16:11 作者: intercede 時間: 2025-3-25 22:21 作者: 憤怒事實 時間: 2025-3-26 02:06
Positioning Organization Theoryvolved with creating the prototype for the instrument, there is a discussion of some of the areas of contention that arose during the project’s focus group sessions with both Indian musicians and Western orchestral percussionists.作者: Conquest 時間: 2025-3-26 05:21 作者: 神圣不可 時間: 2025-3-26 10:58 作者: OWL 時間: 2025-3-26 13:15
Developing Research on PCK as a Community early history of Kung Fu, its arrival and subsequent export from Hong Kong, and similar movement based cultural heritage projects using digital technologies from across the world to place this project in an international context.作者: Enervate 時間: 2025-3-26 17:37
https://doi.org/10.1007/978-3-031-01546-5 and its exploitation and curation in heritage institutions. The article aims to retrace the place of ICH in the museum practice in relation to the recent developments in intellectual property law and the new role of local communities in the processes of ICH safeguarding.作者: 溝通 時間: 2025-3-27 00:39
The Implications of Technology in Dance: A Dancer’s Perspective of Moving in Media-Rich Environmentsractice, Francksen explores how technology can change the ways in which dancers produce, engage with, and ultimately create movement. In so doing, this chapter promotes the experiential awareness of the dancer as key to appreciating the affordances of technology in dance specific to our digital age.作者: MOTTO 時間: 2025-3-27 03:24
: Event Spaces of Infinite Perspectivekyo in July 2015. . emphasizes the interrelationships between physical and social integration, movement and spatial organization, drawing upon experimental dance and the non-traditional exploration of acoustic space.作者: Hemiplegia 時間: 2025-3-27 07:55 作者: 符合規(guī)定 時間: 2025-3-27 11:15
Mediating and Visualizing Paxton’s Material for the Spineible in video alone, namely the imagined?spatial and sensorial experience particular to Paxton’s practice. . is important to acknowledge in the discussion of cultural heritage as it sets a precedent for augmenting video to articulate and reveal the inner structures of movement and experience which is then transmitted through media objects.作者: 駕駛 時間: 2025-3-27 14:33
In/Tangible: The Duality of Video Documentation in Dancescussion that illuminates documentation, and foregrounds the practical uses of video records within the wider topic of digital preservation. Specific examples are drawn from a case study that analyses the ways in which . acted as a documentary tool in a restaging of William Forsythe’s . (2000) at the Juilliard School in 2013.作者: 清晰 時間: 2025-3-27 18:50
Kapturing Kung Fu: Future Proofing the Hong Kong Martial Arts Living Archive early history of Kung Fu, its arrival and subsequent export from Hong Kong, and similar movement based cultural heritage projects using digital technologies from across the world to place this project in an international context.作者: foodstuff 時間: 2025-3-27 22:07
Presenting the Intangible: Curating the Intangible Cultural Heritage in the Museum Practice—Legal As and its exploitation and curation in heritage institutions. The article aims to retrace the place of ICH in the museum practice in relation to the recent developments in intellectual property law and the new role of local communities in the processes of ICH safeguarding.作者: Cabg318 時間: 2025-3-28 06:03 作者: Coma704 時間: 2025-3-28 07:38 作者: 內(nèi)向者 時間: 2025-3-28 10:43 作者: AWRY 時間: 2025-3-28 15:55
https://doi.org/10.1007/978-94-011-5762-9). At the core of this enquiry lie issues around the possible aesthetic strategies taken by second-generation artists, who engage with inherited, traumatic, wartime stories and the use of digital technologies in rendering them.作者: 創(chuàng)造性 時間: 2025-3-28 21:00
Commission de la Luminescence du Cielght topologies of receptive atmospheres that create affects. The investigation aims to contribute to current debates on the aesthetics of architectural and artistic environments and to establish a spatial logic responding to the digitally and technologically mediated world of sensations in space.作者: Jacket 時間: 2025-3-29 00:06
Results of monitoring projects,modified) images sourced from public archives. These projects represent a playful experimentation with discourse on material culture, intangible cultural heritage and sensory methodologies to create prototypes for what could be termed “interactive anthropology.”作者: Forsake 時間: 2025-3-29 04:02
Repositioning Organization Theoryectives, translations, and cultural entanglements are assembled through digital archiving. By analysing the website and its features as an entry point through which one experiences the intercultural, Lim shows how translation is necessary to build a digital environment for intercultural performance.作者: NAG 時間: 2025-3-29 07:49 作者: Notify 時間: 2025-3-29 12:05 作者: declamation 時間: 2025-3-29 15:45 作者: 脊椎動物 時間: 2025-3-29 23:33 作者: APEX 時間: 2025-3-30 01:26
Bark and Butterflies: Redeeming the Past—Digital Interventions into Post-Memory). At the core of this enquiry lie issues around the possible aesthetic strategies taken by second-generation artists, who engage with inherited, traumatic, wartime stories and the use of digital technologies in rendering them.作者: transient-pain 時間: 2025-3-30 08:03 作者: instulate 時間: 2025-3-30 11:36 作者: Individual 時間: 2025-3-30 14:27
Digital Environments for Intercultural Content: A Case Study on the Asian Shakespeare Intercultural ectives, translations, and cultural entanglements are assembled through digital archiving. By analysing the website and its features as an entry point through which one experiences the intercultural, Lim shows how translation is necessary to build a digital environment for intercultural performance.作者: scotoma 時間: 2025-3-30 16:46
