標(biāo)題: Titlebook: Digital Connectivity and Music Culture; Artists and Accompli Mary Beth Ray Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 M [打印本頁(yè)] 作者: Opulent 時(shí)間: 2025-3-21 17:30
書目名稱Digital Connectivity and Music Culture影響因子(影響力)
書目名稱Digital Connectivity and Music Culture影響因子(影響力)學(xué)科排名
書目名稱Digital Connectivity and Music Culture網(wǎng)絡(luò)公開度
書目名稱Digital Connectivity and Music Culture網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Digital Connectivity and Music Culture被引頻次
書目名稱Digital Connectivity and Music Culture被引頻次學(xué)科排名
書目名稱Digital Connectivity and Music Culture年度引用
書目名稱Digital Connectivity and Music Culture年度引用學(xué)科排名
書目名稱Digital Connectivity and Music Culture讀者反饋
書目名稱Digital Connectivity and Music Culture讀者反饋學(xué)科排名
作者: FELON 時(shí)間: 2025-3-22 00:17
Artist,drives mutually beneficial revenue-generating communities. Interviews with Hersh and her manager illuminate themes focused on developing an artist–audience-specific strategy, engaging listeners through a humanizing and transparent approach, and organic community building through interactivity. Addit作者: 使熄滅 時(shí)間: 2025-3-22 03:30
Audience,onstraining features of digital technology. By exploring how, when, where, and with whom individuals consume music—as well as what kind of music they consume—it investigates multiple dimensions of media consumers’ musical lives and argues for multidimensional engagement that is not just about listen作者: Neonatal 時(shí)間: 2025-3-22 04:37
Music Culture and Digital Technology, investigated through its potential democratization and freedom, along with how audiences negotiate challenges related to music access, content, and selection. Dialectical tensions related to cooperation and competition inform music-related consumptive habits as audiences make sense of digital techn作者: 木質(zhì) 時(shí)間: 2025-3-22 11:42 作者: Wallow 時(shí)間: 2025-3-22 13:41 作者: Wallow 時(shí)間: 2025-3-22 18:08 作者: hankering 時(shí)間: 2025-3-23 01:04 作者: Canyon 時(shí)間: 2025-3-23 03:30
Religion, a Bridge or Barrier in Society?drives mutually beneficial revenue-generating communities. Interviews with Hersh and her manager illuminate themes focused on developing an artist–audience-specific strategy, engaging listeners through a humanizing and transparent approach, and organic community building through interactivity. Addit作者: 流浪 時(shí)間: 2025-3-23 06:16
https://doi.org/10.1007/978-3-658-31035-6onstraining features of digital technology. By exploring how, when, where, and with whom individuals consume music—as well as what kind of music they consume—it investigates multiple dimensions of media consumers’ musical lives and argues for multidimensional engagement that is not just about listen作者: 鞏固 時(shí)間: 2025-3-23 12:32 作者: 毗鄰 時(shí)間: 2025-3-23 16:59
https://doi.org/10.1007/978-3-531-90213-5ce, characterizes the enabling and constraining nature of digital technology, and offers recommendations for sustainable cultural industry. At its crux, this chapter argues we might better characterize the audience as . to the artist. This revision informs future digital engagement, interrogates the作者: 旋轉(zhuǎn)一周 時(shí)間: 2025-3-23 21:43
Mary Beth RayDemonstrates why there is cause for both concern and celebration at the contemporary transitional, transformative moment in music culture.Explores the creation and maintenance of mutually beneficial, 作者: overshadow 時(shí)間: 2025-3-23 23:11
http://image.papertrans.cn/d/image/279179.jpg作者: 有毒 時(shí)間: 2025-3-24 05:58
Book 2017 and social aspects of their musical lives. In light of consistent, active engagement, rising co-production, and collaborative community experience, this book argues we might do better to think of the audience as .accomplices. to the artist..作者: 稀釋前 時(shí)間: 2025-3-24 07:02
Religion, a Bridge or Barrier in Society?her enduring cultural contribution. This chapter articulates artist strategies most likely to resonate with music audiences and grounds the audience data in relationship to successful artist practice.作者: HPA533 時(shí)間: 2025-3-24 11:45 作者: MOCK 時(shí)間: 2025-3-24 18:30 作者: 攝取 時(shí)間: 2025-3-24 21:39
Hege Kristin Ringnes,Sarah Demmrichial media, digital innovation, and adoption relating to smartphone market penetration, as they are key technologies in music culture and consumption. Finally, this chapter provides an overview of the entire text.作者: languor 時(shí)間: 2025-3-25 02:48
https://doi.org/10.1007/978-3-658-31035-6pe, their stories highlight key themes such as online activity and interactive engagement, social and personal everyday listening, meaning-making through medium, and discovery and acquisition of digital music content.作者: Urologist 時(shí)間: 2025-3-25 05:22 作者: 優(yōu)雅 時(shí)間: 2025-3-25 11:02 作者: Abrupt 時(shí)間: 2025-3-25 13:06
Introduction,ial media, digital innovation, and adoption relating to smartphone market penetration, as they are key technologies in music culture and consumption. Finally, this chapter provides an overview of the entire text.作者: MORPH 時(shí)間: 2025-3-25 16:13 作者: Foam-Cells 時(shí)間: 2025-3-25 22:07
Music Culture and Digital Technology,s’ sustainability. Additionally, online activities focused on digital and social elements, as well as in-person activities, focused on live music and social gatherings, are examined to illuminate contemporary audience consumptive practices.作者: ATP861 時(shí)間: 2025-3-26 01:36 作者: 漂亮 時(shí)間: 2025-3-26 04:23
plores the creation and maintenance of mutually beneficial, .This book?explores how the rise of widely available digital technology impacts the way music is produced, distributed, promoted, and consumed, with a specific focus on the changing relationship between artists and audiences. Through in-dep作者: Atrium 時(shí)間: 2025-3-26 11:15
logy—and technology through music—while negotiating personal and social aspects of their musical lives. In light of consistent, active engagement, rising co-production, and collaborative community experience, this book argues we might do better to think of the audience as .accomplices. to the artist..978-3-319-88577-3978-3-319-68291-4作者: 油膏 時(shí)間: 2025-3-26 16:16 作者: covert 時(shí)間: 2025-3-26 17:37 作者: Calibrate 時(shí)間: 2025-3-26 23:42
Ruchika Sharma,Mukesh Nandave,Anoop Kumaren archeology.? Separate chapters are devoted to the application of AAA for protein quantitation and chiral AAA. Written in the highly successful .Methods in Molecular Biology?. series format, chapters contain introductions to their respective topics, lists of the necessary materials and reagents, s作者: Abominate 時(shí)間: 2025-3-27 01:24
Bernhard Bogertsy acting as a midwife to the birth of a nation founded on alien notions of liberty, justice and equality. Among the . support for the uprising in America was fairly general, though for many it appears to have been as much an excuse to release their latent anglophobia as an opportunity to express the作者: KIN 時(shí)間: 2025-3-27 06:28
Mohsen Joshanlooür die psychiatrische Pflege mit allen von der DKG empfohlenen Inhalten für die Fachweiterbildung, das Theorie und Praxis der psychiatrischen Pflege wiedergibt. Es enth?lt entsprechende Lern- und Arbeitshilfen wie Lernzielformulierung, Praxistipps und Glossar..978-3-540-31705-0作者: CORE 時(shí)間: 2025-3-27 09:35 作者: 的染料 時(shí)間: 2025-3-27 13:41 作者: MOCK 時(shí)間: 2025-3-27 20:53
