標(biāo)題: Titlebook: Deutschsprachige Kinder- und Jugendliteratur im Medienverbund 1900-1945; Petra Josting,Marlene Antonia Illies,Annemarie Web Book 2020 Spri [打印本頁(yè)] 作者: Combat 時(shí)間: 2025-3-21 17:49
書目名稱Deutschsprachige Kinder- und Jugendliteratur im Medienverbund 1900-1945影響因子(影響力)
書目名稱Deutschsprachige Kinder- und Jugendliteratur im Medienverbund 1900-1945影響因子(影響力)學(xué)科排名
書目名稱Deutschsprachige Kinder- und Jugendliteratur im Medienverbund 1900-1945網(wǎng)絡(luò)公開度
書目名稱Deutschsprachige Kinder- und Jugendliteratur im Medienverbund 1900-1945網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Deutschsprachige Kinder- und Jugendliteratur im Medienverbund 1900-1945被引頻次
書目名稱Deutschsprachige Kinder- und Jugendliteratur im Medienverbund 1900-1945被引頻次學(xué)科排名
書目名稱Deutschsprachige Kinder- und Jugendliteratur im Medienverbund 1900-1945年度引用
書目名稱Deutschsprachige Kinder- und Jugendliteratur im Medienverbund 1900-1945年度引用學(xué)科排名
書目名稱Deutschsprachige Kinder- und Jugendliteratur im Medienverbund 1900-1945讀者反饋
書目名稱Deutschsprachige Kinder- und Jugendliteratur im Medienverbund 1900-1945讀者反饋學(xué)科排名
作者: 依法逮捕 時(shí)間: 2025-3-21 21:22 作者: 安慰 時(shí)間: 2025-3-22 00:30
Der Kinder- und Jugendfilm von 1900 bis 1945mas commenced to settle and more and more film theaters established themselves as institutions. This resulted in a growing interest of educators, politicians and parents in the film consumption of the underage population. The demand for regulated film input and intake accelerated, fostering the rise作者: Melanocytes 時(shí)間: 2025-3-22 04:42 作者: 埋葬 時(shí)間: 2025-3-22 09:15
Digitale Erkundungen historischer Medienverbündermation technology perspectives, which are traced in their interplay from the definition of an initial metadata set to more complex requirements for data evaluation and visualization. The aim is not only to explain the strategic challenges and solutions in dealing with complex media connections, but作者: 牙齒 時(shí)間: 2025-3-22 16:57 作者: 牙齒 時(shí)間: 2025-3-22 18:24
Funkheinzelmann the leading personality of the Nordische Rundfunk AG (Norag) in Hamburg at the time. Bodenstedt also developed the character of Funkheinzelmann and the radio format that hosted it as a special radio program for children. As the name indicates, Funkheinzelmann was a . one of the invisible fairy tale作者: 敏捷 時(shí)間: 2025-3-22 21:26 作者: Shuttle 時(shí)間: 2025-3-23 05:17
Im Nimmer Nimmer Nimmer Landn this article, the history of . origins and distribution is traced. Until 1945, it was primarily the theatre play translated into German, a film adaptation and the translation of some chapters from a novel published under the title . . . that found their way into the German public. For this reason,作者: Supplement 時(shí)間: 2025-3-23 05:31 作者: 忘川河 時(shí)間: 2025-3-23 10:18 作者: 膠狀 時(shí)間: 2025-3-23 15:52
Mutabor!ic fairytale understanding, Biedermeier bourgeoisie, critical-realistic portrayal and adventure story. Their author was familiar with the finesses of market-oriented literary production of his time. He created popular texts that were based on the conventions of several genres at the same time and ad作者: 細(xì)胞學(xué) 時(shí)間: 2025-3-23 20:43
quer durch die Medienparadigmatic representant of a new genre. In the course of the following 50 years a long sequence of media appeared that referred to Busch’s work. Together with theatre in different forms the new media film and broadcast participated in this development. Nevertheless the print media, picture books a作者: interpose 時(shí)間: 2025-3-24 02:04 作者: aneurysm 時(shí)間: 2025-3-24 05:07 作者: 必死 時(shí)間: 2025-3-24 06:36
Globalization of Services: Friend or Foe?n, parents and grandparents consumed as school reading alike. The article focuses on the connection theater has made with film and radio and shows how media associations have developed through, around and in accord with dramatic texts and productions.作者: Humble 時(shí)間: 2025-3-24 13:58 作者: defendant 時(shí)間: 2025-3-24 16:06 作者: 商品 時(shí)間: 2025-3-24 21:12 作者: 無(wú)聊點(diǎn)好 時(shí)間: 2025-3-25 01:50 作者: FIS 時(shí)間: 2025-3-25 05:04
Micky Maus, contemporary print media frequently mixed up admiration for Mickey Mouse’s movies with references to Mickey as a ?typical American‘ character, which is sometimes in opposition to German movie comprehension. The present paper focusses on this aspect and how it influenced the reception of Walt Disneys work and productive approaches to it.作者: Dysplasia 時(shí)間: 2025-3-25 07:54 作者: Myofibrils 時(shí)間: 2025-3-25 14:48
Globalization of Services: Friend or Foe?ocialist regime. Ideas and regulations of what children and young people were allowed to view changed. But which films did adolescents actually consume in and despite the given regulations of the cinema? Which topics and genres interested them in particular? And how did a specific children′s and youth film establish itself gradually?作者: 慟哭 時(shí)間: 2025-3-25 15:49 作者: antedate 時(shí)間: 2025-3-25 22:39
Book 2020icher Daten in einem Onlineportal zur Recherche und visuellen Analyse liegt ein innovativer Beitrag zur Geschichtsschreibung der Kinder- und Jugendliteratur vor. Die Einleitung gibt Auskunft über Aufnahmekriterien, zentrale Quellen, theoretische Rahmungen sowie das Spektrum der eruierten Medienverbü作者: 是突襲 時(shí)間: 2025-3-26 03:31
Book 2020uen Medien .– .Bühnenkinder wandern zum Rundfunk und/oder Film .– .M?rchen im Film und Rundfunk. – .Klassiker in allen Medien. – .Schulgeschichten im Theater, Buch und auf der Leinwand. – .Verbrechen und Skandal?ses auf derLeinwand. – .Politisches erobert Buch und Film..作者: semble 時(shí)間: 2025-3-26 06:37 作者: Congestion 時(shí)間: 2025-3-26 11:39
Globalization of Services: Friend or Foe?ren vs. adolescents) and genres (fairy tales, rhyming stories, adventure narratives etc.). Additionally, they developed different forms such as the audio play, the improvisation and the adaptation of classic plays or more extensive narratives adjusted to the specific target group. Some innovative pe作者: WAG 時(shí)間: 2025-3-26 15:31 作者: exhibit 時(shí)間: 2025-3-26 20:48
Global Challenges for a Sustainable Society might function as combining points, the article touches aspects of popularity, mediality, sensuality, economy, time and space. In the end, the article argues that already existing terms are not able to describe the connections between the different . versions sufficiently. Thus, this text argues fo作者: 愉快嗎 時(shí)間: 2025-3-26 23:22
Uzoechi Nwagbara,Anthony Kalagborand continuations. The most important of these seems to be the novel version by Lisa Tetzner, which has been repeatedly published and translated into many languages. In addition – until 1933 and then again after 1945 – further children’s books varying the plot were produced besides an animated movie作者: 一瞥 時(shí)間: 2025-3-27 05:06
https://doi.org/10.1007/978-3-030-62501-6ems to be popular today as new media adaptations (like audiobooks etc.) are constantly being published. Among these media publications there is a large variance in terms of motive, topography, characters, target groups or even meanings of the fairy tale. The catchy image of the flying trunk seems to作者: Retrieval 時(shí)間: 2025-3-27 05:28
Uzoechi Nwagbara,Anthony Kalagbor of production, distribution and reception are considered. The films adapt the originals in their specific ways – historicizing, updating, ideologizing, aestheticizing, or psychologizing the story. Through expansion, modification and transposition, they contribute to the transformation of the origin作者: filial 時(shí)間: 2025-3-27 11:45
Michele Rostan,Flavio A. Ceravolo, with marketing and planned economic control, as they distinguish modern media networks, rather than it was the change from one print medium to another which was ultimately responsible for further developement. With the reception of Busch’s paradigmatic stories about boy’s pranks in the popular wee作者: 子女 時(shí)間: 2025-3-27 14:53 作者: RAFF 時(shí)間: 2025-3-27 19:22 作者: 虛假 時(shí)間: 2025-3-27 22:59
Der Kinder- und Jugendh?rfunk von 1924 bis 1945ren vs. adolescents) and genres (fairy tales, rhyming stories, adventure narratives etc.). Additionally, they developed different forms such as the audio play, the improvisation and the adaptation of classic plays or more extensive narratives adjusted to the specific target group. Some innovative pe作者: 阻止 時(shí)間: 2025-3-28 05:38
Funkheinzelmannhauspielhaus Berlin. Anchored in the brandmarketing and seriality theories (especially related to popular culture), this article investigates the rise and fall of Funkheinzelmann as an early model illustrating the complex dynamics of the media convergence phenomenon.作者: evanescent 時(shí)間: 2025-3-28 07:40 作者: acrobat 時(shí)間: 2025-3-28 13:04 作者: 戲法 時(shí)間: 2025-3-28 18:20
?Das war ein herrliches M?rchen!“ems to be popular today as new media adaptations (like audiobooks etc.) are constantly being published. Among these media publications there is a large variance in terms of motive, topography, characters, target groups or even meanings of the fairy tale. The catchy image of the flying trunk seems to作者: 鑒賞家 時(shí)間: 2025-3-28 18:45 作者: 猛擊 時(shí)間: 2025-3-29 01:38
quer durch die Medien, with marketing and planned economic control, as they distinguish modern media networks, rather than it was the change from one print medium to another which was ultimately responsible for further developement. With the reception of Busch’s paradigmatic stories about boy’s pranks in the popular wee作者: 恭維 時(shí)間: 2025-3-29 06:38 作者: Homocystinuria 時(shí)間: 2025-3-29 10:06
Petra Josting,Marlene Antonia Illies,Annemarie WebKinder- und Jugendliteratur von 1900 bis 1945 in Radio, Film und Theater.Das Buch zum Online-Portal.Mit Beitr?gen zu Mecki, Max und Moritz, Peter Pan, Funkheinzelmann, Feuerzangenbowle u.v.a.作者: Communal 時(shí)間: 2025-3-29 13:58
Studien zu Kinder- und Jugendliteratur und -medienhttp://image.papertrans.cn/d/image/269643.jpg作者: Freeze 時(shí)間: 2025-3-29 18:07 作者: finite 時(shí)間: 2025-3-29 22:07
Globalization of Services: Friend or Foe?levant studies on the radio of the Weimar Republic explicitly exclude broadcasts aimed at children and adolescents or they merely focus on specific broadcasting stations or authors, respectively. Therefore, the present contribution addresses a key desideratum and, with its digital database, attempts作者: Encephalitis 時(shí)間: 2025-3-30 01:11 作者: Habituate 時(shí)間: 2025-3-30 04:23
Globalization of Services: Friend or Foe?f processing a certain subject matter. In comparison to film and radio, theater represents an old, long-established medium in the period in question. It saw itself threatened by both emerging entertainment sectors, but ultimately blended into productive coexistence with them. It remains unique in it作者: Subdue 時(shí)間: 2025-3-30 11:46
https://doi.org/10.1057/9780230608849rmation technology perspectives, which are traced in their interplay from the definition of an initial metadata set to more complex requirements for data evaluation and visualization. The aim is not only to explain the strategic challenges and solutions in dealing with complex media connections, but作者: BRIDE 時(shí)間: 2025-3-30 13:15
Manon Pigeolet,Tarinee Kucchal,Rennie Qin. The movies attained and inspired the German audience in no time. At least when German companies took in Mickey Mouse for marketing and merchandising, it transformed from a character into a brandmark, which gathered a tremendous media network around itself in Germany. In the context of this develop作者: 非秘密 時(shí)間: 2025-3-30 18:38 作者: 傲慢物 時(shí)間: 2025-3-30 23:54
