標(biāo)題: Titlebook: Designing Interfaces in Public Settings; Understanding the Ro Stuart Reeves Book 2011 Springer-Verlag London Limited 2011 Design.Human-comp [打印本頁(yè)] 作者: affected 時(shí)間: 2025-3-21 19:34
書(shū)目名稱Designing Interfaces in Public Settings影響因子(影響力)
書(shū)目名稱Designing Interfaces in Public Settings影響因子(影響力)學(xué)科排名
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書(shū)目名稱Designing Interfaces in Public Settings網(wǎng)絡(luò)公開(kāi)度學(xué)科排名
書(shū)目名稱Designing Interfaces in Public Settings被引頻次
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書(shū)目名稱Designing Interfaces in Public Settings讀者反饋
書(shū)目名稱Designing Interfaces in Public Settings讀者反饋學(xué)科排名
作者: Crepitus 時(shí)間: 2025-3-21 23:36
Introduction,rface interactions in general. It details the nature of the performative perspective employed within the book, and presents four key aims that the studies and framework of later chapters will seek to engage with. Finally, this chapter provides a summary of framework concepts, and outlines the ways i作者: 徹底明白 時(shí)間: 2025-3-22 04:10
From Individuals to Third Parties, from Private to Public,rns to the questions posed in the introduction, exploring them in light of its exploration of literature, in order to see how those questions might be answered, and in what ways those answers leave us asking further questions.作者: 頌揚(yáng)本人 時(shí)間: 2025-3-22 04:57 作者: Foreknowledge 時(shí)間: 2025-3-22 11:35
Audience and Participants: One Rock,effects of those manipulations are hidden from them. This foreshadows how manipulations and effects may be hidden or revealed in various combinations to achieve certain results. In this case, it is suggested that such a strategy employed for the Telescope creates a sense of ‘intrigue’. The chapter a作者: 樂(lè)器演奏者 時(shí)間: 2025-3-22 14:45
,Professionals and Non-professionals: The?Journey into Space,teractions with the technology. A?key emerging skill for the actor is the ability to guide the participants around a complex space of manipulations, effects and potential interference resulting from the space in which the torch technology is deployed.作者: 樂(lè)器演奏者 時(shí)間: 2025-3-22 20:06
,Orchestration and Staging: Fairground: Thrill?Laboratory,chestrators collaborate with actors to weave together a performance from distributed and disparate elements, with orchestrators managing and intervening in crisis situations, and dealing with technological breakdown. Orchestration opens out the discussion to consider some key subdivisions of the pub作者: septicemia 時(shí)間: 2025-3-22 23:57
Frames and Bystanders: Uncle Roy All Around You, context of their local environment. Placing roles—that of actors, participants, orchestrators and so on—within the context of the frame leads to the addition of the role of the bystander—the role that is outside of the frame but may nevertheless be engaged unwittingly through the ambiguity of frame作者: Acumen 時(shí)間: 2025-3-23 02:52
A Framework for Designing Interfaces in Public Settings,teractive installations and performances, examines how manipulations and effects are variously hidden, partially-hidden, revealed or even augmented in particular combinations in order to create different spectator experiences. Developing this, four broad design strategies are identified: ‘secretive’作者: SYN 時(shí)間: 2025-3-23 08:43 作者: pulse-pressure 時(shí)間: 2025-3-23 09:51
Augustine O. Esogbue,Janusz Kacprzykrface interactions in general. It details the nature of the performative perspective employed within the book, and presents four key aims that the studies and framework of later chapters will seek to engage with. Finally, this chapter provides a summary of framework concepts, and outlines the ways i作者: 建筑師 時(shí)間: 2025-3-23 16:40 作者: 嚴(yán)厲譴責(zé) 時(shí)間: 2025-3-23 18:08
https://doi.org/10.1007/978-1-4615-5645-9ta, the chapter then turns in more detail to the more practical processes of collection and analysis, and the distinct challenges it presents in terms of studying interaction ‘in the wild’ and piecing together fragmented, distributed and potentially mobile data resources. As part of this, we shall a作者: 大猩猩 時(shí)間: 2025-3-23 23:00
https://doi.org/10.1007/978-1-4615-5645-9effects of those manipulations are hidden from them. This foreshadows how manipulations and effects may be hidden or revealed in various combinations to achieve certain results. In this case, it is suggested that such a strategy employed for the Telescope creates a sense of ‘intrigue’. The chapter a作者: 沙漠 時(shí)間: 2025-3-24 02:24
Konsequenzen für das eigene Handelnteractions with the technology. A?key emerging skill for the actor is the ability to guide the participants around a complex space of manipulations, effects and potential interference resulting from the space in which the torch technology is deployed.作者: instructive 時(shí)間: 2025-3-24 09:02
Konsequenzen für das eigene Handelnchestrators collaborate with actors to weave together a performance from distributed and disparate elements, with orchestrators managing and intervening in crisis situations, and dealing with technological breakdown. Orchestration opens out the discussion to consider some key subdivisions of the pub作者: Genome 時(shí)間: 2025-3-24 11:49
Verhaltensmodifikation am Arbeitsplatz context of their local environment. Placing roles—that of actors, participants, orchestrators and so on—within the context of the frame leads to the addition of the role of the bystander—the role that is outside of the frame but may nevertheless be engaged unwittingly through the ambiguity of frame作者: 領(lǐng)巾 時(shí)間: 2025-3-24 17:36 作者: 壕溝 時(shí)間: 2025-3-24 21:50 作者: 過(guò)份好問(wèn) 時(shí)間: 2025-3-25 01:13 作者: flimsy 時(shí)間: 2025-3-25 06:37
Augustine O. Esogbue,Janusz Kacprzyk and even clubs, combined with the spread of mobile devices into the streets, means that interaction with computers is an increasingly ubiquitous and public affair. This book shows how crafting interaction for public settings raises a host of new challenges for human-computer interaction (HCI), wide作者: 馬籠頭 時(shí)間: 2025-3-25 09:57
Fuzzy Set-Theoretic Methods in Statisticsgical developments is becoming increasingly important. In discussing this, the chapter will provide a general overview of relevant literature, and, particularly, ‘set the scene’ for subsequent studies in this book. The first section explores a brief history of HCI and computer-supported cooperative 作者: Tdd526 時(shí)間: 2025-3-25 15:30 作者: 貪心 時(shí)間: 2025-3-25 19:49 作者: PET-scan 時(shí)間: 2025-3-25 22:42
Konsequenzen für das eigene Handelnpointing the torch at various targets located on surrounding walls, sounds may be triggered. The story itself unfolds in a series of stages, some of which involve the storyteller instructing and directing participant use of the torch in order to play the sounds at appropriate moments in the story’s 作者: 不怕任性 時(shí)間: 2025-3-26 03:15 作者: instulate 時(shí)間: 2025-3-26 06:40 作者: 可忽略 時(shí)間: 2025-3-26 09:25 作者: perpetual 時(shí)間: 2025-3-26 14:31 作者: PANIC 時(shí)間: 2025-3-26 20:50
Stuart ReevesContributes a series of empirical studies of technology situated in public settings.Offers a design framework for performance or performance-like scenarios in which technology is deployed.Explores iss作者: Ebct207 時(shí)間: 2025-3-27 01:00 作者: 親屬 時(shí)間: 2025-3-27 01:16 作者: Confess 時(shí)間: 2025-3-27 08:47 作者: PANIC 時(shí)間: 2025-3-27 10:33
From Individuals to Third Parties, from Private to Public,gical developments is becoming increasingly important. In discussing this, the chapter will provide a general overview of relevant literature, and, particularly, ‘set the scene’ for subsequent studies in this book. The first section explores a brief history of HCI and computer-supported cooperative 作者: opprobrious 時(shí)間: 2025-3-27 14:55
Studying Technology in Public Settings,it covers broadly the methodological approaches and analytic perspectives that have been employed in overcoming these problems. Primarily, the insights of ethnomethodology, Goffman’s dramaturgical metaphor for social interaction and his analytic development of this with interactional ‘framings’, hav作者: 思想靈活 時(shí)間: 2025-3-27 21:36 作者: 信任 時(shí)間: 2025-3-27 21:56
,Professionals and Non-professionals: The?Journey into Space,pointing the torch at various targets located on surrounding walls, sounds may be triggered. The story itself unfolds in a series of stages, some of which involve the storyteller instructing and directing participant use of the torch in order to play the sounds at appropriate moments in the story’s 作者: 完整 時(shí)間: 2025-3-28 03:59
,Orchestration and Staging: Fairground: Thrill?Laboratory,’s experience of the fairground ride to a watching audience. This was achieved by streaming in real-time a given rider’s telemetry data (such as accelerometer and heart rate data), derived from biosensing equipment attached to the rider. Audience members, hosted by actors, were picked via a ‘lottery作者: Kaleidoscope 時(shí)間: 2025-3-28 07:03 作者: 重疊 時(shí)間: 2025-3-28 13:54 作者: enmesh 時(shí)間: 2025-3-28 14:34 作者: photophobia 時(shí)間: 2025-3-28 19:55 作者: hazard 時(shí)間: 2025-3-29 00:27 作者: 流出 時(shí)間: 2025-3-29 06:26
Hans-Georg Kemper,Klaus Ballensiefenr discusses some practical matters regarding the use of this book, looks at recent developments of related work, and finally briefly covers some directions for where we go next in understanding interaction with technology in public settings.
