標(biāo)題: Titlebook: Design of Reservation Protocols for Multimedia Communication; Luca Delgrossi Book 1996 Kluwer Academic Publishers 1996 Internet.architectu [打印本頁] 作者: Chylomicron 時間: 2025-3-21 19:05
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書目名稱Design of Reservation Protocols for Multimedia Communication讀者反饋學(xué)科排名
作者: DAFT 時間: 2025-3-21 21:51 作者: 正常 時間: 2025-3-22 01:37
Design of Reservation Protocols for Multimedia Communication作者: capillaries 時間: 2025-3-22 05:55
Design of Reservation Protocols for Multimedia Communication978-1-4613-1323-6作者: deriver 時間: 2025-3-22 09:16 作者: incontinence 時間: 2025-3-22 15:35
Redefining British Theatre Historys, and changing the FlowSpec can be initiated by the origin only. Targets are allowed to accept or refuse changes or can disconnect themselves from the stream, but they cannot change the stream’s target set. These decisions in the design of ST-II make it a sender-oriented protocol.作者: incontinence 時間: 2025-3-22 17:42
Book 1996 of these problems in communication, and certainlythe most interesting, is that of designing networks to carrymultimedia traffic, including digital audio and video, with acceptablequality. The main challenge in integrating the different servicesneeded by the different types of traffic into the same 作者: 幸福愉悅感 時間: 2025-3-22 21:13
Receiver-Oriented Communications, and changing the FlowSpec can be initiated by the origin only. Targets are allowed to accept or refuse changes or can disconnect themselves from the stream, but they cannot change the stream’s target set. These decisions in the design of ST-II make it a sender-oriented protocol.作者: 膽小鬼 時間: 2025-3-23 02:52 作者: 發(fā)源 時間: 2025-3-23 09:21
“Heidegger I,” “Heidegger II,” and ,nctions. Experimentation with this implementation served to better understand the interactions among these two fundamental components. Here, those that are believed to be the main results of this work are shortly summarized.作者: Chromatic 時間: 2025-3-23 11:38 作者: 撤退 時間: 2025-3-23 16:54 作者: 附錄 時間: 2025-3-23 18:42
Introductiongly sophisticated services to their users. The proliferation of low-cost personal computers and workstations and the integration of multimedia capabilities into today’s systems call for a wide variety of new distributed applications and services that can fully exploit the potential of digital audio 作者: POWER 時間: 2025-3-24 01:01
Multimedia Communication Elementse the requirements of distributed multimedia applications. Starting from this point, we now discuss in further details this scenario and the imposed requirements, with the intent to explore the fundamental techniques that can be adopted to facilitate the exchange of multimedia data.作者: languor 時間: 2025-3-24 03:04
The Internet Stream Protocol been developed by Danny Cohen, Estil Hoversten, and Jim Forgie of the M.I.T. Lincoln Laboratory. Jim Forgie is the author of the ST protocol specifications completed in September 1979 [Forg79]. In the following sections we refer to this protocol as ST-I, to avoid confusion with its second version, 作者: 格言 時間: 2025-3-24 07:41 作者: Recess 時間: 2025-3-24 14:17
Filtering Hierarchical Substreamsarticipating receivers, and for applications that transmit their data across a wide geographical range, there exists a need to support receivers and intermediate transmission paths with different capabilities.作者: 蘑菇 時間: 2025-3-24 14:49 作者: 砍伐 時間: 2025-3-24 19:14
A Comparison with RSVP) [ZDES93]. The internal details of ST-II and RSVP are analysed, focusing on the data forwarding, multicast, and quality of service aspects of multimedia communication. Rather than trying to decide which protocol is superior, the goal has been to identify the classes of applications that are better 作者: 河潭 時間: 2025-3-25 02:23
Reliability and Congestion Controlng and decompressing it), and the user requirements on media quality. On a superficial level, it looks as if audiovisual data does not require error handling mechanisms at all: a corrupt audio sample or a wrong video frame portion may not even be noticed because of the high data presentation rate.作者: 消音器 時間: 2025-3-25 06:24 作者: 我的巨大 時間: 2025-3-25 11:31 作者: 點(diǎn)燃 時間: 2025-3-25 15:38 作者: 動作謎 時間: 2025-3-25 18:16
The China Theatre and the Pacific War been developed by Danny Cohen, Estil Hoversten, and Jim Forgie of the M.I.T. Lincoln Laboratory. Jim Forgie is the author of the ST protocol specifications completed in September 1979 [Forg79]. In the following sections we refer to this protocol as ST-I, to avoid confusion with its second version, ST-II (see Section 3.2).作者: 高腳酒杯 時間: 2025-3-25 23:29 作者: 巡回 時間: 2025-3-26 00:13
Redefining British Theatre History) [ZDES93]. The internal details of ST-II and RSVP are analysed, focusing on the data forwarding, multicast, and quality of service aspects of multimedia communication. Rather than trying to decide which protocol is superior, the goal has been to identify the classes of applications that are better supported by one or the other protocol.作者: Malleable 時間: 2025-3-26 08:22
“Heidegger I,” “Heidegger II,” and ,ng and decompressing it), and the user requirements on media quality. On a superficial level, it looks as if audiovisual data does not require error handling mechanisms at all: a corrupt audio sample or a wrong video frame portion may not even be noticed because of the high data presentation rate.作者: facilitate 時間: 2025-3-26 11:51 作者: 暖昧關(guān)系 時間: 2025-3-26 13:51
https://doi.org/10.1007/978-94-017-1624-6ST-II offers at the network layer a larger set of functions than other network protocols. Still, some important functions are missing that call for a transport service above it, and the service offered by ST-II needs to be completed by appropriate functions at the transport layer.作者: multiply 時間: 2025-3-26 19:00
Implementing the ST-II ProtocolSince its design in 1990 ST-II has been implemented by several vendors and research institutes, and versions of the protocol exist that run on the most widespread platforms, operating systems, and subnetworks. Recently, a survey by Chip Elliott [ElLy93] listed at least 13 existing ST-II implementations.作者: TOM 時間: 2025-3-26 23:38
HeiTP: A Transport Layer over ST-IIST-II offers at the network layer a larger set of functions than other network protocols. Still, some important functions are missing that call for a transport service above it, and the service offered by ST-II needs to be completed by appropriate functions at the transport layer.作者: 執(zhí) 時間: 2025-3-27 01:28
Introductiongly sophisticated services to their users. The proliferation of low-cost personal computers and workstations and the integration of multimedia capabilities into today’s systems call for a wide variety of new distributed applications and services that can fully exploit the potential of digital audio and video in a computer environment.作者: 鎮(zhèn)痛劑 時間: 2025-3-27 06:22 作者: 邪惡的你 時間: 2025-3-27 09:51 作者: 叢林 時間: 2025-3-27 17:29
Filtering Hierarchical Substreamsarticipating receivers, and for applications that transmit their data across a wide geographical range, there exists a need to support receivers and intermediate transmission paths with different capabilities.作者: 阻擋 時間: 2025-3-27 19:12
A Comparison with RSVP) [ZDES93]. The internal details of ST-II and RSVP are analysed, focusing on the data forwarding, multicast, and quality of service aspects of multimedia communication. Rather than trying to decide which protocol is superior, the goal has been to identify the classes of applications that are better supported by one or the other protocol.作者: 笨拙的你 時間: 2025-3-27 22:25 作者: 禁止 時間: 2025-3-28 02:25 作者: Nonconformist 時間: 2025-3-28 06:21
The China Theatre and the Pacific Wargly sophisticated services to their users. The proliferation of low-cost personal computers and workstations and the integration of multimedia capabilities into today’s systems call for a wide variety of new distributed applications and services that can fully exploit the potential of digital audio 作者: 宏偉 時間: 2025-3-28 10:29
The China Theatre and the Pacific Ware the requirements of distributed multimedia applications. Starting from this point, we now discuss in further details this scenario and the imposed requirements, with the intent to explore the fundamental techniques that can be adopted to facilitate the exchange of multimedia data.作者: leniency 時間: 2025-3-28 15:18
The China Theatre and the Pacific War been developed by Danny Cohen, Estil Hoversten, and Jim Forgie of the M.I.T. Lincoln Laboratory. Jim Forgie is the author of the ST protocol specifications completed in September 1979 [Forg79]. In the following sections we refer to this protocol as ST-I, to avoid confusion with its second version, 作者: clarify 時間: 2025-3-28 22:42
Redefining British Theatre Historyl manipulations of the target set are initiated and controlled by the origin ST agent. For instance, adding a set of targets, removing a set of targets, and changing the FlowSpec can be initiated by the origin only. Targets are allowed to accept or refuse changes or can disconnect themselves from th作者: 大炮 時間: 2025-3-29 02:29
Making Meaning Marketing Shakespeare 1623articipating receivers, and for applications that transmit their data across a wide geographical range, there exists a need to support receivers and intermediate transmission paths with different capabilities.作者: 隨意 時間: 2025-3-29 06:38
Making Meaning Marketing Shakespeare 1623tion scenario, the transport system has to provide certain real-time guarantees to such streams in order to serve the applications with the required quality of service. There is also a requirement for multicast capabilities, i.e., the streams have to be able to convey the data simultaneously to mult作者: 種族被根除 時間: 2025-3-29 07:16
Redefining British Theatre History) [ZDES93]. The internal details of ST-II and RSVP are analysed, focusing on the data forwarding, multicast, and quality of service aspects of multimedia communication. Rather than trying to decide which protocol is superior, the goal has been to identify the classes of applications that are better 作者: Emasculate 時間: 2025-3-29 14:26 作者: 繞著哥哥問 時間: 2025-3-29 17:42
