標(biāo)題: Titlebook: Desert Islands and the Liquid Modern; Barney Samson Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusive license to [打印本頁(yè)] 作者: 近地點(diǎn) 時(shí)間: 2025-3-21 16:28
書目名稱Desert Islands and the Liquid Modern影響因子(影響力)
書目名稱Desert Islands and the Liquid Modern影響因子(影響力)學(xué)科排名
書目名稱Desert Islands and the Liquid Modern網(wǎng)絡(luò)公開(kāi)度
書目名稱Desert Islands and the Liquid Modern網(wǎng)絡(luò)公開(kāi)度學(xué)科排名
書目名稱Desert Islands and the Liquid Modern被引頻次
書目名稱Desert Islands and the Liquid Modern被引頻次學(xué)科排名
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書目名稱Desert Islands and the Liquid Modern年度引用學(xué)科排名
書目名稱Desert Islands and the Liquid Modern讀者反饋
書目名稱Desert Islands and the Liquid Modern讀者反饋學(xué)科排名
作者: Aromatic 時(shí)間: 2025-3-21 22:04 作者: patriarch 時(shí)間: 2025-3-22 04:19 作者: 一瞥 時(shí)間: 2025-3-22 04:49 作者: WAG 時(shí)間: 2025-3-22 12:24 作者: Postulate 時(shí)間: 2025-3-22 15:41
Monica Violeta Achim,Robert W. McGee identity is attainable via the consumption of a Bounty, which is equated with desirable female bodies. The adverts prioritise male subjectivity, but compromise this as the male supervision of female bodies is challenged.作者: Postulate 時(shí)間: 2025-3-22 17:19
Michel Dion,David Weisstub,Jean-Loup Richetected characters learn to conform to communal norms. The series’ ‘liquid cinematography’ and the island’s topological and temporal fluidity destabilise this solid modern paradigm, but it is ultimately reasserted.作者: COMA 時(shí)間: 2025-3-22 21:41
Michel Dion,David Weisstub,Jean-Loup Richetubject position, . models identity as being inescapably fluid. . offers erotic pleasure, fragmenting and objectifying the human body. The show’s format prioritises choice and radical consumerism, constructing human relationships as unreliable, insecure and anxious.作者: 手術(shù)刀 時(shí)間: 2025-3-23 04:50
(In)Coherent Desert Islands: , and Bounty Chocolate in Print,d accessible desert island. It is fragmentary: only the advertised chocolate can provide coherent identity and erotic satisfaction. The island evokes the underdetermined condition of liquid modern identity; its ontological instability suggests that even the Bounty bar cannot provide lasting satisfaction.作者: 攤位 時(shí)間: 2025-3-23 08:08 作者: 柔美流暢 時(shí)間: 2025-3-23 11:25 作者: amyloid 時(shí)間: 2025-3-23 17:02 作者: 洞穴 時(shí)間: 2025-3-23 21:03 作者: Introvert 時(shí)間: 2025-3-24 01:01
Book 2020ne cartoons, cinema, video games, and comedy, drama and reality television. Drawing on Zygmunt Bauman’s theory of liquid modernity, desert island texts are analysed in terms of their intersections with repressive and seductive mechanisms of power. Chapters focus on the desert island as: a conflictin作者: 能量守恒 時(shí)間: 2025-3-24 04:58
Book 2020 bound up with mobility and instantaneity; and an expression of radical individuality and underdetermined identity. The desert island in popular culture is shown to reflect, endorse and critique a profoundly consumerist society that seduces uswith promises of coherence, with the threat of repression looming if we do not conform..作者: 領(lǐng)導(dǎo)權(quán) 時(shí)間: 2025-3-24 09:11
underdetermined identity. The desert island in popular culture is shown to reflect, endorse and critique a profoundly consumerist society that seduces uswith promises of coherence, with the threat of repression looming if we do not conform..978-3-030-57048-4978-3-030-57046-0作者: 飛鏢 時(shí)間: 2025-3-24 13:34
https://doi.org/10.1007/978-3-030-57046-0Desert Island; Postwar; Anglophone; Screen Advertising; Magazine Cartoon; Liquid Modernity作者: progestin 時(shí)間: 2025-3-24 15:29 作者: 獨(dú)裁政府 時(shí)間: 2025-3-24 21:47 作者: overbearing 時(shí)間: 2025-3-25 01:48
Comparative and Policy Conclusionsways in which representations of desert islands characterise identity as structured by choice. In Desert Island Discs (1942–), the island is the vehicle for autobiographical narratives that construct identity as coherent and regulated by patriarchal authority. This is complicated by the endorsement 作者: COM 時(shí)間: 2025-3-25 07:05 作者: 面包屑 時(shí)間: 2025-3-25 07:56
Monica Violeta Achim,Robert W. McGeeisland that is figuratively both separate from and connected to ‘home.’ Pacific islanders are understood to be threatening antagonists but never appear, complicating the solid modern urge to control Otherness. The protagonists choose to stay on the island but their subsequent rescue recuperates soli作者: refraction 時(shí)間: 2025-3-25 14:21
Michel Dion,David Weisstub,Jean-Loup Richetquid modernity, as described by Zygmunt Bauman. In ., Chuck Noland is a radically mobile agent of liquid modern repression. His relationship with a Wilson volleyball speaks to commodity fetishism, but exists alongside his continued preoccupation with repressive time. The film critiques repressive as作者: 修剪過(guò)的樹(shù)籬 時(shí)間: 2025-3-25 16:30
Michel Dion,David Weisstub,Jean-Loup Richet. The texts exemplify complementary aspects of liquid modernity: the underdetermination of contemporary identity and subjectivity, and seductive techniques of social control, structured by consumerism. In ., the player-character inhabits a desert island without an avatar, antagonists or explicit aim作者: 遠(yuǎn)地點(diǎn) 時(shí)間: 2025-3-25 22:54 作者: 溫順 時(shí)間: 2025-3-26 00:49
http://image.papertrans.cn/d/image/268320.jpg作者: 共同給與 時(shí)間: 2025-3-26 06:09
Introducing the Liquid Modern Desert Island,n of the liquid modern. Difficulties arise when one interrogates the idea of a ‘desert island.’ What is an island? What does it mean to be desert(ed)? Who counts as an inhabitant? The introduction surveys and then complicates various contradictory meanings that have been attached to desert islands i作者: Hla461 時(shí)間: 2025-3-26 10:03
(In)Coherent Desert Islands: , and Bounty Chocolate in Print,ways in which representations of desert islands characterise identity as structured by choice. In Desert Island Discs (1942–), the island is the vehicle for autobiographical narratives that construct identity as coherent and regulated by patriarchal authority. This is complicated by the endorsement 作者: inferno 時(shí)間: 2025-3-26 15:00 作者: 憤世嫉俗者 時(shí)間: 2025-3-26 19:30
Repression and Seduction: , and Bounty Chocolate on Screen,island that is figuratively both separate from and connected to ‘home.’ Pacific islanders are understood to be threatening antagonists but never appear, complicating the solid modern urge to control Otherness. The protagonists choose to stay on the island but their subsequent rescue recuperates soli作者: 馬賽克 時(shí)間: 2025-3-26 22:41 作者: indifferent 時(shí)間: 2025-3-27 02:51 作者: 有惡意 時(shí)間: 2025-3-27 09:00 作者: 斜坡 時(shí)間: 2025-3-27 12:21 作者: DEMN 時(shí)間: 2025-3-27 13:49 作者: Repetitions 時(shí)間: 2025-3-27 20:09
Creating a Case for Digital Health,day while novel therapies for previously uncured diseases are introduced along with novel state-of-the-art diagnostic and therapeutic technologies. These developments alter the patient–physician relationship, which has remained largely unchanged for thousands of years. . represents an evolutionary a
