標(biāo)題: Titlebook: Defining Literary Postmodernism for the Twenty-First Century; Matthias Stephan Book 2019 The Editor(s) (if applicable) and The Author(s), [打印本頁(yè)] 作者: Coagulant 時(shí)間: 2025-3-21 16:50
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作者: Parabola 時(shí)間: 2025-3-21 20:26 作者: 人類 時(shí)間: 2025-3-22 03:43
https://doi.org/10.1007/978-94-015-7407-5nsidering Frederic Jameson’s call for a spatial metaphor, the chapter develops a spatial mode of understanding postmodernism. This is done through a critical evaluation of Jean Baudrillard’s concept of the hyperreal and Giles Deleuze and Felix Guattari’s idea of the rhizome (further developed by Umb作者: Ferritin 時(shí)間: 2025-3-22 07:51 作者: Detoxification 時(shí)間: 2025-3-22 12:07
Dictionary of Building and Civil Engineeringy, questions of being and subjectivity, it looks at historical and canonical examples of science fiction to demonstrate how postmodern forms of SF fit within the genre. Consequently, the chapter argues that it is possible to have both modernist and postmodernist fiction with an ontological dominant,作者: 灌溉 時(shí)間: 2025-3-22 15:44
https://doi.org/10.1007/978-94-015-7407-5the postmodern structure of consciousness is demonstrable through the many facets of the novel, not only through epistemological investigations tied to the detective fiction elements, and the ontological considerations tied to questions of narrative and identity, but also in questions of social just作者: 灌溉 時(shí)間: 2025-3-22 20:05
Dictionary of Building and Civil Engineeringliterature often posited as coming after postmodernism and discusses how those genres (Postpostmodernism, Neo-Victorian, and Post-Ironic and New Sincerity) can be read in light of the postmodern structure of consciousness. The chapter further presents three potential ‘outs’ of postmodernism, ways in作者: Cabg318 時(shí)間: 2025-3-22 23:32 作者: Notorious 時(shí)間: 2025-3-23 02:50 作者: Heresy 時(shí)間: 2025-3-23 08:53 作者: 仔細(xì)檢查 時(shí)間: 2025-3-23 12:07
http://image.papertrans.cn/d/image/264788.jpg作者: Gustatory 時(shí)間: 2025-3-23 15:44 作者: 獎(jiǎng)牌 時(shí)間: 2025-3-23 18:13
Characteristically Postmodernssan’s list of characteristics, the chapter explores which characteristics are reflective of literary postmodernism, dividing up Hassan’s list into three categories—terms which reinforce a modernist framework, terms which are dependent on the reader’s interpretation, and terms which can form the bas作者: 食品室 時(shí)間: 2025-3-23 22:41
Mapping the Space of Postmodernismnsidering Frederic Jameson’s call for a spatial metaphor, the chapter develops a spatial mode of understanding postmodernism. This is done through a critical evaluation of Jean Baudrillard’s concept of the hyperreal and Giles Deleuze and Felix Guattari’s idea of the rhizome (further developed by Umb作者: 草本植物 時(shí)間: 2025-3-24 02:32 作者: 圓錐體 時(shí)間: 2025-3-24 07:40
What World Is This? Who Am I (in It)?: The Structure of the Ontological Formation in Science Fictiony, questions of being and subjectivity, it looks at historical and canonical examples of science fiction to demonstrate how postmodern forms of SF fit within the genre. Consequently, the chapter argues that it is possible to have both modernist and postmodernist fiction with an ontological dominant,作者: Pert敏捷 時(shí)間: 2025-3-24 14:28
The Postmodern Novel: How It All Comes Together, in a Rhizomatic Waythe postmodern structure of consciousness is demonstrable through the many facets of the novel, not only through epistemological investigations tied to the detective fiction elements, and the ontological considerations tied to questions of narrative and identity, but also in questions of social just作者: minion 時(shí)間: 2025-3-24 14:53
Coda: What Comes Next? (Or What to Do with a Problem Called Postmodernism?)literature often posited as coming after postmodernism and discusses how those genres (Postpostmodernism, Neo-Victorian, and Post-Ironic and New Sincerity) can be read in light of the postmodern structure of consciousness. The chapter further presents three potential ‘outs’ of postmodernism, ways in作者: 使尷尬 時(shí)間: 2025-3-24 21:28 作者: MAPLE 時(shí)間: 2025-3-24 23:27 作者: 出血 時(shí)間: 2025-3-25 06:09
Coda: What Comes Next? (Or What to Do with a Problem Called Postmodernism?) which literature could be written in relation to this concept of postmodernism, including looking at optimistic ways to consider the legacy of literary postmodernism, and its continued influence on both literary and theoretical frameworks in the twenty-first century.作者: corporate 時(shí)間: 2025-3-25 10:22
ates key aspects of postmodernism via genre fiction.This book?presents a definition of literary postmodernism, using detective and science fictions as a frame.?Through an exploration of both prior theoretical approaches, and indicators through characteristics of postmodernist fiction, this book iden作者: 外露 時(shí)間: 2025-3-25 13:52 作者: 同音 時(shí)間: 2025-3-25 19:04 作者: engrossed 時(shí)間: 2025-3-25 20:25 作者: Abnormal 時(shí)間: 2025-3-26 00:17 作者: 頌揚(yáng)本人 時(shí)間: 2025-3-26 04:34 作者: 幻想 時(shí)間: 2025-3-26 08:47
Mapping the Space of Postmodernismof consciousness as the metaphor by which to understand postmodernism. It is through the use of this metaphor in literary techniques that the book defines literary postmodernism as works which operate with a postmodern structure of consciousness.作者: alcoholism 時(shí)間: 2025-3-26 15:49 作者: 谷類 時(shí)間: 2025-3-26 17:55
What World Is This? Who Am I (in It)?: The Structure of the Ontological Formation in Science Fictionrnist, late modernist and postmodernist science fiction, and how those stories function structurally. It also demonstrates that chronology is not a sufficient means to present the history of science fiction, as structural elements are also at play.作者: sinoatrial-node 時(shí)間: 2025-3-26 23:33
Book 2019retical approaches, and indicators through characteristics of postmodernist fiction, this book identifies a structural framework to both understand and apply the lessons of postmodernism for the next generation. Within a growing consensus that the postmodern era has passed, this book examines the di作者: Addictive 時(shí)間: 2025-3-27 04:26
https://doi.org/10.1007/978-94-015-7407-5 labyrinth, which is developed at more length later in the book. The chapter introduces the structure of the book, moving from the theoretical background of postmodernism (Part I), to a practical presentation through genre fiction, and the postmodern novel (Part II), concluding with considerations of where literary studies go from here.作者: 腐敗 時(shí)間: 2025-3-27 08:46
https://doi.org/10.1007/978-94-015-7407-5ice and ethics. This presentation is augmented by providing parallels to Thomas Pynchon’s canonically postmodern novel. By looking at Pynchon’s techniques which are widely considered postmodern, it becomes easier to understand how Madsen’s novel also operates in that mode and how it can be identified as having done so.作者: 感情 時(shí)間: 2025-3-27 13:32
Dictionary of Building and Civil Engineering which literature could be written in relation to this concept of postmodernism, including looking at optimistic ways to consider the legacy of literary postmodernism, and its continued influence on both literary and theoretical frameworks in the twenty-first century.作者: Adjourn 時(shí)間: 2025-3-27 14:33
Book 2019rather than questions posed about literary expression. Finally, Matthias Stephan considers post-postmodern movements, and how they can be expressed given this definition of literary postmodernism, moving forward to the twenty-first century. .作者: chalice 時(shí)間: 2025-3-27 19:51 作者: insecticide 時(shí)間: 2025-3-27 23:23
