標(biāo)題: Titlebook: Decolonial Aesthetics II; Modes of Relating Patrick Oloko,Michaela Ott,Clarissa Vierke Book 2023 The Editor(s) (if applicable) and The Auth [打印本頁] 作者: SCOWL 時(shí)間: 2025-3-21 18:45
書目名稱Decolonial Aesthetics II影響因子(影響力)
作者: 沒有希望 時(shí)間: 2025-3-21 22:56
Aesthetic and Ethical (Trans) Figurations in the Artistic Practices of Ayi Kwei Armahke different forms in his works as he progressively perfects his creative medium and vision, depicting different facets of postcolonial realities and emergent existential challenges to the African self.作者: 辭職 時(shí)間: 2025-3-22 01:23
2662-1398 sed to describe these contemporary composite-cultural entanglements, and so on. A stimulating, wide-ranging and heterogeneous portrait of contemporary interwoven world cultures!.978-3-662-66221-2978-3-662-66222-9Series ISSN 2662-1398 Series E-ISSN 2662-1401 作者: 故意釣到白楊 時(shí)間: 2025-3-22 08:03 作者: Prophylaxis 時(shí)間: 2025-3-22 10:25 作者: creditor 時(shí)間: 2025-3-22 16:41 作者: creditor 時(shí)間: 2025-3-22 19:26 作者: MARS 時(shí)間: 2025-3-22 21:18 作者: PLE 時(shí)間: 2025-3-23 05:13
https://doi.org/10.1007/978-981-15-9042-9nd cultural ties. In honing in on D’Souza’s art and practice, this chapter seeks to understand how aesthetics are influenced by placemaking while also taking cognizance of the cultural multiplicities created through oceanic connections.作者: inundate 時(shí)間: 2025-3-23 09:20 作者: adumbrate 時(shí)間: 2025-3-23 10:19 作者: myelography 時(shí)間: 2025-3-23 15:08
Deployable Multimodal Machine Intelligence non-subjective forces. Therefore, aesthetics is not understood as transparent in a na?ve fetishist logic of diversity. Instead, aesthetics appear as irreducible interventions that do not mirror an absence, but continually materialize processes in the world.作者: Keratectomy 時(shí)間: 2025-3-23 21:47
https://doi.org/10.1007/978-3-319-25628-3 Abdilatif Abdalla, a book that was translated by Ken Walibora Waliaula in an edition edited by the author. The discussion posits that aesthetic relating over an extended timeline, and in collaboration with others, generates distinctive forms of knowledge.作者: Hallmark 時(shí)間: 2025-3-24 01:09
Regional Living Functions and IT Supportf èsù to the mode of relating to aesthetic-ethical entanglements in the Yorùbá and non-Yorùbá artworld. It shows how contemporary narrative arts transform and push èsù into different contexts and media of storytelling.作者: negligence 時(shí)間: 2025-3-24 05:45 作者: 偏狂癥 時(shí)間: 2025-3-24 08:40 作者: 陶瓷 時(shí)間: 2025-3-24 14:38 作者: 受傷 時(shí)間: 2025-3-24 17:05 作者: mortgage 時(shí)間: 2025-3-24 19:04 作者: 上流社會(huì) 時(shí)間: 2025-3-25 03:14
Jonathan D. Linton,Steven T. Walshially borne by the powerful word ‘.’ itself, this chapter proposes that . crystallize ideas about knowledge, personhood, and learning, as well as about inheritance and re(-)membering—that is, about connections between the past and future.作者: 輕觸 時(shí)間: 2025-3-25 06:22
Japanese Governance and Meta-governances guidance in his writings. Furthermore, he accompanies himself during his lectures by playing the marovany. This contribution analyzes the process of creation during which the rhythm and sound of the words converge with a poetics of interval and the rhythm of breathing and the body.作者: 柔聲地說 時(shí)間: 2025-3-25 10:35
Conjuring , Research Undone, Materiality, Lively Words, Inheritance, and Timeially borne by the powerful word ‘.’ itself, this chapter proposes that . crystallize ideas about knowledge, personhood, and learning, as well as about inheritance and re(-)membering—that is, about connections between the past and future.作者: 慌張 時(shí)間: 2025-3-25 14:49
Polyrhythmic Aesthetics: Listening to Raharimanana’s Poemss guidance in his writings. Furthermore, he accompanies himself during his lectures by playing the marovany. This contribution analyzes the process of creation during which the rhythm and sound of the words converge with a poetics of interval and the rhythm of breathing and the body.作者: verdict 時(shí)間: 2025-3-25 16:03 作者: CYT 時(shí)間: 2025-3-25 21:26
Deployable Multimodal Machine Intelligenceh different authors of the global south, I put forward the ideas of non-identitarian and (non-in)dividual understandings of persons, cultures, and art practices and of new forms of aesthetic and personal dividuation as a means of decolonization.作者: Outspoken 時(shí)間: 2025-3-26 00:49
Biomimetic Untethered Inflatable Origamithree inter-connected, dominant yet diffuse features developed over time—stretching from research practice to theory and involving teaching and university departmental politics as well—that are currently hampering our ability to build relevant, critical knowledge about Africa from the reading of literary works written by Africans.作者: heterogeneous 時(shí)間: 2025-3-26 05:51
Design Thinking and DevOps in the AI Contextsphere dictating what and who writers feel comfortable writing about. Although the paper does not come to any conclusions, it speculates as to the impact of such rigid literary production—the stifling of Nigerian literature—and it offers parallels to discussions about literary cultural appropriation happening on a global level.作者: 松緊帶 時(shí)間: 2025-3-26 12:10
https://doi.org/10.1007/978-1-4842-6206-1ces for the writing process as well as for the writing career. Naivo offers valuable insights into the importance of the link between criticism and literary production particularly in the Malagasy context.作者: 滲入 時(shí)間: 2025-3-26 15:54 作者: 發(fā)芽 時(shí)間: 2025-3-26 19:44
Decolonizing Aesthetics via Relating and (Dis-In)dividuating?h different authors of the global south, I put forward the ideas of non-identitarian and (non-in)dividual understandings of persons, cultures, and art practices and of new forms of aesthetic and personal dividuation as a means of decolonization.作者: 領(lǐng)袖氣質(zhì) 時(shí)間: 2025-3-26 22:55 作者: figment 時(shí)間: 2025-3-27 03:42 作者: 小卷發(fā) 時(shí)間: 2025-3-27 08:34
On Being a Malagasy Writer Living in the North and the Criticism/Literary Production Nexus: Conversaces for the writing process as well as for the writing career. Naivo offers valuable insights into the importance of the link between criticism and literary production particularly in the Malagasy context.作者: 膽汁 時(shí)間: 2025-3-27 10:30
Book 2023m their own different points of view. The texts in this volume all deal with the imperative of ‘decolonization’: they try to highlight aesthetic strategies for the (re)discovery of unthematized, misappropriated, transcultural and even transcontinental histories and memories and aesthetic practices t作者: 食草 時(shí)間: 2025-3-27 16:50 作者: nerve-sparing 時(shí)間: 2025-3-27 18:51
Preface and A Brief Guide to the Chapters,ople. It would appear that centering dissent, polyvocality, and collaboration is a key approach to changing the narrative of exhibitions. Supported by the “fish model” of collective decision-making, this study analyzes the curatorial approach of the exhibition . (Cologne, Germany, 2021). In particul作者: 不透明性 時(shí)間: 2025-3-27 23:12 作者: 獨(dú)特性 時(shí)間: 2025-3-28 02:43 作者: 下級(jí) 時(shí)間: 2025-3-28 08:23
Deployable Multimodal Machine Intelligence of neo-liberalism and late capitalism. Instead of favoring ‘de-colonial’ and ‘neo-tribalist’ disruption, the essay maps out modes of relating politically as well as aesthetically, reading the former as a solidarity across identities, and the latter decidedly not as representation, but as capture of作者: 產(chǎn)生 時(shí)間: 2025-3-28 12:48 作者: shrill 時(shí)間: 2025-3-28 16:20
https://doi.org/10.1007/978-1-4842-6206-1oductions. Two main points are discussed. Firstly, how does their identity as writers from the South influence/shape the their status as Malagasy writers living in the North? Secondly, how can we account for the entanglements of art and knowledge production? Based on conversations with Naivo, a Mala作者: Infraction 時(shí)間: 2025-3-28 19:23 作者: 舊石器 時(shí)間: 2025-3-29 00:25
https://doi.org/10.1007/978-3-319-25628-3ver extended periods. This discussion begins by identifying translation as a form of aesthetic relating and then reflects on the experience of aesthetic relating over time through examination of the author’s experience working with the Swahili poetry collection . (in English, .) by the Kenyan author作者: 飛行員 時(shí)間: 2025-3-29 06:26
Anastassios Pouris,Portia Raphashaion. To demonstrate how this is made possible, a film by Sponsored Art For Education—Kenya (SAFE-K) entitled Watatu is deployed as a specimen for critical analysis. From the structuring and framing of the film through the infusion of community theatre participatory aesthetics, it is discerned that f作者: gout109 時(shí)間: 2025-3-29 11:10
Depopulation, Aging, and Living Environmentsal readings, enhancing the relationship between the literary work as a mise en scene and mise en abyme of graphic signs with other art forms such as plastic arts, painting, sculpture, photography, etc. In this chapter, I set out to critically probe the nature of that figure, as represented in some o作者: 橡子 時(shí)間: 2025-3-29 14:57 作者: 意見一致 時(shí)間: 2025-3-29 18:07 作者: 激怒 時(shí)間: 2025-3-29 23:08 作者: 混雜人 時(shí)間: 2025-3-30 01:32
Japanese Governance and Meta-governanceoaches with the concept of “ekstasis” as conceived by B?hme in order to capture the rhythm (Senghor) and the atmosphere (B?hme) of an artwork to which the receiver/spectator/reader responds. The notion of “raison-étreinte”, literally “apprehension by embracement” as used by Senghor and highlighted b作者: Fabric 時(shí)間: 2025-3-30 06:23 作者: 貪婪性 時(shí)間: 2025-3-30 08:28 作者: aerobic 時(shí)間: 2025-3-30 16:25 作者: gout109 時(shí)間: 2025-3-30 18:50
From Data to Predictions to Optimal ActionsThis text is a brief gathering of interrogations and experiments based on my research practice and on what I believe are liberating paths to a more human and ethical relatedness, with others and the world.作者: 雪上輕舟飛過 時(shí)間: 2025-3-30 23:22
Notes on Aesthetics, Ethnography and Being in the WorldThis text is a brief gathering of interrogations and experiments based on my research practice and on what I believe are liberating paths to a more human and ethical relatedness, with others and the world.作者: 反復(fù)拉緊 時(shí)間: 2025-3-31 02:07 作者: 費(fèi)解 時(shí)間: 2025-3-31 07:32 作者: thrombus 時(shí)間: 2025-3-31 09:24
The Art of ,: Decolonizing History Through Decolonized Memoriesmust lead to the reconstitution of being and of being in the world, in its entirety as a subject of a present-day cornered by scarcity and desire, by physical and symbolic violence, by racism and political and cultural authoritarianism. In this process, . occupies a primordial place as . and resista作者: 惰性女人 時(shí)間: 2025-3-31 17:20
