作者: 以煙熏消毒 時(shí)間: 2025-3-22 00:03
Dependency or Interdependency in Old Ageing the different appellations of the arts in Black Africa, the controversies and misunderstandings in the debates on their semantic connotations and mutations, this article argues that the Western perspective that claims the right to define African art must be reconsidered from the sole point of view of Africa.作者: conscribe 時(shí)間: 2025-3-22 01:32
Jost Reinecke,Maike Meyer,Klaus Boersack at some of the Cameroonian artist’s highly provocative performances from 1996 to 2002 in order to address issues of racism and immigration. From . to ., through ., ., . and ., we learn to understand that his artistic work, through its intercultural and interaesthetic scope, is a global, (non-in)dividual and decolonial art.作者: 整潔漂亮 時(shí)間: 2025-3-22 05:33 作者: comely 時(shí)間: 2025-3-22 11:25 作者: 不能強(qiáng)迫我 時(shí)間: 2025-3-22 15:23 作者: 不能強(qiáng)迫我 時(shí)間: 2025-3-22 18:03
?sthetiken X.0 – Zeitgen?ssische Konturen ?sthetischen Denkenshttp://image.papertrans.cn/d/image/264411.jpg作者: Gesture 時(shí)間: 2025-3-22 23:55
African Art: Debates and Controversies Around a Concept,ing the different appellations of the arts in Black Africa, the controversies and misunderstandings in the debates on their semantic connotations and mutations, this article argues that the Western perspective that claims the right to define African art must be reconsidered from the sole point of view of Africa.作者: LUCY 時(shí)間: 2025-3-23 04:05
,The Notion of Mobility in Barthélémy Toguo’s Work: Reflection on a Decolonial Artistic Practice,ack at some of the Cameroonian artist’s highly provocative performances from 1996 to 2002 in order to address issues of racism and immigration. From . to ., through ., ., . and ., we learn to understand that his artistic work, through its intercultural and interaesthetic scope, is a global, (non-in)dividual and decolonial art.作者: Cerebrovascular 時(shí)間: 2025-3-23 06:16 作者: 機(jī)構(gòu) 時(shí)間: 2025-3-23 11:29 作者: mortgage 時(shí)間: 2025-3-23 16:52 作者: 蚊帳 時(shí)間: 2025-3-23 21:14
Dependency or Interdependency in Old Agee European colonialism. Due to its disclosed hypocrisy, the term is dropped by the French philosophers Deleuze and Guattari who replace it with demands of ‘becoming-ahuman‘, ‘-imperceptible’ or ‘everybody’. This alteration is discussed by various African authors, who now ask for a modified reconside作者: 山羊 時(shí)間: 2025-3-23 22:58 作者: armistice 時(shí)間: 2025-3-24 03:00
Aldo Madariaga,Stefano Palestiniart to Africa. This denial has infiltrated into all the fields of Euro-African relations and to some extent all human endeavors along the centuries..Standing from a decolonial point of view, this paper aims at questioning the art historical discourse on Africa so as to show how African art history m作者: 通便 時(shí)間: 2025-3-24 08:11 作者: HPA533 時(shí)間: 2025-3-24 11:57 作者: 者變 時(shí)間: 2025-3-24 16:39 作者: 的’ 時(shí)間: 2025-3-24 21:51
Analyzing Dyadic Data with IRT Modelsthough, dividuation was conceived from the perspective of the Western communities, this paper puts to test its applicability to indigenous African community. The theory is here applied to an extant indigenous community of ìsàlè?-ò?yó?, Nigeria where the people’s perception of the cosmos extends beyo作者: incarcerate 時(shí)間: 2025-3-25 00:19
Jost Reinecke,Maike Meyer,Klaus Boers became cosmopolitan with remarkable change of initial spatial organization with urban and rural areas in town. The cases of Porto-Novo and Cotonou in Republic of Benin are typical. This situation impacted seriously life but also, artistic production and reception. How artists deal with these two sp作者: Insubordinate 時(shí)間: 2025-3-25 05:17
Dependent Data in Social Sciences Researcht of artistic creation, leading to the decolonization of the imaginary, in order to transform society and to conquer the world in its emotions. The contemporary artistic work claims to be of this logic. It is an aesthetic logic that refers to the active and collective decolonial process resulting fr作者: Presbycusis 時(shí)間: 2025-3-25 10:27
https://doi.org/10.1007/978-3-030-87839-9es to look at the world from a former province and turn it into a center, reading ‘Africa’ in the very same terms as we read everywhere else. Taking major inspiration from the discipline of Media Philosophy, the essay focusses on Cape Town punk rock in order to go beyond any ‘a(chǎn)uthentic’ understandin作者: Narrative 時(shí)間: 2025-3-25 13:56 作者: Flawless 時(shí)間: 2025-3-25 15:55 作者: ligature 時(shí)間: 2025-3-25 22:15 作者: eucalyptus 時(shí)間: 2025-3-26 00:22
Dependency or Interdependency in Old Agets of the person and of other non-undivided entities such as culture, ecologies or art practices. Within the aesthetic realm, it tries to show that certain artistic productions should be read as dividual statements, since they combine motives and aesthetic styles from different origins and bring about cross-cultural expressions.作者: Lipoma 時(shí)間: 2025-3-26 05:10
Aldo Madariaga,Stefano Palestinis an African currency, the ., and a . for the world, allowing everybody to move freely. Blin also reads these aesthetico-political practices as a precursor to the decolonial engagement in arts and theory of today.作者: Fillet,Filet 時(shí)間: 2025-3-26 08:41
Jost Reinecke,Maike Meyer,Klaus Boers the colonial cultural mediation which continues through Cultural Centers in associating rural context to a contemporary art production. The second is devoted to . original experience in Porto-Novo, which allows showing that the interaction between urban contemporary artists and rural social practices could be the way for new aesthetic.作者: 眉毛 時(shí)間: 2025-3-26 12:57
,Humanism – From Individual to Dividual Concept,ts of the person and of other non-undivided entities such as culture, ecologies or art practices. Within the aesthetic realm, it tries to show that certain artistic productions should be read as dividual statements, since they combine motives and aesthetic styles from different origins and bring about cross-cultural expressions.作者: atopic 時(shí)間: 2025-3-26 18:55 作者: miniature 時(shí)間: 2025-3-26 21:17
,Artistic Practices in Postcolonial Context in Benin Republic: Cases of Magou Amedée and ‘Eclosion U the colonial cultural mediation which continues through Cultural Centers in associating rural context to a contemporary art production. The second is devoted to . original experience in Porto-Novo, which allows showing that the interaction between urban contemporary artists and rural social practices could be the way for new aesthetic.作者: 無所不知 時(shí)間: 2025-3-27 03:29
Book 2023different cultural contexts between Germany, France, Senegal, Benin, Nigeria and Tunesia) do not only refer to heterogenous aesthetic practices understood as subversive and decolonial strategies, but also discuss philosophical questions of a renewed (non-in)dividual humanism. The artistic practices 作者: Oligarchy 時(shí)間: 2025-3-27 05:26 作者: 疏忽 時(shí)間: 2025-3-27 10:32 作者: 頌揚(yáng)國(guó)家 時(shí)間: 2025-3-27 14:28 作者: Afflict 時(shí)間: 2025-3-27 20:53
Decolonizing African Aesthetics in a Globalised World: A Way Forward,w by heathening Africa, the latter has been dispossessed by organised exportations of her arts for the benefit of western museums. Finally, the paper provides some steps for decolonising African authentic aesthetics.作者: NEG 時(shí)間: 2025-3-27 22:07
,Fanon’s Odyssy: A Cannibalistic Feast,ork or opus (art, literature, philosophy) I will talk about here is a form of that reach for an un-alienated humanity described luminously by Fanon. As such, it always contains a force of resistance to the powers that be, albeit a very fragile one.作者: Onerous 時(shí)間: 2025-3-28 05:38 作者: escalate 時(shí)間: 2025-3-28 08:27 作者: laxative 時(shí)間: 2025-3-28 14:27
https://doi.org/10.1007/978-3-030-87839-9ajor inspiration from the discipline of Media Philosophy, the essay focusses on Cape Town punk rock in order to go beyond any ‘a(chǎn)uthentic’ understanding of the Other and all hermeneutics of meaning that for so long have been the epistemological foundation of colonial discourse.作者: 全能 時(shí)間: 2025-3-28 16:28 作者: 飛行員 時(shí)間: 2025-3-28 22:12
,Humanism – From Individual to Dividual Concept,e European colonialism. Due to its disclosed hypocrisy, the term is dropped by the French philosophers Deleuze and Guattari who replace it with demands of ‘becoming-ahuman‘, ‘-imperceptible’ or ‘everybody’. This alteration is discussed by various African authors, who now ask for a modified reconside作者: Pathogen 時(shí)間: 2025-3-28 23:52
African Art: Debates and Controversies Around a Concept,ing the different appellations of the arts in Black Africa, the controversies and misunderstandings in the debates on their semantic connotations and mutations, this article argues that the Western perspective that claims the right to define African art must be reconsidered from the sole point of vi作者: Affirm 時(shí)間: 2025-3-29 04:26 作者: 阻塞 時(shí)間: 2025-3-29 09:55
The Art Works of Mansour Ciss Kanakassy, he creates the . referring to the famous Congo conference in Berlin of 1884–1885, where the “Scramble for Africa” was initiated. By choosing this name, the artist accentuates the persisting colonial legacies and the ongoing humiliation of African people due to the dependency of the national currenc作者: arthrodesis 時(shí)間: 2025-3-29 13:04
