標題: Titlebook: Danj?r?’s Girls; Women on the Kabuki Loren Edelson Book 2009 Loren Edelson 2009 bibliography.history.history of literature.play.stage.styl [打印本頁] 作者: dabble 時間: 2025-3-21 19:46
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書目名稱Danj?r?’s Girls網(wǎng)絡(luò)公開度
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書目名稱Danj?r?’s Girls讀者反饋學(xué)科排名
作者: Aggrandize 時間: 2025-3-21 22:31 作者: 內(nèi)疚 時間: 2025-3-22 01:28 作者: Abduct 時間: 2025-3-22 08:27
2947-5767 written and visual primary sources, Danjuro ‘ s Girls challenges readers to re-examine conventional notions about gender, performance, and traditional Japanese theatre.978-1-349-37599-8978-0-230-61858-9Series ISSN 2947-5767 Series E-ISSN 2947-5775 作者: FLINT 時間: 2025-3-22 11:01 作者: 條約 時間: 2025-3-22 14:41 作者: 條約 時間: 2025-3-22 18:40
Cypress Stages,okyo Station, with all the members wearing identical one-piece jumpers and carrying matching black valises and winter overcoats.. Shochiku, for its part, ran a full-page ad in the Kabuki-za program, calling attention to the “teenage kabuki production.”4作者: 使厭惡 時間: 2025-3-22 23:07 作者: Torrid 時間: 2025-3-23 03:42 作者: Ventilator 時間: 2025-3-23 08:46
Acting Like Men,oupe had designated itself a “girls”’ (.) company, first calling itself the Toyokawa Girls’ Kabuki Troupe, then the Tokyo Girls’ Kabuki Troupe, only to be named later by the Naritaya head as the Ichikawa Girls’ Kabuki Troupe. From the troupe’s perspective, the term “girls” was an accurate reflection of its age and sex.作者: 發(fā)芽 時間: 2025-3-23 11:55
The Critics Respond,of the .’. ideals. .he actresses, a . writer pronounced, were “old-fashioned” in the best sense, due to their kabuki training on and off the stage.. .hey were innocent, cute, and virginal; in short, the ultimate role models for how to be good girls.作者: 別名 時間: 2025-3-23 16:42 作者: lambaste 時間: 2025-3-23 18:29
Epilogue: Kabuki as Invented Tradition,se seating, lighting, and theatre technology are considerably different, and, on a more dramaturgically experimental level, some actors have reinvigorated old forms with new tools. .espite the common perception that kabuki is timeless, it is not entirely frozen in the distant past. New traditions are being invented..作者: 真實的你 時間: 2025-3-23 23:50 作者: 元音 時間: 2025-3-24 03:11
https://doi.org/10.1007/978-3-030-20839-4er. If the actresses recognized the precariousness of their situation, they did a good job of hiding it from the press; in interviews, they greeted their change in status with excitement and optimism.作者: invert 時間: 2025-3-24 07:42
The Final Years,er. If the actresses recognized the precariousness of their situation, they did a good job of hiding it from the press; in interviews, they greeted their change in status with excitement and optimism.作者: Peak-Bone-Mass 時間: 2025-3-24 11:05 作者: Fluctuate 時間: 2025-3-24 15:45
https://doi.org/10.1007/978-1-349-12579-1aritaya house. In the beginning, however, the troupe was nameless. It was just an after-school girls’ club. There was no indication that it would become a professional company, let alone a famous one that would play to packed houses in Japan’s premiere theatres.作者: LAIR 時間: 2025-3-24 21:11 作者: Hemiparesis 時間: 2025-3-25 00:22 作者: ILEUM 時間: 2025-3-25 06:15 作者: GET 時間: 2025-3-25 10:23 作者: gastritis 時間: 2025-3-25 14:17
,Prologue: Danjūrō’s Girls,moronic: Women do not perform in the exclusively male theatre of kabuki. And, yet, paradoxically, this book tells the story of women who performed kabuki on some of Japan’s most prestigious stages in recent times.作者: Fulsome 時間: 2025-3-25 16:23
,Danjūrō IX and the Actress Question,y line, Ichikawa DanjürO IX, had turned fifty in 1888 and still did not know who would succeed him. His only son had died at birth, although he later had two daughters. Defenders of the all-male kabuki tradition could only agree with the novelist Nagai Kafu that the situation was dire for the kabuki作者: palpitate 時間: 2025-3-25 20:10 作者: 上下倒置 時間: 2025-3-26 02:55 作者: OMIT 時間: 2025-3-26 04:30
Cypress Stages,ng the pressures and privileges of a Tokyo debut. With the hype already created by articles in . and ., the press continued to generate interest in the troupe before it even set foot in the capital.. One week before the troupe opened at the Mitsukoshi Theatre, the . ran two eye-catching stories. The作者: defile 時間: 2025-3-26 09:41
Acting Like Men, theatres to one that performed on grand city stages, that was the question asked by critics and spectators alike. Long before becoming famous, the troupe had designated itself a “girls”’ (.) company, first calling itself the Toyokawa Girls’ Kabuki Troupe, then the Tokyo Girls’ Kabuki Troupe, only t作者: MANIA 時間: 2025-3-26 12:53 作者: Awning 時間: 2025-3-26 18:36
Life Offstage, in magazines such as . (Housewife’s Friend), . (Cultural Life), and . (Asahi Graph) showed the girls tucked neatly into their futons in two straight rows, as if they were perfectly positioned to regale each other with ghost stories into the wee hours of the night.. Other pictures showed the actress作者: FRET 時間: 2025-3-26 21:54
Power Struggle,egun a nineteen-day run. Over the past six months, the troupe had played at grand theatres, including the Naka-za, the Meiji-za, the Misono-za, toured the eastern part of the country, and performed at its home base, the Hamamatsu-za. Its popularity was soaring, and that very morning the girls had re作者: legitimate 時間: 2025-3-27 03:06 作者: FICE 時間: 2025-3-27 08:23
Epilogue: Kabuki as Invented Tradition,erforming classics of the past in the manner they were performed during its heyday in the Tokugawa period. To be sure, there have been changes—the house seating, lighting, and theatre technology are considerably different, and, on a more dramaturgically experimental level, some actors have reinvigor作者: Lyme-disease 時間: 2025-3-27 13:03 作者: frenzy 時間: 2025-3-27 14:33 作者: Coeval 時間: 2025-3-27 21:02
https://doi.org/10.1007/978-1-349-12579-1moronic: Women do not perform in the exclusively male theatre of kabuki. And, yet, paradoxically, this book tells the story of women who performed kabuki on some of Japan’s most prestigious stages in recent times.作者: engrossed 時間: 2025-3-28 00:22 作者: 矛盾心理 時間: 2025-3-28 05:21
,Prologue: Danjūrō’s Girls,moronic: Women do not perform in the exclusively male theatre of kabuki. And, yet, paradoxically, this book tells the story of women who performed kabuki on some of Japan’s most prestigious stages in recent times.作者: Hallmark 時間: 2025-3-28 06:36
,Danjūrō IX and the Actress Question,y line, Ichikawa DanjürO IX, had turned fifty in 1888 and still did not know who would succeed him. His only son had died at birth, although he later had two daughters. Defenders of the all-male kabuki tradition could only agree with the novelist Nagai Kafu that the situation was dire for the kabuki world.作者: 哄騙 時間: 2025-3-28 13:32 作者: Hyperopia 時間: 2025-3-28 18:33
https://doi.org/10.1007/978-1-349-12579-1moronic: Women do not perform in the exclusively male theatre of kabuki. And, yet, paradoxically, this book tells the story of women who performed kabuki on some of Japan’s most prestigious stages in recent times.作者: 執(zhí)拗 時間: 2025-3-28 19:12 作者: Congruous 時間: 2025-3-29 01:11
https://doi.org/10.1007/978-1-349-12579-1ifferent stage names over the course of his career, the troupe changed names several times before receiving the prestigious “Ichikawa” name from the Naritaya house. In the beginning, however, the troupe was nameless. It was just an after-school girls’ club. There was no indication that it would beco作者: Yag-Capsulotomy 時間: 2025-3-29 05:33
https://doi.org/10.1007/978-1-349-12579-1the playwright Kawatake Mokuami (1816–1893) immortalized it in his famous play ., in which chief bandit Nippon Daemon announces that he “was born at Hamamatsu in Enshū.”. This play, and many others, could be seen at the city’s Hamamatsu-za before the war. Like dozens of theatres, however, it was des作者: 冰河期 時間: 2025-3-29 09:08
https://doi.org/10.1007/978-3-030-53976-4ng the pressures and privileges of a Tokyo debut. With the hype already created by articles in . and ., the press continued to generate interest in the troupe before it even set foot in the capital.. One week before the troupe opened at the Mitsukoshi Theatre, the . ran two eye-catching stories. The作者: 外觀 時間: 2025-3-29 13:47 作者: cochlea 時間: 2025-3-29 17:38
https://doi.org/10.1007/978-1-4757-0426-6girls, but young ladies who were sweet, pure, and pretty. .rom the perspective of the press, members of Ichikawa Girls’ Kabuki perfectly embodied all of the .’. ideals. .he actresses, a . writer pronounced, were “old-fashioned” in the best sense, due to their kabuki training on and off the stage.. .作者: 污穢 時間: 2025-3-29 19:59 作者: panorama 時間: 2025-3-30 01:44 作者: 心胸開闊 時間: 2025-3-30 04:19
