標(biāo)題: Titlebook: Dance, Gender and Culture; Helen Thomas (Lecturer in Sociology) Book 1993 Palgrave Macmillan, a division of Macmillan Publishers Limited 1 [打印本頁] 作者: 孵化 時(shí)間: 2025-3-21 18:17
書目名稱Dance, Gender and Culture影響因子(影響力)
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書目名稱Dance, Gender and Culture網(wǎng)絡(luò)公開度學(xué)科排名
書目名稱Dance, Gender and Culture被引頻次
書目名稱Dance, Gender and Culture被引頻次學(xué)科排名
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書目名稱Dance, Gender and Culture讀者反饋
書目名稱Dance, Gender and Culture讀者反饋學(xué)科排名
作者: Melatonin 時(shí)間: 2025-3-21 22:24
Ballet, Gender and Cultural Poweral and cultural structures through which they learn about ballet, thus perpetuating and sometimes altering it. These structures are both institutional (ballet classes, dance schools, companies, performances, film presentations, producing organisations and government agencies) and ideological (belief作者: orthodox 時(shí)間: 2025-3-22 04:28
‘I seem to find the happiness I seek’ Heterosexuality and Dance in the Musicalhinks he’s married, or he’s promised never to marry. Whatever the reason something keeps them apart, except that when they start to dance … Well, what? It’s heaven, they’re in heaven, but just what is it that makes it so, what notion of happiness is embodied in their dancing?作者: peak-flow 時(shí)間: 2025-3-22 08:29
An-Other Voice: Young Women Dancing and Talkingecond section explores some aspects of the relation between dance and gender which emerged from a nine months’ study of a local community dance project in London which holds open dance classes and maintains a dance group. This research involved sitting-in on classes, filming and interviewing members作者: Radiation 時(shí)間: 2025-3-22 12:14
Gender Interchangeability among the Tiwior men respectively, but as forces, archetypal principles existing in both women and men (cf. for example Jung’s (1953) discussion of the . and . or Rudolf Steiner’s (1959) discussion of cosmic evolution and of the place and role of human beings), there does not seem to exist a sphere in practical l作者: jungle 時(shí)間: 2025-3-22 13:17 作者: jungle 時(shí)間: 2025-3-22 21:02
Classical Indian Dance and Women’s Statusly persistent male dominance in dance production.. In India a key understanding of the reality of women’s subordinate status comes from the traditional and mythical portrayals of women (Ghadially, 1988), some of which are restated in dance..作者: Transfusion 時(shí)間: 2025-3-22 23:27
Dance, Feminism, and the Critique of the Visualions are easily overlooked: the early moderns, almost all of whom began their choreographic careers by creating solos for themselves, were using their . unballetic bodies rather than someone else’s body as the raw material of their art. It is significant that — at least in conversation — we continue作者: consent 時(shí)間: 2025-3-23 04:16
‘You put your left foot in, then you shake it all about …’at dance has finally come under scrutiny. Considering that dance is a field about and of the body (which in turn has become one of the targeted areas of feminist debate) what does come as a surprise is that this did not happen earlier. For many critics the reason lies in the apparent predominance of作者: Cognizance 時(shí)間: 2025-3-23 09:17 作者: coltish 時(shí)間: 2025-3-23 13:31
Still Dancing Downwards and Talking Back interacted with Africa. A linear mode of interpreting history and human activity ensured that the early European anthropologists studied African and indeed the cultures of all other subjugated peoples within an evolutionist discourse. There was the assumption therefore, that these were transitory c作者: 民間傳說 時(shí)間: 2025-3-23 17:41 作者: 沒有貧窮 時(shí)間: 2025-3-23 19:52
http://image.papertrans.cn/d/image/260368.jpg作者: Pseudoephedrine 時(shí)間: 2025-3-23 23:52
‘I seem to find the happiness I seek’ Heterosexuality and Dance in the Musicalhinks he’s married, or he’s promised never to marry. Whatever the reason something keeps them apart, except that when they start to dance … Well, what? It’s heaven, they’re in heaven, but just what is it that makes it so, what notion of happiness is embodied in their dancing?作者: ANTE 時(shí)間: 2025-3-24 04:05
Classical Indian Dance and Women’s Statusly persistent male dominance in dance production.. In India a key understanding of the reality of women’s subordinate status comes from the traditional and mythical portrayals of women (Ghadially, 1988), some of which are restated in dance..作者: ICLE 時(shí)間: 2025-3-24 10:00
Tricuspid Valve Disease Techniqueshinks he’s married, or he’s promised never to marry. Whatever the reason something keeps them apart, except that when they start to dance … Well, what? It’s heaven, they’re in heaven, but just what is it that makes it so, what notion of happiness is embodied in their dancing?作者: Amnesty 時(shí)間: 2025-3-24 14:03
Xiaohua Jin,Jianwu Li,Deping Ye,Zan Lily persistent male dominance in dance production.. In India a key understanding of the reality of women’s subordinate status comes from the traditional and mythical portrayals of women (Ghadially, 1988), some of which are restated in dance..作者: 競(jìng)選運(yùn)動(dòng) 時(shí)間: 2025-3-24 18:28
https://doi.org/10.1007/978-1-349-22747-1Cultural Studies; culture; dance; dancing; film; gender; performance; sociology; women作者: 考博 時(shí)間: 2025-3-24 22:26 作者: 喚醒 時(shí)間: 2025-3-25 03:07
https://doi.org/10.1007/978-94-011-3784-3 of sociological literature. The paper is premised upon three related and, I think, uncontentious assumptions. These are that dance is generally a neglected topic for analysis; that it is inherently social; and that, as a non-verbal form of communication, dance is categorised as being non-rational. 作者: 預(yù)防注射 時(shí)間: 2025-3-25 05:34 作者: 昆蟲 時(shí)間: 2025-3-25 09:02
Tricuspid Valve Disease Techniqueshinks he’s married, or he’s promised never to marry. Whatever the reason something keeps them apart, except that when they start to dance … Well, what? It’s heaven, they’re in heaven, but just what is it that makes it so, what notion of happiness is embodied in their dancing?作者: Default 時(shí)間: 2025-3-25 14:19 作者: AMPLE 時(shí)間: 2025-3-25 19:43 作者: 凝結(jié)劑 時(shí)間: 2025-3-25 22:26
Jing Qu,Li Liang,Meiyan Liao,Ying Liuctures which characterise them, it takes on a particular form of organisation through the way in which it is conducted in specially provided venues that are designed for dancing as a leisure activity. What at one time in Western society and still in other contemporary and more simple societies would作者: gain631 時(shí)間: 2025-3-26 01:34
Xiaohua Jin,Jianwu Li,Deping Ye,Zan Lily persistent male dominance in dance production.. In India a key understanding of the reality of women’s subordinate status comes from the traditional and mythical portrayals of women (Ghadially, 1988), some of which are restated in dance..作者: 大看臺(tái) 時(shí)間: 2025-3-26 06:16
Plants of Vandeae I: , Hook. to , Schltr.ions are easily overlooked: the early moderns, almost all of whom began their choreographic careers by creating solos for themselves, were using their . unballetic bodies rather than someone else’s body as the raw material of their art. It is significant that — at least in conversation — we continue作者: 小臼 時(shí)間: 2025-3-26 10:06
https://doi.org/10.1007/978-94-017-0809-8at dance has finally come under scrutiny. Considering that dance is a field about and of the body (which in turn has become one of the targeted areas of feminist debate) what does come as a surprise is that this did not happen earlier. For many critics the reason lies in the apparent predominance of作者: Anticonvulsants 時(shí)間: 2025-3-26 15:13
https://doi.org/10.1007/978-94-017-0811-1. It considers how dominant attitudes towards women have affected and channelled responses to dance works into certain ways of seeing and terms of reference. Of course dance criticism does not exist in isolation; from its own nature as criticism it interacts with the forms of the dance itself. Image作者: 卷發(fā) 時(shí)間: 2025-3-26 19:34 作者: 減至最低 時(shí)間: 2025-3-26 23:19 作者: 提升 時(shí)間: 2025-3-27 03:51
Zakhia Saliba,Elie B. Sawan,Kamal HachemAt the most fundamental level of analysis, dance, gender and culture are one and the same thing. In order to demonstrate this provocative contention, however, it is necessary that we examine each of these subjects separately.作者: Inferior 時(shí)間: 2025-3-27 08:49
Dance, Gender and CultureAt the most fundamental level of analysis, dance, gender and culture are one and the same thing. In order to demonstrate this provocative contention, however, it is necessary that we examine each of these subjects separately.作者: Ebct207 時(shí)間: 2025-3-27 11:08 作者: 下垂 時(shí)間: 2025-3-27 17:14
https://doi.org/10.1007/978-94-011-3784-3lected topic for analysis; that it is inherently social; and that, as a non-verbal form of communication, dance is categorised as being non-rational. (This latter assumption has particular consequences for the study of dance that — as we shall see — are highly significant.)作者: 江湖郎中 時(shí)間: 2025-3-27 21:27 作者: 燦爛 時(shí)間: 2025-3-28 02:01
Repair of Congenital Nasal Deformity of Europeans to take on the full significance and meaning of African dance derives from this original misconception. In the kind of dispensation where one culture was seen as ‘primitive’ and the other ‘modern’, African dance, if it had any value at all, was something to be indulged in moments of hedonism.作者: acetylcholine 時(shí)間: 2025-3-28 05:38
Still Dancing Downwards and Talking Back of Europeans to take on the full significance and meaning of African dance derives from this original misconception. In the kind of dispensation where one culture was seen as ‘primitive’ and the other ‘modern’, African dance, if it had any value at all, was something to be indulged in moments of hedonism.作者: 漂亮才會(huì)豪華 時(shí)間: 2025-3-28 06:33 作者: EWE 時(shí)間: 2025-3-28 12:30
Plants of Vandeae I: , Hook. to , Schltr. nineteenth-century ballet by contrast, the choreographer — almost invariably a man — imposed abstract patterns on the bodies of . (usually women). There is, after all, no male equivalent for the .; and the choreographer who manipulates that corps stands apart from his creation.作者: Lobotomy 時(shí)間: 2025-3-28 15:28 作者: Inkling 時(shí)間: 2025-3-28 22:16 作者: Incisor 時(shí)間: 2025-3-28 23:58
Ballet, Gender and Cultural Power (ballet classes, dance schools, companies, performances, film presentations, producing organisations and government agencies) and ideological (beliefs about art, dance, choreography, the body and gender). These structures also exist through time, so that the ways people have created ballet historically affect the present.作者: 改良 時(shí)間: 2025-3-29 04:03 作者: vector 時(shí)間: 2025-3-29 08:55
Coronary Artery Bypass Graftingife where these principles can be put into practice. Two decades or so of the ‘women’s movement’ may have changed the consciousness of many people, especially in broadening job possibilities and easing rigidified role definitions; they have not however erased the polarity woman-man constantly found in everyday life.作者: justify 時(shí)間: 2025-3-29 12:22
https://doi.org/10.1007/978-94-017-0809-8 women in the field. Visibility has been conveniently equalled with power, dance is assumed to be a feminine field and thus beyond the need of a feminist critique.. However, more often than not dance perpetuates — in its training, practices and critical approaches — patriarchal ideology, value judgements and its accompanying ready-made worldview..作者: 地名表 時(shí)間: 2025-3-29 16:57 作者: 放氣 時(shí)間: 2025-3-29 23:12
An-Other Voice: Young Women Dancing and Talking of the dance class and Group. Particular emphasis in this study was given to interviewing a number of young women between the ages of 16 and 19 years. Because of the composition of the classes and the group and indeed, the character of the project, I was able to draw on young women with varied experience and interest in dance.作者: 賞錢 時(shí)間: 2025-3-30 03:21
Gender Interchangeability among the Tiwiife where these principles can be put into practice. Two decades or so of the ‘women’s movement’ may have changed the consciousness of many people, especially in broadening job possibilities and easing rigidified role definitions; they have not however erased the polarity woman-man constantly found in everyday life.作者: Vldl379 時(shí)間: 2025-3-30 06:52 作者: labile 時(shí)間: 2025-3-30 08:55
The Anxiety of Dance Performanceata as a fully rounded acquisition. By taking a brief analysis of . I will demonstrate the relevance of Lacanian psychoanalytic theory, showing the ways in which it highlights questions regarding the difficulties of spectatorship for women — questions that are particularly apt when asked in relation to the content, structure and style of ..作者: fiction 時(shí)間: 2025-3-30 15:34 作者: 極力證明 時(shí)間: 2025-3-30 17:32
https://doi.org/10.1007/978-94-017-0811-1 observation; it is based on initial acts of selection and focus and. imposes a perspective upon the reader. Description is also a far more creative act than it may appear at first glance. The critic brings to a work a viewing context; a set of values and tastes, specialised and general knowledge. W作者: depreciate 時(shí)間: 2025-3-30 22:53
Book 1993ography and subcultural theory. List of Plates - Preface to the 1995 Reprint - Notes on the Contributors - Introduction - PART 1: CULTURAL STUDIES - Dance, Gender and Culture; T.Polhumus - Dancing in the Dark: Rationalism and the Neglect of Social Dance; A.Ward - Ballet, Gender and Cultural Power; C
