標(biāo)題: Titlebook: DVD, Blu-ray and Beyond; Navigating Formats a Jonathan Wroot,Andy Willis Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 hom [打印本頁] 作者: Perforation 時(shí)間: 2025-3-21 17:51
書目名稱DVD, Blu-ray and Beyond影響因子(影響力)
書目名稱DVD, Blu-ray and Beyond影響因子(影響力)學(xué)科排名
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書目名稱DVD, Blu-ray and Beyond網(wǎng)絡(luò)公開度學(xué)科排名
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書目名稱DVD, Blu-ray and Beyond讀者反饋學(xué)科排名
作者: 通情達(dá)理 時(shí)間: 2025-3-21 20:33 作者: 小歌劇 時(shí)間: 2025-3-22 04:18
Disneyizing Home Entertainment Distributiondistinctive forms of repackaging and repurposing of animated films. Disney, above all other Hollywood studios, has found ways to develop and maintain the value of its library––and to expand the Disney brand, claiming ownership, or Disneyizing, the library titles of subsidiaries and partner productio作者: 同音 時(shí)間: 2025-3-22 04:33 作者: 頭盔 時(shí)間: 2025-3-22 12:14 作者: Infantry 時(shí)間: 2025-3-22 13:40 作者: Infantry 時(shí)間: 2025-3-22 19:55
The Education Market for Screen Media: DVD in a Time of Digital Abundancedia characteristics of DVD. As a result, the relative overall decline of the DVD in the home market has not been mirrored to the same extent in education. What are the distinct needs and characteristics of the education market these distributors currently engage with and how do physical media contin作者: 官僚統(tǒng)治 時(shí)間: 2025-3-22 21:44
Film Distribution: A Changing Businesstive business because the demand for films in the video market grew dramatically in the 1980s. With the recent development of the digital and on-line video market, in which distributors are replaced by new gatekeepers such as digital platform?providers and what are called content aggregators, the ma作者: Adjourn 時(shí)間: 2025-3-23 02:22
The Rise of the Feature Documentary—Fact or Fiction?enteen in 2015. For most documentaries, a short platform cinema release provides the oxygen of press reviews and publicity?to drive DVD and VOD sales in an increasingly saturated market. This chapter analyses key trends in documentary distribution?by charting the rise of Dogwoof and Picturehouse as 作者: NOVA 時(shí)間: 2025-3-23 08:54
Up All Night: The Shifting Roles of Home Media Formats as Transmedia Storytellingrd that scholars and industry alike have come to perceive as the media production strategy of the future. When scholars theorise transmedia storytelling, they typically prioritise film, TV, videogames and websites. DVDs and Blu-Rays—physical formats that occupy a vital role in extending and repurpos作者: 很像弓] 時(shí)間: 2025-3-23 12:56
Box Sets on the Set-Top Box: The Promotion of on Demand Television in Britain web-connected offerings precisely as ‘box sets’. This chapter asks what industrial purpose is served by this apparently nostalgic appropriation of the physical commodity form as a promotional frame of reference for the virtual. I argue that it functions to mine and repurpose the discourses of value作者: CURL 時(shí)間: 2025-3-23 16:59 作者: sinoatrial-node 時(shí)間: 2025-3-23 20:15
‘To Own or not to Own?’ Home Video Devices, Applications, Formats, and the Family Decision-Making Prer, while the discussion often focuses on the media devices used in the home, video platforms, services and formats are often absent from these debates, as well as audience research. This chapter will particularly focus on these gaps in research and examine family’s video consumption habits and prac作者: Irrigate 時(shí)間: 2025-3-23 23:08 作者: FUSC 時(shí)間: 2025-3-24 06:09
http://image.papertrans.cn/d/image/260267.jpg作者: 指令 時(shí)間: 2025-3-24 07:18 作者: CLAP 時(shí)間: 2025-3-24 10:56 作者: deactivate 時(shí)間: 2025-3-24 15:54
Social-Network-Based Personal Processesin recent years. This is partly due to the fact that digital formats are rising in popularity and the attention of many researchers, academics and writers has turned in this direction. However, as the introduction will argue, DVD (and in certain markets Blu-ray) is still a hugely influential platfor作者: 詞根詞綴法 時(shí)間: 2025-3-24 22:40 作者: 牽連 時(shí)間: 2025-3-24 23:35
Asia Pacific Business Process Management of his company Lucasfilm to Disney in 2013, however, brought about a crisis of identity for . and its “Expanded Universe.” This has been particularly prolific in relation to home media releases and re-releases. In this chapter I will analyze how Lucasfilm has altered the structure of the . transmed作者: 協(xié)奏曲 時(shí)間: 2025-3-25 06:53 作者: 無價(jià)值 時(shí)間: 2025-3-25 11:34 作者: HAUNT 時(shí)間: 2025-3-25 13:02 作者: MORT 時(shí)間: 2025-3-25 19:11
Asia Pacific Derivative Marketstive business because the demand for films in the video market grew dramatically in the 1980s. With the recent development of the digital and on-line video market, in which distributors are replaced by new gatekeepers such as digital platform?providers and what are called content aggregators, the ma作者: LIKEN 時(shí)間: 2025-3-25 22:40 作者: 無脊椎 時(shí)間: 2025-3-26 00:20
International and Development Educationrd that scholars and industry alike have come to perceive as the media production strategy of the future. When scholars theorise transmedia storytelling, they typically prioritise film, TV, videogames and websites. DVDs and Blu-Rays—physical formats that occupy a vital role in extending and repurpos作者: 整體 時(shí)間: 2025-3-26 05:58
Deane E. Neubauer,Prompilai Buasuwan web-connected offerings precisely as ‘box sets’. This chapter asks what industrial purpose is served by this apparently nostalgic appropriation of the physical commodity form as a promotional frame of reference for the virtual. I argue that it functions to mine and repurpose the discourses of value作者: dyspareunia 時(shí)間: 2025-3-26 09:58
India’s Scientific Endeavours in the Arctic label Vinegar Syndrome, as a case study of a successful and innovative fan enterprise. Established in 2012, the label specialises in releasing exploitation films on DVD, Blu-Ray and video-on-demand. The company is run by fans of cult cinema and uses a business model uncommon in independent home vid作者: 老巫婆 時(shí)間: 2025-3-26 14:08
Asia and the Arctic: Summary and Takeawayser, while the discussion often focuses on the media devices used in the home, video platforms, services and formats are often absent from these debates, as well as audience research. This chapter will particularly focus on these gaps in research and examine family’s video consumption habits and prac作者: 胰臟 時(shí)間: 2025-3-26 19:43
Book 2017gnificant intervention in highlighting the ways in which the film industry has responded to rapidly changing markets. This volume, global in scope, will prove useful to those studying the distribution and exhibition of films, and the economics of the film industry around the world..作者: etiquette 時(shí)間: 2025-3-27 00:48 作者: 圖表證明 時(shí)間: 2025-3-27 02:28 作者: 雪白 時(shí)間: 2025-3-27 08:18
Asia Pacific Business Process Managementia continuity from a multi-tiered hierarchical creator-centric canon to a new, broadly collaborative, non-hierarchical canonical system. This has particularly been evidenced in the paratextual discourse that surrounds the DVDs and Blu-rays for Episodes I–VI.作者: 旁觀者 時(shí)間: 2025-3-27 11:55
Asia Pacific Derivative Marketss progressive transition towards ‘narrativised’ DVD content. The menus are ‘a(chǎn)nimated’ into bearers of narrative meaning. Pixar feature films in particular are found to be demonstrative of this trend, which suggests capabilities of the DVD and Blu-Ray in relation to storytelling—which digital streaming platforms do not yet cater to.作者: triptans 時(shí)間: 2025-3-27 14:22 作者: thalamus 時(shí)間: 2025-3-27 18:53
International and Development Educationing media content across new terrains—are often overlooked. This chapter will question what specific roles they play in extending stories across media platforms. This chapter explores the specific case studies of . and the Marvel Cinematic Universe.作者: 敘述 時(shí)間: 2025-3-27 22:23
Deane E. Neubauer,Prompilai Buasuwan that scholars have observed in the objectification and isolation of television texts on DVD, while positioning VOD as continuous with rather than interruptive of older technologies of viewing, specifically with reference to the case study of Sky.作者: 預(yù)測(cè) 時(shí)間: 2025-3-28 05:49
Asia and the Arctic: Summary and Takeawaystices by looking at the use of various digital television devices, services, platforms and formats in the home, including video on demand and DVD. The chapter will investigate the logic behind the choices made and examine how they affect family viewing and consumption practices.作者: 圍巾 時(shí)間: 2025-3-28 08:43 作者: follicle 時(shí)間: 2025-3-28 10:59
Introduction,m. Chapters that focus on digital home media acknowledge that these draw parallels with DVD traits, for example through the term ‘box sets’. The chapters that make up the collection look at this influence through various case studies—from ‘tentpole’ brands and films (Disney and .), to the education market and documentaries.作者: HERTZ 時(shí)間: 2025-3-28 17:15
Disneyizing Home Entertainment Distributionn companies (Pixar, Touchstone) and even their own use of the technologies (Disney DVD, Disney Blu-ray). Disney’s actions have been large-scale and prolific, mainly because of the size of the corporation and their actions. This has made Disney particularly influential within the physical home media industry.作者: 圖畫文字 時(shí)間: 2025-3-28 20:54 作者: 冥想后 時(shí)間: 2025-3-29 02:06
Combining Nemo: Pixar Home Media and the DVD of Narrative Integrations progressive transition towards ‘narrativised’ DVD content. The menus are ‘a(chǎn)nimated’ into bearers of narrative meaning. Pixar feature films in particular are found to be demonstrative of this trend, which suggests capabilities of the DVD and Blu-Ray in relation to storytelling—which digital streaming platforms do not yet cater to.作者: DUST 時(shí)間: 2025-3-29 06:08
Film Distribution: A Changing Businessrket share for on-line revenues is also growing year on year. The chapter considers: how do distributors respond to the growing on-line video market? Will digital platform?providers and content aggregators become more dominant in the near future? And how does this affect film distribution processes?作者: FRAUD 時(shí)間: 2025-3-29 08:42 作者: 向前變橢圓 時(shí)間: 2025-3-29 14:54
Box Sets on the Set-Top Box: The Promotion of on Demand Television in Britain that scholars have observed in the objectification and isolation of television texts on DVD, while positioning VOD as continuous with rather than interruptive of older technologies of viewing, specifically with reference to the case study of Sky.作者: Glutinous 時(shí)間: 2025-3-29 15:33 作者: Lipoma 時(shí)間: 2025-3-29 22:37 作者: Complement 時(shí)間: 2025-3-30 00:33
Finance and Capital Markets Seriesian contexts. The distinctive work of film distributors, festivals, foundations and charities within the education market for screen content offers examples of meeting specific audience demands through DVD media.作者: 感激小女 時(shí)間: 2025-3-30 04:37 作者: Generalize 時(shí)間: 2025-3-30 09:48
India’s Scientific Endeavours in the Arcticxploitation films. I draw on an organisational analysis of the company and interview material to illustrate how the practices involved in running Vinegar Syndrome can be understood as fantrepreneurship.
