標題: Titlebook: Cynicism in British Post-War Culture; Ignorance, Dust and Kieran Curran Book 2015 Palgrave Macmillan, a division of Macmillan Publishers L [打印本頁] 作者: COAX 時間: 2025-3-21 16:24
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作者: Nebulizer 時間: 2025-3-22 00:07 作者: headlong 時間: 2025-3-22 02:37 作者: A簡潔的 時間: 2025-3-22 05:27
Introduction,ynesian consensus period — from Philip Larkin, employed as he was in the expanded university sector of the 1960s, to Morrissey, still seemingly scarred by his experience of a Manchester secondary modern education.作者: 哎呦 時間: 2025-3-22 10:19
Animal Models of Acute Neurological Injuryhe Franklin D. Roosevelt-initiated lend-lease program, designed to aid the Allied nations during the war with loaned machinery, from industrial to military, was cancelled:.Bread rationing only ended in 1947, clothes rationing and sweets rationing in 1949 — the public simply had to learn to cope with the results.作者: Homocystinuria 時間: 2025-3-22 16:44
: Philip Larkin,he Franklin D. Roosevelt-initiated lend-lease program, designed to aid the Allied nations during the war with loaned machinery, from industrial to military, was cancelled:.Bread rationing only ended in 1947, clothes rationing and sweets rationing in 1949 — the public simply had to learn to cope with the results.作者: Homocystinuria 時間: 2025-3-22 18:55 作者: Isolate 時間: 2025-3-22 21:12 作者: Hirsutism 時間: 2025-3-23 01:54 作者: Palate 時間: 2025-3-23 06:03 作者: 重疊 時間: 2025-3-23 11:23 作者: Ingest 時間: 2025-3-23 17:04
: Philip Larkin, onslaught of the Blitz, and had apparently grown more unified in the face of this. The realities of rationing and frugality had emerged with increased sharpness, resulting in a general sense of ennui and apathy which continued beyond the VE and VJ day celebrations, which were themselves somewhat su作者: Incommensurate 時間: 2025-3-23 18:19 作者: headway 時間: 2025-3-23 23:03 作者: commensurate 時間: 2025-3-24 03:54
,: British New Wave Cinema, British cinema. All of these films were adaptations of existing literary works — two from a novel, one from a short story and one from a stage play. Two of the four — the Shelagh Delaney-written . (1961), and . (1962), based on an Alan Sillitoe short story — were directed by Tony Richardson. Richar作者: Scintigraphy 時間: 2025-3-24 08:31
,: TV Satire/Comedy,s:.This definition is neat, but seems more applicable to a text such as William Shakespeare’s . (1602) rather than, say, Enda Walsh’s . (2006). A more pertinent account of the form in a contemporary sense follows:.Such a broad, inclusive account is particularly applicable in this chapter, where the 作者: 圖畫文字 時間: 2025-3-24 12:19 作者: 懶惰民族 時間: 2025-3-24 17:28
,: Stephen Poliakoff, the stage. Indeed, it is his mid-1970s dramatic work that I find most interesting in the context of the cynic sensibility. The three plays to be discussed in this chapter — in chronological order, . and . — all bear the hallmarks of the sensibility. They all, with degrees of variation, possess the 作者: 繁榮地區(qū) 時間: 2025-3-24 22:11
,: The Fall,as “always different, always the same”. From their foundations in 1976, the only constant member of the group is iconoclastic lead vocalist and lyricist Mark E. Smith. His original concept for the band as encapsulating “primitive music with avant-garde lyrics” has been the driving force of their out作者: GRILL 時間: 2025-3-25 00:20
,: The Smiths,lliams would define it in broad terms: “the selective tradition”, more specifically. This chapter looks particularly at where the Smiths actually fit within this in terms of popular culture. In my view, they represent the culmination of the cynic sensibility, achieving a balance between its Bohemian作者: Consensus 時間: 2025-3-25 05:54
Conclusion, the same key characteristics that the previous chapters have mapped out. Of course, Morrissey continued to pursue some of the same lyrical themes (such as the call for the obliteration of Middle English mundanity referenced in the epigraph), but in his pronouncements and artistic outputs from the 1作者: 赤字 時間: 2025-3-25 09:51
Book 2015This book is the first academic text to examine cynicism as a driving force in the context of post-war British culture. It maps a sensibility that transcends divisions between high and low culture, and encompasses figures such as Philip Larkin, John Lennon and Stephen Patrick Morrissey.作者: 復習 時間: 2025-3-25 15:04 作者: exercise 時間: 2025-3-25 19:41 作者: CHIDE 時間: 2025-3-25 23:01 作者: 云狀 時間: 2025-3-26 03:43
Animal Models of Acute Neurological Injury onslaught of the Blitz, and had apparently grown more unified in the face of this. The realities of rationing and frugality had emerged with increased sharpness, resulting in a general sense of ennui and apathy which continued beyond the VE and VJ day celebrations, which were themselves somewhat su作者: 震驚 時間: 2025-3-26 04:23
Ami P. Raval,Chunli Liu,Bingren R. HuWalter Greenwood or the non-fictional . by George Orwell underlined the plight of many ordinary British people who were neither members of the capital-owning or industrial class nor the professional, better educated, comfortable middle class. Unemployment is pathologised in Greenwood’s novel: “it go作者: 低位的人或事 時間: 2025-3-26 08:57 作者: Petechiae 時間: 2025-3-26 16:34 作者: compose 時間: 2025-3-26 17:55 作者: 束縛 時間: 2025-3-26 22:22
Nathan A. Holtz Ph.D.,Marilyn E. Carrollin writing that:.Carys Wyn Jones has identified slight currents in popular music academic discourse seemingly devoted to placing the Beatles alongside traditional high cultural practices of yore — for instance, via the . series of conferences/books, which sought to apply traditional (classical) musi作者: surrogate 時間: 2025-3-27 02:43
https://doi.org/10.1007/978-1-60761-898-0 the stage. Indeed, it is his mid-1970s dramatic work that I find most interesting in the context of the cynic sensibility. The three plays to be discussed in this chapter — in chronological order, . and . — all bear the hallmarks of the sensibility. They all, with degrees of variation, possess the 作者: 刺穿 時間: 2025-3-27 07:42
Susan L. Stoddard,James A. Rogers IIIas “always different, always the same”. From their foundations in 1976, the only constant member of the group is iconoclastic lead vocalist and lyricist Mark E. Smith. His original concept for the band as encapsulating “primitive music with avant-garde lyrics” has been the driving force of their out作者: 小蟲 時間: 2025-3-27 12:57 作者: 瘋狂 時間: 2025-3-27 15:22
Robert M. Post,Susan R. B. Weiss the same key characteristics that the previous chapters have mapped out. Of course, Morrissey continued to pursue some of the same lyrical themes (such as the call for the obliteration of Middle English mundanity referenced in the epigraph), but in his pronouncements and artistic outputs from the 1作者: PALMY 時間: 2025-3-27 18:23
Ren? A. Sowell,D. Allan ButterfieldIn the following passage from his history of countercultural London, long-standing music writer and cultural critic Barry Miles identified the huge popular significance and impact of punk music on late 1970s British culture:作者: APNEA 時間: 2025-3-27 22:59
,: Punk and the Cynic Sensibility,In the following passage from his history of countercultural London, long-standing music writer and cultural critic Barry Miles identified the huge popular significance and impact of punk music on late 1970s British culture:作者: 搏斗 時間: 2025-3-28 05:30
Overview: This book is the first academic text to examine cynicism as a driving force in the context of post-war British culture. It maps a sensibility that transcends divisions between high and low culture, and encompasses figures such as Philip Larkin, John Lennon and Stephen Patrick Morrissey.978-1-349-49564-1978-1-137-44435-6作者: Hot-Flash 時間: 2025-3-28 08:49 作者: Endoscope 時間: 2025-3-28 13:51
Ami P. Raval,Chunli Liu,Bingren R. Hust group, sought to increase solidarity and collective action in the face of “the deadening, debilitating effect of unemployment” (Orwell 73). Extreme hardship and institutional carelessness were par for the course — the dole was low, and rules preventing working illegally to earn extra money were r作者: NEG 時間: 2025-3-28 18:39 作者: Jingoism 時間: 2025-3-28 22:10 作者: 是他笨 時間: 2025-3-29 01:32 作者: 貨物 時間: 2025-3-29 04:28 作者: 打火石 時間: 2025-3-29 10:24
Robert M. Post,Susan R. B. Weiss has tended to rely on his past glories and past witticisms (as well as the die-hard loyalty of many of his acolytes) to retain his cultural cachet. Recent media statements as to the barbarity of “the Chinese” and “Canada” as a whole — due to their respective animal rights records — has reinforced t作者: 記憶法 時間: 2025-3-29 12:13 作者: 完成才能戰(zhàn)勝 時間: 2025-3-29 16:37 作者: bronchodilator 時間: 2025-3-29 22:43
,: British New Wave Cinema,ir literary source texts. As a result, some critics have viewed the British “New Wave” as being too indebted to a staid form of British realism. The crucial appeal of the form rests in the fact that, in spite of a relative decline in cinema attendances, it was still a medium which particularly reson作者: 表示向前 時間: 2025-3-30 03:22 作者: 抱負 時間: 2025-3-30 05:42
,: The Smiths,1960s, as well as the maturation of the baby boom generation and the limits of hippy optimism. Poliakoff reflects a disillusionment with the hangover of the said optimism in the 1970s, leading into punk and post-punk music. And many critics see the Smiths as inextricably linked with the deconstructi作者: Tracheotomy 時間: 2025-3-30 08:55
Conclusion, has tended to rely on his past glories and past witticisms (as well as the die-hard loyalty of many of his acolytes) to retain his cultural cachet. Recent media statements as to the barbarity of “the Chinese” and “Canada” as a whole — due to their respective animal rights records — has reinforced t作者: aristocracy 時間: 2025-3-30 15:01 作者: TRACE 時間: 2025-3-30 19:25
