標(biāo)題: Titlebook: Cultural Policy and Cultural Industries in Africa; From Culture as a Co Last Moyo Book 2024 The Editor(s) (if applicable) and The Author(s) [打印本頁] 作者: fitful 時(shí)間: 2025-3-21 19:55
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書目名稱Cultural Policy and Cultural Industries in Africa讀者反饋學(xué)科排名
作者: 征稅 時(shí)間: 2025-3-21 22:50
978-3-031-57744-4The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl作者: 火花 時(shí)間: 2025-3-22 02:21 作者: maroon 時(shí)間: 2025-3-22 05:01
http://image.papertrans.cn/d/image/242510.jpg作者: nocturnal 時(shí)間: 2025-3-22 12:12 作者: STANT 時(shí)間: 2025-3-22 14:27 作者: STANT 時(shí)間: 2025-3-22 19:49
https://doi.org/10.1007/978-3-030-44677-2 Conference (1955). The timeline is based on Ghana’s independence in 1957 and South Africa in 1994, the former representing the first Sub-Saharan African country to get independent?while the latter representing the last. In decolonial cultural policy approaches, the Bandung Conference is an event of作者: Lucubrate 時(shí)間: 2025-3-22 23:51
https://doi.org/10.1007/978-3-030-44677-2ansformative power to deliver substantive cultural freedoms to wider society. Reminiscent of societies that are emerging from protracted histories of slavery and colonialism, and countenancing gripping neocolonial futures, the crisis of normativity in postcolonial Africa points to a multidimensional作者: NIP 時(shí)間: 2025-3-23 05:24 作者: majestic 時(shí)間: 2025-3-23 07:23
https://doi.org/10.1007/978-88-470-2454-0and film in Africa and how these cultural?industries emerged as a critical part of the colonial edifice. The fact that broadcasting and film were the epicenter of the colonial audio-visual cultures continues to pose huge challenges to the initiatives of postcolonial Africa to decolonize its cultural作者: 顯赫的人 時(shí)間: 2025-3-23 11:11
https://doi.org/10.1007/978-88-470-2454-0 industra. It examines racist imagery of Blackness and how this reveals the problem of institutionalized racism in the advertising industry. South Africa became a democratic state in 1994, culminating in the dismantling of the official infrastructure of institutionalized racism that had lasted for m作者: trigger 時(shí)間: 2025-3-23 14:02 作者: 偽書 時(shí)間: 2025-3-23 21:12 作者: exigent 時(shí)間: 2025-3-24 02:05 作者: tendinitis 時(shí)間: 2025-3-24 06:24 作者: 不規(guī)則的跳動(dòng) 時(shí)間: 2025-3-24 08:13 作者: LATHE 時(shí)間: 2025-3-24 13:09 作者: 不可磨滅 時(shí)間: 2025-3-24 18:53 作者: instulate 時(shí)間: 2025-3-24 21:29
https://doi.org/10.1007/978-3-030-44677-2e consumption in the marketplace. It recast Africa’s struggles for cultural freedom from colonization as struggles against the African state for individuated lifestyle choices such as feminism, naturism, homosexuality, vegetarianism, and environmentalism. These internal sub-cultural and perspectival作者: 傻 時(shí)間: 2025-3-25 01:55 作者: monopoly 時(shí)間: 2025-3-25 03:51
https://doi.org/10.1007/978-88-470-2454-0ifier of white superiority and black inferiority..The chapter argues that most of the post-apartheid racism is increasingly covert?or hidden. Covert racism is often institutionalized, subtle, invisible, and dynamic, but still existing as a system and structure to contain Black agency. Because covert作者: BYRE 時(shí)間: 2025-3-25 11:18
https://doi.org/10.1007/978-88-470-2454-0lonized and (ex) colonizers, new cartographies of spatial-cum-cultural decolonization aim to construct new postcolonial memories so that the nation-state is not perpetually trapped in the geography of colonial trauma.作者: muscle-fibers 時(shí)間: 2025-3-25 12:59
https://doi.org/10.1007/978-88-470-2454-0are Africans doing to transform digital media technologies to re-invent and redefine their cultural identities in ways that resist racist stereotypes of the (neo)colonial gaze? There is no doubt that digital media technologies have become an inextricable part of the African creative economy and cult作者: 不規(guī)則 時(shí)間: 2025-3-25 19:51
modernity. It explores the decolonization praxis of cultural industries and acknowledges the complexity of cultural decolonization iniatives in a continent that is so diverse, interconnected, globalized, and f978-3-031-57744-4978-3-031-57742-0作者: EPT 時(shí)間: 2025-3-25 21:11
Introduction,re..The chapter also unpacks the theory of decolonial cultural policy studies which contends that the colonizer and the colonized cannot use a similar understanding of culture and cultural policies without the colonized running the risk of creating cultural industries and cultural systems that are i作者: AFFIX 時(shí)間: 2025-3-26 02:24 作者: 凝視 時(shí)間: 2025-3-26 05:00
The Post-Bandung State and African Cultural Freedoms: Cultural Policy Initiatives from 1957 to 1994tes and liberation movements in the development of national cultural and media policies for the completion of the national decolonization project in the post colonies. The chapter brags a diverse mix of case studies drawn from North African Arab states and Sub-Saharan Africa, all demonstrating the r作者: 攤位 時(shí)間: 2025-3-26 12:28 作者: 泄露 時(shí)間: 2025-3-26 15:51 作者: 褻瀆 時(shí)間: 2025-3-26 17:33
Broadcasting and Film Industries in Africa: Re-Animating African Cultural Agency,that?confront?old and new forms of cultural?domination. In post-apartheid South Africa, for example, the apartheid legacy of institutionalized and systemic anti-Black?racism remains intact?to the extent that decolonizing television and film industries by bringing in black actors and democratizing br作者: 獨(dú)輪車 時(shí)間: 2025-3-26 23:58
Advertising Industries and Anti-Black Racism in South Africa,ifier of white superiority and black inferiority..The chapter argues that most of the post-apartheid racism is increasingly covert?or hidden. Covert racism is often institutionalized, subtle, invisible, and dynamic, but still existing as a system and structure to contain Black agency. Because covert作者: 小樣他閑聊 時(shí)間: 2025-3-27 02:01 作者: GEAR 時(shí)間: 2025-3-27 06:17 作者: Herd-Immunity 時(shí)間: 2025-3-27 11:07
Introduction,inscribe the transformative value of cultural policy into its progressive decolonial cultural politics of the twenty-first century. It argues that national cultural policies, and by extension culture itself, remain a key part of the puzzle for decolonizing African media, cultural industries, and soc作者: 刻苦讀書 時(shí)間: 2025-3-27 16:59
Cultural Industries and Cultural Policy in Postcolonial Contexts,ations between processes of commodification, marketization, corporatization, and cultural decolonization in the continent. Borrowing from scholars in the fields of critical political economy and critical policy studies, the chapter discusses a long history of the competing regimes of knowledge and p作者: inconceivable 時(shí)間: 2025-3-27 19:56
The Post-Bandung State and African Cultural Freedoms: Cultural Policy Initiatives from 1957 to 1994 Conference (1955). The timeline is based on Ghana’s independence in 1957 and South Africa in 1994, the former representing the first Sub-Saharan African country to get independent?while the latter representing the last. In decolonial cultural policy approaches, the Bandung Conference is an event of作者: 弓箭 時(shí)間: 2025-3-28 01:31 作者: 束以馬具 時(shí)間: 2025-3-28 02:40 作者: Fretful 時(shí)間: 2025-3-28 07:18 作者: 易彎曲 時(shí)間: 2025-3-28 10:30
Advertising Industries and Anti-Black Racism in South Africa, industra. It examines racist imagery of Blackness and how this reveals the problem of institutionalized racism in the advertising industry. South Africa became a democratic state in 1994, culminating in the dismantling of the official infrastructure of institutionalized racism that had lasted for m作者: Myofibrils 時(shí)間: 2025-3-28 16:15
Cultural Landscapes and Ecological Citizenship in Postcolonial Africa, constructing national cultural identities. Cultural landscapes lie at the core of nation building through the ‘memorialization’ and ‘heritagization’ of the nation. They constitute ecological texts of a mythologized past that narrates the fundamental myths of the nation based on the selective rememb
