標題: Titlebook: Chinese Modern Design Thinking; Life, Enlightenment, Cao Xiao‘ou Book 2024 Shandong Fine Arts Publishing House 2024 Chinese Modern Design T [打印本頁] 作者: estrange 時間: 2025-3-21 16:50
書目名稱Chinese Modern Design Thinking影響因子(影響力)
書目名稱Chinese Modern Design Thinking影響因子(影響力)學科排名
書目名稱Chinese Modern Design Thinking網(wǎng)絡公開度
書目名稱Chinese Modern Design Thinking網(wǎng)絡公開度學科排名
書目名稱Chinese Modern Design Thinking被引頻次
書目名稱Chinese Modern Design Thinking被引頻次學科排名
書目名稱Chinese Modern Design Thinking年度引用
書目名稱Chinese Modern Design Thinking年度引用學科排名
書目名稱Chinese Modern Design Thinking讀者反饋
書目名稱Chinese Modern Design Thinking讀者反饋學科排名
作者: 補助 時間: 2025-3-21 21:53
,Paradox of “Manufacturing”,In 2007, at the Asia Forum of Hong Kong Design Business Week, David Rocks, a senior editor of ., said in his speech, “When it comes to technology and products, China is certainly the manufacturing hub for almost all products today; but in the realm of design, China still has a long way to go.作者: 保守 時間: 2025-3-22 00:59
https://doi.org/10.1007/978-981-99-9899-9Chinese Modern Design Thinking; Chinese Modern Design and Enlightenment; Chinese Modern Design; Cao Xia作者: 劇毒 時間: 2025-3-22 07:10 作者: 新字 時間: 2025-3-22 10:20
,“Revolution” and “Technological Aesthetics”, of the “Cultural Revolution”, which distorted and suppressed people’s nature, freedoms and lives. This movement manifested itself in various forms of “rebellion,” both in the realm of culture and ideology, and in attempts to represent individual images.作者: ciliary-body 時間: 2025-3-22 15:12
Imagination of Urbanization,part and the “commercial” part. The author believes that the “urban” part is the center of politics and military affairs, while the “commercial” part is the center of economic and trade activities. When these two parts are combined, a city is formed.作者: ciliary-body 時間: 2025-3-22 17:36
Discourse Mode of Design,, even though it remains within the realm of culture. Therefore, in modern times, the influence of design has become increasingly prominent. However, its discourse mode is still subject to the control of ideology, market, or consumption. This is especially evident in newly emerging Third World countries.作者: CHOP 時間: 2025-3-22 21:49
https://doi.org/10.1007/978-0-85729-133-2 of the “Cultural Revolution”, which distorted and suppressed people’s nature, freedoms and lives. This movement manifested itself in various forms of “rebellion,” both in the realm of culture and ideology, and in attempts to represent individual images.作者: Vo2-Max 時間: 2025-3-23 01:37 作者: Dawdle 時間: 2025-3-23 06:00
Carlos Chastre,José Neves,Paulina Faria, even though it remains within the realm of culture. Therefore, in modern times, the influence of design has become increasingly prominent. However, its discourse mode is still subject to the control of ideology, market, or consumption. This is especially evident in newly emerging Third World countries.作者: 舞蹈編排 時間: 2025-3-23 11:00
https://doi.org/10.1007/978-3-031-40579-2g of it. They wanted to borrow from it but did not know where to start, and their minds were actually wandering in the dilemma of deep inferiority and blind confidence for a long time. Today, nearly 40?years have passed, and when we settle down to retrospect history, we find many highlights in the d作者: 安心地散步 時間: 2025-3-23 15:40
https://doi.org/10.1007/978-0-85729-133-2 of the “Cultural Revolution”, which distorted and suppressed people’s nature, freedoms and lives. This movement manifested itself in various forms of “rebellion,” both in the realm of culture and ideology, and in attempts to represent individual images.作者: CURL 時間: 2025-3-23 21:01 作者: 同音 時間: 2025-3-23 23:39 作者: Kinetic 時間: 2025-3-24 04:19
https://doi.org/10.1007/978-0-85729-133-2part and the “commercial” part. The author believes that the “urban” part is the center of politics and military affairs, while the “commercial” part is the center of economic and trade activities. When these two parts are combined, a city is formed.作者: lymphoma 時間: 2025-3-24 07:43
https://doi.org/10.1007/978-3-031-05875-2wpoint by the famous historian, Arnold Joseph Toynbee, who claimed that “the nineteenth century is the British century, the twentieth century will be the American century, and the twenty-first century will be the Chinese century”, he said: “We are certain that China will become or has been the world作者: 和平主義 時間: 2025-3-24 12:02
Carlos Chastre,José Neves,Paulina Faria, even though it remains within the realm of culture. Therefore, in modern times, the influence of design has become increasingly prominent. However, its discourse mode is still subject to the control of ideology, market, or consumption. This is especially evident in newly emerging Third World count作者: 自負的人 時間: 2025-3-24 14:54 作者: languor 時間: 2025-3-24 23:02
Cao Xiao‘ouStudies the development of modern and contemporary design art in China since 1978.Fills the gap in the study of the intellectual history of Chinese modern art design.Makes in-depth research on the dev作者: reaching 時間: 2025-3-25 02:16
http://image.papertrans.cn/d/image/242107.jpg作者: 法官 時間: 2025-3-25 05:24
Book 2024wing the evolution of the visual and material forms in three levels of “individual”, “group”, and “country” since the reform and opening up, the book comprehensively and meticulously describes and analyzes the social particularity of the changes of Chinese design art in this period and makes corresp作者: 強化 時間: 2025-3-25 11:26
Chinese modern art design.Makes in-depth research on the devThis book studies the development of modern and contemporary design art in China since 1978. Starting with the design enlightenment, and closely following the evolution of the visual and material forms in three levels of “individual”, “grou作者: MULTI 時間: 2025-3-25 13:37
https://doi.org/10.1007/978-3-031-40579-2 blind confidence for a long time. Today, nearly 40?years have passed, and when we settle down to retrospect history, we find many highlights in the development of Chinese design and remarkable achievements by many designers in those years.作者: capillaries 時間: 2025-3-25 17:04
https://doi.org/10.1007/978-3-031-05875-2the American century, and the twenty-first century will be the Chinese century”, he said: “We are certain that China will become or has been the world’s largest manufacturing center, consumer market, and will continue to grow.”作者: 頑固 時間: 2025-3-25 22:44 作者: 印第安人 時間: 2025-3-26 01:55
The National Design Strategies,the American century, and the twenty-first century will be the Chinese century”, he said: “We are certain that China will become or has been the world’s largest manufacturing center, consumer market, and will continue to grow.”作者: 防御 時間: 2025-3-26 06:19
https://doi.org/10.1007/978-0-85729-133-2 China at the end of 2007. Based on the report of the 17th National Congress of the Communist Party of China, the Xinhua News Agency issued a long telegram to the nation, outlining the defining characteristics, achievements and hallmarks of the “New Era.”作者: Tartar 時間: 2025-3-26 08:41
Intelligent Traffic Monitoring Systemss is naturally gratifying, but the negative effects of the massive “Westernization” have become increasingly clear over time, prompting it to be a subject of significant concern among Chinese scholars.作者: 隨意 時間: 2025-3-26 15:59
,Design in the “New Era”, China at the end of 2007. Based on the report of the 17th National Congress of the Communist Party of China, the Xinhua News Agency issued a long telegram to the nation, outlining the defining characteristics, achievements and hallmarks of the “New Era.”作者: 津貼 時間: 2025-3-26 20:49 作者: 柳樹；枯黃 時間: 2025-3-26 23:04 作者: Ankylo- 時間: 2025-3-27 03:06 作者: granite 時間: 2025-3-27 06:48 作者: 輕率看法 時間: 2025-3-27 12:29 作者: rectum 時間: 2025-3-27 16:09
Design and Modern Enlightenment,g of it. They wanted to borrow from it but did not know where to start, and their minds were actually wandering in the dilemma of deep inferiority and blind confidence for a long time. Today, nearly 40?years have passed, and when we settle down to retrospect history, we find many highlights in the d作者: Ganglion 時間: 2025-3-27 18:57 作者: 史前 時間: 2025-3-27 23:11
,The Beginning of “Contemporaneity” and the End of “Arts and Crafts”,f “contemporaneity” invariably?overlap with modern design. The reason to emphasize its time orientation is because of the emergence of a “new” structure in Chinese society and the resulting change of idea, culture, and knowledge structure. Generally speaking, we are used to dividing phenomena by tim作者: 不透氣 時間: 2025-3-28 02:49
,Design in the “New Era”,on many occasions, carrying profound content and emotions. The Chinese government made a comprehensive summarization of the country’s development as it approached the 30th anniversary of its reform and opening-up policy, which spanned from 1978 to the 17th National Congress of the Communist Party of作者: 吞沒 時間: 2025-3-28 08:59 作者: Adrenaline 時間: 2025-3-28 10:52 作者: Chronological 時間: 2025-3-28 18:28 作者: 艱苦地移動 時間: 2025-3-28 20:46
Design in the Era of Globalization, Chinese lifestyle, which has nonetheless contributed significantly to China’s modernization. Objectively speaking, this “imported” experience has helped China achieve a relatively high standard of living for its people. In just over 30?years, China has become the world’s second-largest economy. Thi作者: TRAWL 時間: 2025-3-29 02:46 作者: ALE 時間: 2025-3-29 06:56 作者: IRS 時間: 2025-3-29 07:56 作者: 花爭吵 時間: 2025-3-29 14:32
