標(biāo)題: Titlebook: Curating Africa in the Age of Film Festivals; Lindiwe Dovey Book 2015 Lindiwe Dovey 2015 Africa.film festivals.festivalization.digital era [打印本頁] 作者: HEMI 時(shí)間: 2025-3-21 19:40
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作者: Stress-Fracture 時(shí)間: 2025-3-22 00:08
In Vitro Regeneration Systems of ,will to create knowledge that was also one of the foundational motivations behind the construction of museums. However, collecting and curating practices have always exceeded the desire to pass on knowledge to others through the content of the exhibits themselves; they have at the same time been inv作者: foreign 時(shí)間: 2025-3-22 01:46 作者: 交響樂 時(shí)間: 2025-3-22 07:13
Carlos H. Caicedo-Nú?ez,Milo? ?efrancussions. The contested meanings of films in these settings challenge the dominant hermeneutic practice of close film analysis as it takes place in professional settings, such as universities and newspapers, where the contexts of a film’s screening are rarely taken into account in the critics judgme作者: trigger 時(shí)間: 2025-3-22 09:17
SpringerBriefs in Political Science); the New York African Film Festival (1993); and the African Diaspora International Film Festival in New York (1993) [see Appendix 2 for complete list]. Mostly founded in Western Europe, these African film festivals can be interpreted in two broad ways: first, as relating to representational politi作者: 碳水化合物 時(shí)間: 2025-3-22 15:57
SpringerBriefs in Political Science and crafts. In fact, I find myself surrounded by advertisements for festivals wherever I go: the Rose Festival in Morocco; the Dubai Shopping Festival; a cherry-picking festival in Lebanon; . Festival of the Torches in Valencia, Spain.作者: 碳水化合物 時(shí)間: 2025-3-22 20:45
Chris D. Geddes,Joseph R. Lakowiczpproach to a festival drawing on ethnographic methods will reveal the degree to which . film festivals are potentially unique through the spontaneity through which . may be conjured at them, thereby revealing a very different image of the festival from the one that may be marketed to the world. I wa作者: 偶像 時(shí)間: 2025-3-22 21:26 作者: Integrate 時(shí)間: 2025-3-23 02:32 作者: 微枝末節(jié) 時(shí)間: 2025-3-23 09:26 作者: 血友病 時(shí)間: 2025-3-23 11:43 作者: 抵消 時(shí)間: 2025-3-23 14:25
,African Film Festivals in Africa: Curating “African Audiences” for “African Films”,cussions. The contested meanings of films in these settings challenge the dominant hermeneutic practice of close film analysis as it takes place in professional settings, such as universities and newspapers, where the contexts of a film’s screening are rarely taken into account in the critics judgme作者: quiet-sleep 時(shí)間: 2025-3-23 18:08 作者: Osteons 時(shí)間: 2025-3-24 00:16 作者: 眉毛 時(shí)間: 2025-3-24 05:24
Festive Excitement and , in Action at Two Film Festivals in Africa,pproach to a festival drawing on ethnographic methods will reveal the degree to which . film festivals are potentially unique through the spontaneity through which . may be conjured at them, thereby revealing a very different image of the festival from the one that may be marketed to the world. I wa作者: 使饑餓 時(shí)間: 2025-3-24 10:07
Conclusion,n government is supporting a controversial union that is attempting to force them to conform to health and safety standards their owners simply cannot afford. The video hall is filled with people, but their eyes are glazed over. They are clearly not finding this indignant, worthy film about the type作者: 填料 時(shí)間: 2025-3-24 14:10 作者: 權(quán)宜之計(jì) 時(shí)間: 2025-3-24 16:44 作者: 假 時(shí)間: 2025-3-24 22:09 作者: 生存環(huán)境 時(shí)間: 2025-3-24 23:12 作者: 出生 時(shí)間: 2025-3-25 05:34
,African Film Festivals in Africa: Curating “African Audiences” for “African Films”,arkable that so little scholarly attention has been granted to considering audiences at film festivals.. Although certain prestigious film festivals (Cannes, in particular) operate mostly as closed, industry events focused on the glamor and business of filmmaking, most of the thousands of film festi作者: Sinus-Node 時(shí)間: 2025-3-25 10:36
Moving Africa: African Film Festivals Outside of Africa, their founding): the Festival des 3 Continents in Nantes, France (1979); the Festival International du Films d’Amiens, France (1980); the one-off Black Film Festival organized by Parminder Vir and Jim Pines in the UK (1981); the Verona African Film Festival, Italy (1982); the one-off Third Eye Fest作者: 門窗的側(cè)柱 時(shí)間: 2025-3-25 15:20
,The Rise of “International” Film Festivals in Africa,l is taking place at Wiltons Music Hall; the Spill Festival of Performance—a celebration of “radical live work” in experimental theatre and art—is on in east, south, and central London; the London Latin Music Festival La Linea claims to have brought the “who’s who” of contemporary Latin musicians to作者: 出生 時(shí)間: 2025-3-25 18:05
Festive Excitement and , in Action at Two Film Festivals in Africa,ements do not necessarily correspond neatly to conventional definitions of film festivals, as “glittering showcases for films and people” and “vital nodes for global film industries” that “attract widespread global attention” (Wong 2011: 1). A group of very original film festivals on the African con作者: Commentary 時(shí)間: 2025-3-25 23:01
Conclusion,deo halls), wood-and-tin shacks that usually serve up English league football matches and “VJed” Hollywood, Bollywood, and kung fu films five times a day to packed audiences. The “film marathon” has been organized by Dutch art historian Alice Smits and American filmmaker Lee Ellickson as part of the作者: pancreas 時(shí)間: 2025-3-26 03:04
Laboratory-Induced Apogamy and Apospory in ,xperience of European rule, which meant that from the early days of British occupation (1882–1922), locals still had resources and power that people within other African countries did not at the time. While Egyptians started to make films from the early twentieth century, soon after the invention of作者: 顯示 時(shí)間: 2025-3-26 05:35 作者: affect 時(shí)間: 2025-3-26 12:24
In Vitro Regeneration Systems of , question: where are the great sub-Saharan African filmmakers who began their work in the early 1960s? Several films, made with some African participation, were featured in 1950s film festivals. For example, . (1952), produced through the Colonial Film Unit of Ghana and shown at the Berlin Film Fest作者: 殺死 時(shí)間: 2025-3-26 13:23 作者: 責(zé)難 時(shí)間: 2025-3-26 20:35 作者: 骨 時(shí)間: 2025-3-26 23:41 作者: Influx 時(shí)間: 2025-3-27 02:04 作者: 我不明白 時(shí)間: 2025-3-27 06:52
Chris D. Geddes,Joseph R. Lakowiczements do not necessarily correspond neatly to conventional definitions of film festivals, as “glittering showcases for films and people” and “vital nodes for global film industries” that “attract widespread global attention” (Wong 2011: 1). A group of very original film festivals on the African con作者: GRE 時(shí)間: 2025-3-27 13:03 作者: 津貼 時(shí)間: 2025-3-27 13:38
Framing Film Festivalshttp://image.papertrans.cn/d/image/241079.jpg作者: 嚴(yán)峻考驗(yàn) 時(shí)間: 2025-3-27 19:25 作者: AUGER 時(shí)間: 2025-3-27 23:46
2946-3734 festivals (the festival experts, the ordinary festival audiences, and the filmmakers), Dovey reveals what turns something called a "festival" into a "festival experience" for these groups.978-1-349-48722-6978-1-137-40414-5Series ISSN 2946-3734 Series E-ISSN 2946-3742 作者: 幻影 時(shí)間: 2025-3-28 05:15 作者: APO 時(shí)間: 2025-3-28 07:32
https://doi.org/10.1057/9781137404145Africa; film festivals; festivalization; digital era; curate; curator; curatorial; video on demand; African 作者: FILTH 時(shí)間: 2025-3-28 13:51 作者: Hyperplasia 時(shí)間: 2025-3-28 18:04 作者: kyphoplasty 時(shí)間: 2025-3-28 22:41 作者: abolish 時(shí)間: 2025-3-28 23:25
https://doi.org/10.1007/978-3-642-90804-0Alzheimer; Alzheimersche Krankheit; Anatomie; Aufmerksamkeit; Bewegungsst?rung; Cortex; Histologie; Histopa
