標(biāo)題: Titlebook: Culture Wars and Horror Movies; Social Fears and Ide Noelia Gregorio-Fernández,Carmen M. Méndez-García Book 2024 The Editor(s) (if applicab [打印本頁] 作者: JADE 時間: 2025-3-21 16:27
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作者: miracle 時間: 2025-3-21 22:50 作者: cardiac-arrest 時間: 2025-3-22 00:55
Noelia Gregorio-Fernández,Carmen M. Méndez-GarcíaExplores the polarized ideological landscape in contemporary horror movies..Focuses on topics as diverse as neoliberalism, social justice, socioeconomic dispossession.Highlights the vibrancy and compl作者: 憤慨一下 時間: 2025-3-22 07:20
http://image.papertrans.cn/d/image/240961.jpg作者: 在駕駛 時間: 2025-3-22 09:27 作者: MAG 時間: 2025-3-22 15:01
Harvest and Pre-Fermentation Processingstarting point for Peele’s exploration of race in the United States was the way the racialized structures of social environments produced and organized unequal race relations. This structural perspective on race allows . to raise political questions that deeply resonated with the dominant concerns o作者: MAG 時間: 2025-3-22 17:05 作者: Charlatan 時間: 2025-3-23 00:01 作者: Discrete 時間: 2025-3-23 03:04
Kenneth C. Fugelsang,Charles G. EdwardsAri Aster 2019) include monsters who are terrifying . they are white. The emergence of the white monster in twenty-first-century horror raises several questions about racial representation within these narratives, viewer identification and reflexivity, and gaze theory. How is the white horror fan ha作者: 陶瓷 時間: 2025-3-23 07:17 作者: ciliary-body 時間: 2025-3-23 10:36
Identification of Wine Microorganismslent avenger killing strangers as symbolic substitutes. Innocent Black men systematically targeted and lynched are reborn as vengeful revenants in search of communal recognition and propagation, conjured through performative utterance. The creation of a new Candyman signals that anti-Black hostility作者: 劇本 時間: 2025-3-23 16:51 作者: 憤憤不平 時間: 2025-3-23 21:52
Western North American Juniperus Communitiesviolence and inequality. Much as Peele still relies on the blend of racial politics and horror tropes initiated in his instant classic debut . (2017), I argue that his sophomore film deploys staples of the horror genre such as the doppelg?nger, the monster, and the home invasion to reflect upon and 作者: 平靜生活 時間: 2025-3-24 00:07
Panagiotou Mihalis,Grigoriadou Mariaction of Donald Trump in 2016. His election polarized American society and entered popular cultural tropes, including horror films. It seems that the culture wars constructed an ideological “Other,” a monstrous Other who evinces the main features of the horror monster: it is menacing, as it aims to 作者: instill 時間: 2025-3-24 02:30
https://doi.org/10.1007/978-0-387-34844-5velop. More specifically, it focuses on the transnational dimension of the horrific situations that films like . (Kleber Mendon?a Filho and Juliano Dornelles 2019), . (Craig Zobel 2020), and . (Everardo Gout 2021) imagine. The introduction to the chapter offers an overview of some key concerns and a作者: 甜得發(fā)膩 時間: 2025-3-24 08:30 作者: 帶來 時間: 2025-3-24 13:35 作者: 慌張 時間: 2025-3-24 16:35 作者: HERTZ 時間: 2025-3-24 19:41 作者: paradigm 時間: 2025-3-25 01:36
Book 2024ideological issues.?.Culture Wars and Horror Movies: Social Fears and Ideology in Post-2010 Horror Cinema?.analyses the ways in which these “culture wars” make their way into and through contemporary horror films, focusing on the post-2010 US context and its fundamental political divisions..作者: 數(shù)量 時間: 2025-3-25 07:10
Estimation of Population Densityd critical distinction. Parallel to current divisive sociopolitical disagreements, contemporary horror movies are emerging as a reproduction of what dominates popular culture and the current political framework: culture wars.作者: HIKE 時間: 2025-3-25 11:30 作者: predict 時間: 2025-3-25 13:14 作者: Urgency 時間: 2025-3-25 18:44 作者: Oration 時間: 2025-3-25 23:51 作者: gnarled 時間: 2025-3-26 01:09
Western North American Juniperus Communitiestudies scholarship, I try to ascertain how the dual dimensions at the core of the film, as well as its use of horror film strategies, address and foreground the wounds wrought on the social fabric of the US by neoliberal politics.作者: 領(lǐng)導(dǎo)權(quán) 時間: 2025-3-26 08:18 作者: Cryptic 時間: 2025-3-26 10:45
The Unbearable Whiteness of , (2017) and , (2019)ence of the white monster. I argue that the foregrounding of whiteness itself as a feature of horror requires critics to revisit classic theories of viewer experience and the gaze, and revise these models to center whiteness as a feature of monstrosity.作者: obligation 時間: 2025-3-26 14:13 作者: Middle-Ear 時間: 2025-3-26 17:27 作者: 全國性 時間: 2025-3-26 21:53
Introduction: Culture Wars Revisited: Navigating the Ideological Landscape in Post-2010 Social Horrg of horror conventions and social commentary. As part of the horror film trend commonly known as “social horror” (Heba 1995; Kronja 2016), . championed the filmic representation of sociopolitical ideologies in the United States at a time when horror codes and sociocultural issues acquired recognize作者: 蟄伏 時間: 2025-3-27 05:00
Black Bodies/White Spaces: The Horrors of White Supremacy in , (2017)starting point for Peele’s exploration of race in the United States was the way the racialized structures of social environments produced and organized unequal race relations. This structural perspective on race allows . to raise political questions that deeply resonated with the dominant concerns o作者: conifer 時間: 2025-3-27 05:30 作者: mendacity 時間: 2025-3-27 11:11
“I Can’t (Don’t) Breathe”: White Veterans and Twenty-First-Century Culture Warsho single-handedly defends his home against three youths seeking to steal his savings. The film was so successful that five years later it spawned a sequel, . (Rodo Sayagues 2021) in which the veteran fights members of a brutal gang who invade his home and kidnap the girl he calls his daughter..Both作者: 不能逃避 時間: 2025-3-27 16:25 作者: 誘拐 時間: 2025-3-27 18:15 作者: 使習(xí)慣于 時間: 2025-3-28 01:06
“Say His Name”: , (2021) as a Critique of Black Trauma Pornlent avenger killing strangers as symbolic substitutes. Innocent Black men systematically targeted and lynched are reborn as vengeful revenants in search of communal recognition and propagation, conjured through performative utterance. The creation of a new Candyman signals that anti-Black hostility作者: MENT 時間: 2025-3-28 03:55 作者: 星球的光亮度 時間: 2025-3-28 06:28 作者: 馬籠頭 時間: 2025-3-28 10:41
Preying on the Other: Culture Wars Narratives in Horror Hunting Filmsction of Donald Trump in 2016. His election polarized American society and entered popular cultural tropes, including horror films. It seems that the culture wars constructed an ideological “Other,” a monstrous Other who evinces the main features of the horror monster: it is menacing, as it aims to 作者: 紅腫 時間: 2025-3-28 14:59
Humans Hunting Humans: Allegories of Cultural and Economic Divides across National Boundariesvelop. More specifically, it focuses on the transnational dimension of the horrific situations that films like . (Kleber Mendon?a Filho and Juliano Dornelles 2019), . (Craig Zobel 2020), and . (Everardo Gout 2021) imagine. The introduction to the chapter offers an overview of some key concerns and a作者: 合唱隊 時間: 2025-3-28 18:52
“Obliteration of the Unfit”: Disposable Other Bodies and Economic Privilege in the , Film Seriesen on the public. . film series (2013–2021) comments on the elimination of the undesirable elements in American society in a very similar vein. The series consists of five films and presents purging as a political tactic of the New Founding Fathers, who urge their citizens to commit any crime once a作者: troponins 時間: 2025-3-29 01:24 作者: 重畫只能放棄 時間: 2025-3-29 03:04
Estimation of Population Densityh century, but also ultimately proved triumphant in those wars. Because the two . films together grossed more than $120 million in US box-office revenue, their themes and messages seem to resonate strongly with audiences around the country.作者: Entrancing 時間: 2025-3-29 11:11
Harvest and Pre-Fermentation Processingdiscrimination. The second section explores abjection in relation to the demands of Black masculinity. The third interprets storytelling as a means of resistance against social abjection in the times of the #BlackLivesMatter movement..In the movie, abjection is the result of spatial violence and rac作者: LINE 時間: 2025-3-29 12:53
Identification of Wine Microorganismsack trauma porn (a ritual for white guilt catharsis). The recent . creators reimagine the revenant as a vehicle for “Black wrath”: he avenges his death following police brutality, killing those that gentrify and terrorize his community. . (2021) provides answers to novel questions: How do Black horr作者: 招待 時間: 2025-3-29 15:39
Panagiotou Mihalis,Grigoriadou Mariao the horror hunting film . (Craig Zobel 2020), focusing on how the film narrativizes contemporary culture wars issues. We argue that through a satiric treatment of the culture wars, it lays near the clash of values that underpin them.作者: dearth 時間: 2025-3-29 21:15 作者: instill 時間: 2025-3-30 00:22
