標(biāo)題: Titlebook: Cultural Representations of Massacre; Reinterpretations of Sabrina Parent Book 2014 Sabrina Parent 2014 Africa.film.independence.politics.a [打印本頁(yè)] 作者: 聲音會(huì)爆炸 時(shí)間: 2025-3-21 19:18
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作者: 刺激 時(shí)間: 2025-3-21 23:33
Kathryn Zabelle Derounian-Stodolatics. In Senegal, de Gaulle’s speech to the people was interrupted several times by demonstrators in favor of immediate independence. Irritated, de Gaulle stated that those who wanted independence should take it, an invitation “accompanied by the threat of a complete rupture in the event of a ‘no’ v作者: 煩憂 時(shí)間: 2025-3-22 01:48
Book 2014In this book, Parent puts together a history of representations of the 1944 mutiny in Senegal. Combining firsthand analysis of the works and their intertextual interactions as well an external perspective, Parent engages with history, literature, film, poetics, and politics and highlights the importance of remembering the past.作者: Enthralling 時(shí)間: 2025-3-22 08:08 作者: 半球 時(shí)間: 2025-3-22 10:08 作者: 蔓藤圖飾 時(shí)間: 2025-3-22 16:48 作者: 蔓藤圖飾 時(shí)間: 2025-3-22 18:40 作者: ANTH 時(shí)間: 2025-3-22 22:14 作者: 繁殖 時(shí)間: 2025-3-23 03:39 作者: 落葉劑 時(shí)間: 2025-3-23 06:46 作者: induct 時(shí)間: 2025-3-23 12:42
Weak States and Great Power Grand Strategy,reer as a writer and continued until the 1980s to be a prolific novelist. Among his early novels are . (., 1956), .! (., 1957), and . (., 1960). In these books, he tackles economic, social, and racial issues in what critics have characterized as a social realist mode, in the tradition of Zola and Br作者: tympanometry 時(shí)間: 2025-3-23 14:27
Environment, Politics and Social Changelebrity, Bouchareb directed a significant number of movies, which commonly address the impact of history on the life of individuals, especially average, everyday people. He has made about a dozen films since 1976, including . (., 1994), nominated for an Oscar for Best Foreign Language Film, and . (2作者: N斯巴達(dá)人 時(shí)間: 2025-3-23 19:08
Environment, Politics and Social Changecomplete work in 2005. It contributed to disseminating a work that had until then remained mostly unknown. Despite an early and discreet first publication, I argue that, like Bouchareb’s movie, Faye’s play belongs to a third phase of representing the mutiny and massacre. Indeed, the tone in which Fa作者: 元音 時(shí)間: 2025-3-24 00:23 作者: overweight 時(shí)間: 2025-3-24 05:20 作者: SUE 時(shí)間: 2025-3-24 08:43
their intertextual interactions as well an external perspective, Parent engages with history, literature, film, poetics, and politics and highlights the importance of remembering the past.978-1-349-44596-7978-1-137-27497-7作者: 正論 時(shí)間: 2025-3-24 11:16 作者: restrain 時(shí)間: 2025-3-24 16:43
http://image.papertrans.cn/d/image/240887.jpg作者: 孵卵器 時(shí)間: 2025-3-24 19:44 作者: CANT 時(shí)間: 2025-3-25 01:59 作者: Infirm 時(shí)間: 2025-3-25 05:04
Dismantling Thiaroye’s Dichotomies in Cheikh Faty Faye’s Playtion, I argue that, like Bouchareb’s movie, Faye’s play belongs to a third phase of representing the mutiny and massacre. Indeed, the tone in which Faye depicts the mutiny has more in common with Bouchareb’s than it has with Doumbi-Fakoly’s, Diop’s, or Sembene’s.作者: osteoclasts 時(shí)間: 2025-3-25 10:10 作者: antiandrogen 時(shí)間: 2025-3-25 14:43
Weak States and Great Power Grand Strategy,n fictional and journalistic writing. In addition to his regular participation in French and Senegalese newspapers— he is the founder of the first independent newspaper in Senegal, .— Diop’s journalistic activity also includes his participation as an essayist in collective works such as . (., 1993) and . (., 2005).作者: 不感興趣 時(shí)間: 2025-3-25 19:16 作者: 烤架 時(shí)間: 2025-3-25 23:00 作者: tangle 時(shí)間: 2025-3-26 03:08
Boubacar Boris Diop’s Thiaroyen fictional and journalistic writing. In addition to his regular participation in French and Senegalese newspapers— he is the founder of the first independent newspaper in Senegal, .— Diop’s journalistic activity also includes his participation as an essayist in collective works such as . (., 1993) and . (., 2005).作者: 飾帶 時(shí)間: 2025-3-26 04:53 作者: mucous-membrane 時(shí)間: 2025-3-26 09:48 作者: 身心疲憊 時(shí)間: 2025-3-26 13:28
Conclusionlel between the massacres of Sanankoro/Effok and Thiaroye in Diop’s play and in Sembene’s movie, and the personal and familial impacts of the war in Keita’s poem and in Bouchareb’s animated movie—the works respond to those that precede, contributing to a certain family resemblance within the corpus.作者: lethargy 時(shí)間: 2025-3-26 18:44 作者: Maximizer 時(shí)間: 2025-3-26 23:29
Introductionstory Cheikh Faty Faye, author of . (., 2005)—a play that will be studied later in this essay. By mixing various cultural (movies, plays, novels, etc.) and historical productions, and combining Senegalese with French viewpoints, the festival explored a moment of colonial history considered a common past shared by France and Senegal.作者: FLAG 時(shí)間: 2025-3-27 05:05
their intertextual interactions as well an external perspective, Parent engages with history, literature, film, poetics, and politics and highlights the importance of remembering the past.978-1-349-44596-7978-1-137-27497-7作者: Lignans 時(shí)間: 2025-3-27 07:50 作者: EWER 時(shí)間: 2025-3-27 09:43
Weak States and Great Power Grand Strategy,ese books, he tackles economic, social, and racial issues in what critics have characterized as a social realist mode, in the tradition of Zola and Brecht. In his later books, . (., 1965), . (1973), . (., 1981), and . (., 1987), Sembene addresses issues related to the corruption of the African elite in newly independent states.作者: CANE 時(shí)間: 2025-3-27 16:57 作者: Gleason-score 時(shí)間: 2025-3-27 20:11
Introductionon III, of the military corps known as the . (Senegalese infantrymen).. The festival included a number of cultural events, such as the . (.) exhibition hosted at the Dakar French Institute, and screenings of films, such as . (., 2006) by Rachid Bouchareb, and documentaries, such as . (., 1985) by Er作者: condescend 時(shí)間: 2025-3-27 22:04
Historical Background and Representations of Thiaroyepters. Before concentrating on the historical accounts of the Thiaroye mutiny, I will give a brief overview of the French colonization of West Africa, the . (Indigenousness Code) imposed by France on overseas populations, the creation and history of the military corps of the ., and the role of the c作者: 無(wú)表情 時(shí)間: 2025-3-28 02:45
Léopold Sédar Senghor’s Thiaroyed not only in poetry but also in politics. In 1983, the French Academy opened its doors to him, welcoming poetic works including . (., 1945), . (., 1948), . (1956), . (1961), . (., 1972), and . (., 1979). The 2007 publication of his complete works of poetry by the . (National Center for Scientific R作者: Focus-Words 時(shí)間: 2025-3-28 09:08
Fodeba Keita’s Thiaroyesire for immediate independence from France with its 1958 referendum, wherein 96 percent voted for independence. By renouncing French tutelage in establishing his new country’s institutions, Sékou Touré offended de Gaulle, who wanted to be the mastermind behind African states’ independence. Miffed b作者: 光明正大 時(shí)間: 2025-3-28 14:24
Boubacar Boris Diop’s Thiaroye and philosophy. His fictional works include . (., 1981), . (., 1990), . (., 1993), . (., 1997), and . (., 2000), which explores the drama of the 1994 genocide in Rwanda. His most recent novel in French, . (.), was published in 2006. His fictive works all combine history with African legends. In 200作者: 凌辱 時(shí)間: 2025-3-28 16:01
Doumbi-Fakoly’s other writers and artists considered in this study, he has been eager to promote pan-Africanism, as evidenced by his 1997 essay, . (.). Trained in France as a banker, Doumbi-Fakoly chose to be heard as an essayist. His latest essay, published in 2006, . (.) advocates, as the title indicates, the rec作者: Firefly 時(shí)間: 2025-3-28 20:08 作者: tendinitis 時(shí)間: 2025-3-29 02:31 作者: Feckless 時(shí)間: 2025-3-29 05:13
Dismantling Thiaroye’s Dichotomies in Cheikh Faty Faye’s Playcomplete work in 2005. It contributed to disseminating a work that had until then remained mostly unknown. Despite an early and discreet first publication, I argue that, like Bouchareb’s movie, Faye’s play belongs to a third phase of representing the mutiny and massacre. Indeed, the tone in which Fa作者: 記成螞蟻 時(shí)間: 2025-3-29 10:51
Conclusion of works, in terms of both the historical event they represent and establishing an explicit or implicit dialogue between them. Through the recurrence of the same narrative elements—such as the parallel between the First and Second World Wars in Senghor’s poem and in Doumbi-Fakoly’s novel, the paral
