標(biāo)題: Titlebook: Cultural Heritage in a Changing World; Karol Jan Borowiecki,Neil Forbes,Antonella Fresa Book‘‘‘‘‘‘‘‘ 2016 The Editor(s) (if applicable) an [打印本頁] 作者: odometer 時(shí)間: 2025-3-21 20:05
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作者: Vsd168 時(shí)間: 2025-3-21 23:56 作者: 啜泣 時(shí)間: 2025-3-22 00:58
The Museum as Information Space: Metadata and Documentationfunction as an institutional entity on the Internet, for in this new information space, objects, collections and museums, all function as independent components in a vast universe of data, side by side at everyone’s disposal at anytime. Potentially, users can access cultural heritage anytime, anywhe作者: Annotate 時(shí)間: 2025-3-22 08:16
The Museum of Gamers: Unmediated Cultural Heritage Through Gamingnow available everywhere, people expect a new normal from museums besides mere objects and explanatory texts next to them. As the emblematic medium of contemporary societies games offer engagement methods. Recent marketing strategies such as loyalty games and gamification prove that use of technolog作者: 只有 時(shí)間: 2025-3-22 11:59
Change of Museums by Change of Perspective: Reflecting Experiences of Museum Development in the Contich encourages multi-layered meanings in museum objects to become more visible, aiming to renegotiate the roles of museum experts and visitors and to strengthen international networking between heritage institutions in order to broaden national perspectives on heritage and overcome Eurocentric views作者: 形容詞 時(shí)間: 2025-3-22 14:26
The Place of Urban Cultural Heritage Festivals: The Case of London’s Notting Hill Carnivalntral to the transmission of tradition. The ephemerality of festivals, as well as the inconvenience, expense, and gentrification-effects to which such large scale events can contribute, has led to questions about their ability to sustain community cohesion and socio-economic wellbeing. Drawing on th作者: 形容詞 時(shí)間: 2025-3-22 21:05 作者: coagulate 時(shí)間: 2025-3-22 23:15
The Spanish Republican Exile: Identity, Belonging and Memory in the Digital World the foundations, for the first time, for the study of the memory of the exile in the digital domain. We start by recounting the burgeoning creation of websites and social media groups devoted to the republican exile, from 1998 to 2015, and link it with both contemporary Spanish political events and作者: 潛伏期 時(shí)間: 2025-3-23 04:13 作者: RUPT 時(shí)間: 2025-3-23 08:42
Redefining Sustainable Livelihoodswe show how creative work in mixed teams of performance artists, researchers and practitioners on the one hand, and researchers from technology and design-focused disciplines on the other, is instrumental to the development of what we call ‘interdisciplinary artscapes’ and ‘interdisciplinary knowled作者: 梯田 時(shí)間: 2025-3-23 11:12 作者: 性別 時(shí)間: 2025-3-23 15:16 作者: commensurate 時(shí)間: 2025-3-23 18:16 作者: Contort 時(shí)間: 2025-3-24 02:10 作者: 放逐 時(shí)間: 2025-3-24 05:39 作者: 外形 時(shí)間: 2025-3-24 07:53 作者: FILLY 時(shí)間: 2025-3-24 10:45 作者: harpsichord 時(shí)間: 2025-3-24 18:17 作者: heterogeneous 時(shí)間: 2025-3-24 20:35 作者: 空中 時(shí)間: 2025-3-25 02:58
Interdisciplinary Collaborations in the Creation of Digital Dance and Performance: A Critical Examinns in creation and making processes. These interdisciplinary work spaces present a tremendous potential for innovative art making, as they bring together deep knowledge of the arts and artistic sensibility with a sound understanding of technology languages and possibilities. At the same time, being 作者: CHIP 時(shí)間: 2025-3-25 05:24 作者: 相同 時(shí)間: 2025-3-25 11:17 作者: 土產(chǎn) 時(shí)間: 2025-3-25 15:01
Copyright, Cultural Heritage and Photography: A Gordian Knot?ives and photograph agencies, and to make the digitised images available via the European portal, Europeana. The collections spanned 100 years of photography from 1839 to 1939 and many of the photographs depicted individuals and family life during these 100 years. In this contribution we explore the作者: 鋼盔 時(shí)間: 2025-3-25 18:03 作者: 舔食 時(shí)間: 2025-3-25 23:47 作者: Bridle 時(shí)間: 2025-3-26 01:01
The Museum of Gamers: Unmediated Cultural Heritage Through Gaminga new concept for galleries, libraries, archives and museums (GLAMs). Pointing to a new future for libraries, Negroponte was already aware that being digital had its own reality, which was to create ambiguity in relation to the value of physicality or pure materiality, a reality that the world had b作者: 多產(chǎn)魚 時(shí)間: 2025-3-26 04:49
Change of Museums by Change of Perspective: Reflecting Experiences of Museum Development in the Conts to this process and to become places where all members of society feel represented and are stakeholders in their cultural heritage. But what about local and regional museums which are preserving cultural heritage? Are these museums ready for this type of Europe? For a society that is getting more 作者: FLOAT 時(shí)間: 2025-3-26 08:56 作者: 細(xì)胞學(xué) 時(shí)間: 2025-3-26 14:17
The Place of Urban Cultural Heritage Festivals: The Case of London’s Notting Hill Carnival Moreover, the increasing role of culture in city making has rendered them spaces of consumption, entertainment, pleasure, and festivity. Large European events such as London’s Notting Hill Carnival, Berlin’s Carnival of Cultures, and the Rotterdam Summer Carnival attract huge global audiences. Desp作者: 平常 時(shí)間: 2025-3-26 20:31
Tools You Can Trust? Co-design in Community Heritage Workds. It will draw on the experiences of conducting the project and broader critical frames to examine the nature of collaborative working in the field of cultural heritage and storytelling. It will outline the lessons we have learned from the process and the ways in which the relationships between ci作者: GREEN 時(shí)間: 2025-3-26 21:43 作者: outskirts 時(shí)間: 2025-3-27 01:09 作者: 慷慨不好 時(shí)間: 2025-3-27 07:59 作者: 暗語 時(shí)間: 2025-3-27 12:11 作者: 有毛就脫毛 時(shí)間: 2025-3-27 13:35 作者: 殖民地 時(shí)間: 2025-3-27 18:38 作者: 卷發(fā) 時(shí)間: 2025-3-28 00:46
Indigenous Women Claiming Their Landge. In Italy, the Ministry for Cultural Heritage and Activities and Tourism (MiBACT) has undertaken several programs involving the use of digital technology to promote a larger access to cultural heritage, through the collection of metadata on cultural products preserved in the country and the provi作者: infringe 時(shí)間: 2025-3-28 02:54 作者: Muffle 時(shí)間: 2025-3-28 07:01
BACT) launched the online consultation #culturasenzaostacoli in order to financially support a project for museum accessibility. The National Archaeological Museum of Cagliari received the most votes. Since then the museum’s team started working on the project that was called “l(fā)iquid museum”, mainly作者: 極深 時(shí)間: 2025-3-28 14:09
e objects are information carriers organized in a catalogue system. In this chapter, the museum will be conceived as an information space, consisting of an information system related to different methods of reasoning. We will highlight the new possibilities offered by digital technology and the chan作者: fulcrum 時(shí)間: 2025-3-28 16:29
Youna Kima new concept for galleries, libraries, archives and museums (GLAMs). Pointing to a new future for libraries, Negroponte was already aware that being digital had its own reality, which was to create ambiguity in relation to the value of physicality or pure materiality, a reality that the world had b作者: 微粒 時(shí)間: 2025-3-28 22:39 作者: IST 時(shí)間: 2025-3-29 00:29
Youna Kimeneral population is aware of this fact, cultural heritage is still underexplored and cultural activities are not incorporated into citizens’ lifestyle. Technology offers a potential to increase awareness about cultural offerings and create a public engagement with Culture. The current digital solut作者: 欺騙世家 時(shí)間: 2025-3-29 03:24
Pam Nilan Moreover, the increasing role of culture in city making has rendered them spaces of consumption, entertainment, pleasure, and festivity. Large European events such as London’s Notting Hill Carnival, Berlin’s Carnival of Cultures, and the Rotterdam Summer Carnival attract huge global audiences. Desp作者: Ascendancy 時(shí)間: 2025-3-29 11:11 作者: MUTE 時(shí)間: 2025-3-29 11:30 作者: fidelity 時(shí)間: 2025-3-29 17:26
ally created by exile descendants’ associations, research groups or private individuals. The recent growth of social networks, especially Twitter and Facebook, has simplified the exchange of this information and allowed the culture of the Republican exile to spread through the Internet and beyond, a作者: Feigned 時(shí)間: 2025-3-29 19:43
has been undermined, since the 1980s until now China has entered a phase of rapid economic development, but the development of culture and education has not always equally kept pace. Universal education is still a problem for China, and Chinese tradition risks becoming a ‘relic’. Now, we want to reb作者: Ptosis 時(shí)間: 2025-3-30 00:22
https://doi.org/10.1007/978-3-319-29544-2Creativity; Cultural Economics; Cultural Heritage; Digital Heritage; Heritage作者: muffler 時(shí)間: 2025-3-30 07:39
978-3-319-39072-7The Editor(s) (if applicable) and the Author(s) 2016作者: 運(yùn)氣 時(shí)間: 2025-3-30 09:02 作者: 詞匯表 時(shí)間: 2025-3-30 14:07
http://image.papertrans.cn/d/image/240815.jpg作者: Bombast 時(shí)間: 2025-3-30 18:38
ral heritage practices.Targets researchers as well as policy.The central purpose of this collection of essays is to make a creative addition to the debates surrounding the cultural heritage domain. In the 21st century the world faces epochal changes which affect every part of society, including the 作者: 捐助 時(shí)間: 2025-3-30 22:40 作者: Fierce 時(shí)間: 2025-3-31 02:12
Book‘‘‘‘‘‘‘‘ 2016century the world faces epochal changes which affect every part of society, including the arenas in which cultural heritage is made, held, collected, curated, exhibited, or simply exists. The book is about these changes; about the decentring of culture and cultural heritage away from institutional s
